Erik Per Sullivan

  • 18 February 2005

Occupation

Actor

Unfaithful Review

By David Levine

Weak

Adrian Lyne is a director in flux. His mainstream film pedigree shows an aptitude for the making of great porn with films containing soft lighting, perfect bodies, and well-choreographed sex. Lyne's resume tells stories of incest (Lolita), adultery (Fatal Attraction), sex for money (Indecent Proposal) and carnal lust (Nine 1/2 Weeks). With Unfaithful, Lyne uses pieces from several prior efforts to tell a more complete adult drama, but he fails to create anything we have not seen before.

In Unfaithful, as with Fatal Attraction, Lyne uses a seemingly normal suburban family as the target for adulterous activities. Edward Sumner (Richard Gere) is the owner of an armored car company who works long hours in the office and at home. Edward's wife, Connie (Diane Lane), appears to be the happy housewife as she gets their son Charlie (Erik Per Sullivan) dressed, fed, and off to school every morning. Connie is working on an auction fundraiser for Charlie's school when a dark, exotic stranger Paul (Olivier Martinez) drifts into her life. (Sounds like porn, doesn't it?) Their initial encounter is innocent, but built on a series of lies and deceptions, a fanatical love affair is struck between the two strangers.

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Christmas With The Kranks Review

By Rob Blackwelder

Zero

As I write this, the time is 8:32 p.m. on Thursday, November 18, 2004, and I have just walked out on "Christmas With the Kranks" after roughly 45 minutes of mind-numbingly humorless, sit-com barrel-bottom idiocy.

An adaptation of John Grisham's "Skipping Christmas" that has been violently stripped of any semblance of humanity, this supposed comedy is about a couple called the Kranks (ha, ha, ha), played by Tim Allen and Jamie Lee Curtis, whose daughter won't be home for Christmas, so they choose to bow out of the festivities altogether and take a cruise. But apparently their choice amounts to a social offense of the first order in the bogus, plot-device suburbia where the movie takes place (during a transparently bogus winter). It even makes the newspaper.

Soon an army of neighbors are beating down their door like some Yuletide Gestapo, angrily demanding they put up their seasonal decorations while Curtis inexplicably cowers inside like a child.

Continue reading: Christmas With The Kranks Review