Sigourney Weaver (born Susan Alexandra Weaver, 8.10.1949) Sigourney Weaver is an American actress, perhaps best known for her role in the 1980s blockbuster film series Alien.
Childhood: Sigourney Weaver was born to Elizabeth Inglis and Pat Weaver in New York City. Her mother was an English actress and her father was a television executive for NBC. She chose the name Sigourney for herself, after reading F. Scott Fitzgerald' The Great Gatsby.
As a child, Sigourney Weaver attended the Ethel Walker School, followed by the Chaplin School. She went on to graduate from Stanford University with a BA in English. She went on to gain a Master if Fine Arts degree at Yale University's School of Drama, where she appeared in a production of Stephen Sondheim's Frogs.
Acting Career: In 1977, Sigourney Weaver landed a role in Woody Allen's Annie Hall; a role that would go on to earn her a great deal of critical acclaim. The film also starred Allen himself, as well as Diane Keaton and Shelley Duvall.
It was two years later, though, that Sigourney Weaver became a household name, when she starred in Ridley Scott's blockbuster action sci-fi film, Alien. Alien also starred Tom Skerritt and Veronica Cartwright. Weaver was nominated for a Best Actress Oscar for her performance, but lost out to Mary Steenburgen in Time After Time. Sigourney Weaver reprised her role as Ellen Ripley in the subsequent films in the franchise. Aliens, the first sequel, was not directed by Ridley Scott but by James Cameron and the third was directed by David Fincher. Alien Resurrection was released after a break, in 1997 and was directed by Jean-Pierre Jeunet. It also starred Winona Ryder.
The Year of Living Dangerously, released in 1983, starred Sigourney Weaver alongside Mel Gibson, Linda Hunt and Michael Murphy.
In 1984, Sigourney Weaver appeared in the popular science fiction comedy Ghostbusters, with Dan Aykroyd, Bill Murray and Harold Ramis. She also appeared in the sequel, Ghostbusters II.
1988 was a pivotal year for Sigourney Weaver, as she appeared firstly in Working Girl, with Harrison Ford, Melanie Griffith and Alec Baldwin. Next, she starred in Gorillas in the Mist, playing the role of the naturalist Dian Fossey. She was nominated for Academy Awards for both roles but lost out to Jodie Foster and Geena Davis. Weaver did, however, win a Golden Globe award for both of her performances.
1993 saw Sigourney Weaver star in Dave, a comedy-drama film starring Frank Langella, Ving Rhames and Kevin Kline. This was followed, two years later, with an appearance in 1995's Copycat, in which she played the role of Helen Hudson, an agoraphobic criminal psychologist.
Weaver then focused on a number of smaller roles, in films such as A Map of the World and Snow Cake before appearing in Ang Lee's The Ice Storm, which also featured performances from Christina Ricci, Elijah Wood, Joan Allen and Tobey Maguire. In 2001, she worked with Jennifer Love Hewitt on the comedy film Heartbreakers.
In 2008, Sigourney Weaver provided the voice for the computer in Disney's WALL*E.
Weaver's first performance in a 'made for TV' movie came in 2009, when she starred in Prayers for Bobby. She was nominated for an Emmy Award for her performance in the film, which also starred Ryan Kelley. Later that year, James Cameron's epic 3-D film Avatar was released, with Sigourney Weaver joining Sam Worthington and Michelle Rodriguez in the title roles. The film was nominated for a huge number of awards and was noted for its groundbreaking cinematic technology.
Personal Life: In 1967, Sigourney Weaver was engaged to the reporter Aaron Latham. In 1984, she married Jim Simpson, a filmmaker, with whom she has a daughter, Charlotte.
A difficult movie to market, this isn't actually the BFG-style fantasy adventure it looks like. Instead, it's a darkly emotional journey taken by a young boy who is grappling with huge issues he doesn't quite understand. In other words, it's a film for adults that centres on a child. It's also one of the most moving films in recent memory, with a powerful cast and a remarkably resonant sense of authenticity even in its big effects-based sequences.
In northern England, 12-year-old Conor (newcomer Lewis MacDougall) is running his home while his mother (Felicity Jones) undergoes treatment for cancer. He's rather annoyed that his grandmother (Sigourney Weaver) keeps butting in to take over, and also that his father (Toby Kebbell) lives in America and can only drop in for short visits. Overwhelmed by all of this, Conor imagines the gigantic yew tree in a nearby churchyard coming to life and visiting him at night. This monster (voiced by Liam Neeson) spins a series of fables about princes and dragons, exploring complex themes Conor can't quite grasp because they don't have the simple morality of obvious heroes and villains. And now the monster tells Conor that he has to recount the final story himself, and that it has to be the truth.
Yes, this film is exploring the wrenching nature of mortality and grief, and how it feels to discover for the first time what it means to each of us personally. Thankfully, writer Patrick Ness (adapting his own novel) and director J.A. Bayona (The Impossible) are clever enough to make a film that will touch grown-ups and children in very different ways. The basic story works as an adventure odyssey with strong dramatic kicks. And while youngsters are caught up in the rich depth of ideas that are momentous but just out of reach, the audience members with experience in this area will find some scenes almost overwhelmingly emotional.
Continue reading: A Monster Calls Review
Sigourney Weaver attends the photocall of 'Un Monstruo Viene a Verme' (A Monster Comes To See Me) - the film in the US and UK is being called A Monster Calls. Royal Theater Madrid - Madrid, Spain - Monday 26th September 2016
Conor's life has never been easy, his mother is loving but any other family members are distant from the young boy. He's bullied at school and is increasingly turning into a loner. One night Conor goes to sleep but it awakened by a noise at the window.
What is revealed to Conor is a monster who starts talking with the boy. He says he'll tell the boy a series of stories in return for the boy eventually telling his own. As nights pass, the monster and the boy become closer friends but as the monster begins to get Conor into trouble, he must face up to a few issues in his life that he's been avoiding.
A Monster Calls is an adaptation of the Patrick Ness book of the same name. The book was originally published in 2011 but had its roots actually came from famed children's author Siobhan Dowd who wrote Bog Child. Dowd began work on the A Monster Calls before her death but unfortunately ran out of time, at which point Ness picked the novel up.
A Monster Calls stars Liam Neeson, Lewis MacDougall, Felicity Jones & Sigourney Weaver.
It's been more than 30 years since the Ghostbusters first hit the big screen with a then-original mix of comedy and supernatural action. Intriguingly, this new film is neither a sequel nor a remake; it's a reboot of the franchise, which loosely adapts the original 1984 premise to all-new characters. Thankfully, the screenplay is smart and funny, and the cast is flat-out hilarious.
It opens as university professor Erin (Kristen Wiig) sees her hopes for tenure evaporate when a book she wrote years ago with her childhood pal Abby (Melissa McCarthy) resurfaces, affirming their belief in ghosts. So Erin seeks out Abby, and discovers that she's still researching the supernatural, now with the sharp-witted gadget maker Jillian (Kate McKinnon). With spirit sightings on the rise in New York, the three decide to launch a ghost-busting business, joined by city expert Patty (Leslie Jones) and bimbo receptionist Kevin (Chris Hemsworth). But the apparitions popping up around the city are getting increasingly malevolent, and it's clear that an apocalypse is brewing.
The basic plot is lifted from the original movie, which is referenced in virtually every scene. Most of this is rather distracting, because a more original storyline would have been a lot more involving and the in-jokes will be lost on younger audiences. But it's fun to see the original cast members turn up here and there in random cameos.
Continue reading: Ghostbusters Review
Weaver played Dana Barrett in 1984’s 'Ghostbusters' and the 1989 sequel.
Sigourney Weaver will make an appearance in the upcoming all-female Ghostbusters reboot, director Paul Feig has confirmed. Feig made the blockbuster announcement on Twitter, after defending his film and its female-led cast from fans unhappy with the reboot.
Sigourney Weaver is returning to Ghostbusters.
‘Gang, trying to keep surprises but this is about to leak, so I'll tell you myself: the awesome Sigourney Weaver is going to be in our movie!,’ the director tweeted on Friday. Weaver starred as Dana Barrett in 1984’s original Ghostbusters movie and returned for it’s less-well-received 1989 sequel.
Continue reading: Paul Feig Announces 'Ghostbusters' Reboot Will Feature Sigourney Weaver
The BAFTA nominee stars as robot engineer Deon in 'Chappie'.
Dev Patel stars in one of the most unusual sci-fi movies of recent years, 'Chappie', in which he plays a celebrated engineer and inventor of a robotic police force. However, communicating with a robot as opposed to another actor was always going to bring its challenges.
Dev Patel stars alongside Sharlto Copley in 'Chappie'
He's probably best known for starring in the Oscar winning Eastern drama 'Slumdog Millionaire', but Dev Patel is no stranger to the sci-fi fantasy genre. In 2010, he appeared in M. Night Shyamalan's 'The Last Airbender', but rather than having to weave around various special effects, this time he was expected to enact scenes with an inanimate object.
This is a terrific small film about artificial intelligence wrapped within a much bigger, less involving action blockbuster. When he's grappling with issues of existence and consciousness, filmmaker Neill Blomkamp has a lot of fascinating things to say. But he also seems unable to resist tipping everything into contrived chaos, adding an unconvincing villain and lots of violent gun battles. It's an awkward mix that might please action movie fans more than those who like to engage their brains.
It's set after 2016, when the Johannesburg police deployed a team of Scout robots to bring order to the gang-ruled streets. This has been a bonanza for the tech company Tetravaal, run by hard-nosed CEO Michelle (Sigourney Weaver), who chose the Scout model, designed by the nerdy Deon (Dev Patel), over a more military-style behemoth called Moose, designed by trigger-happy Vincent (Hugh Jackman). Meanwhile, a low-life trio of offbeat, high-energy thugs (Ninja, Yo-Landi Visser and Jose Pablo Cantillo) decide to crack into the Scout's control system, so they kidnap Deon, inadvertently getting their hands on his newest prototype, the first truly sentient robot. When he's switched on, Chappie (Copley) has a sensitive soul and learns rather too quickly from his captors.
With films like District 9 and Elysium, Blomkamp showed an ability to seamlessly integrate technology with a rough and real story, and the effects work here is remarkable mainly because we never see how they're done. The robots look utterly natural mixing with humans, and Copley's performance is so astonishing that Chappie quickly becomes a hugely sympathetic character, uncannily taking on the traits of the people around him. It also helps that the film's script continually puts Chappie into situations that force us to feel his emotions and, most importantly, his powerful sense of self-preservation. Yes, he wants to live!
Continue reading: Chappie Review
Neill Blomkamp will direct the next film in the 'Alien' franchise, 20th Century Fox announced on Wednesday (18th February).
A new film in the Alien franchise has been announced. The upcoming project, produced by the original Alien director Ridley Scott, will be directed by Neill Blomkamp. Blomkamp is best known for directing District 9 and will work on the upcoming Alien project independently from Scott's other Alien franchise film, a sequel to Prometheus.
Neill Blomkamp will direct the upcoming Alien film.
Continue reading: Neill Blomkamp To Direct New 'Alien' Movie, Produced By Ridley Scott
Mankind has the potential to build wondrous things, yet it also truly fears what it doesn't understand. After working for the best part of a year on creating a thinking, feeling artificial intelligence, Deon Wilson (Dev Patel) is close to realising that vision. Said vision is CHAPPiE (Sharlto Copley), and when he is finally activated, he serves as a true breakthrough for mankind. CHAPPiE is a capable of thinking and learning, yet he also has the potential for creating destruction. It is this potential that worries Vincent Moore (Hugh Jackman), who sets out with the intent to destroy CHAPPiE before he can cause any damage.
Continue: Chappie - Trailer
Aside from impressive 21st century digital effects, this new take on the Moses story pales in comparison to Cecil B. DeMille's iconic 1956 version, The Ten Commandments, which is far more resonant and intensely dramatic. Biblical epics are tricky to get right, and Ridley Scott certainly knows how to make them look and feel terrific (see Gladiator and Kingdom of Heaven), but his films are generally about the spectacle rather than the human emotion. So this version of the biblical story will only appeal to viewers who have never seen a better one.
It's set in 1300 BC, when the Israelites have been in captivity in Egypt for 400 years. Now rumours of liberation are circling, centring on Moses (Christian Bale), the adopted son of Pharaoh Seti (John Turturro), raised as a brother alongside the future Pharaoh Ramses (Joel Edgerton). When it emerges that Moses is actually a Hebrew, he is sent into exile in the desert, where he finds a new calling as a shepherd and marries his new boss' sexy daughter Sefora (Maria Valverde). Moses also has a run-in with the Jewish God, who appears in the form of a young boy (Isaac Andrews), challenging Moses to free the Israelites. As Moses attempts to spark a slave revolt, God sends seven horrific plagues to convince Ramses to let his people go.
The script struggles to have its cake and eat it too, finding rational explanations for the plagues and miracles while still maintaining God's supernatural intervention. It's a rather odd mix that demonstrates just how compromised the movie is: it's a big blockbuster rather than a story about people. Several elements work well, such as depicting God as a boy, although the screenplay never manages to make much of the female characters. And only Ben Mendelsohn manages to inject any proper personality as the weaselly overseer of the slaves. Bale and Edgerton both catch the complexity of their characters' situations, privilege mixed with personal revelations. But Scott is more interested in parting the Red Sea than taking them anywhere very interesting.
Continue reading: Exodus: Gods And Kings Review
Rupert Murdoch has attempted to defend the casting of 'Exodus: Gods and Kings' after critics claimed the film's casting was racially insensitive.
Date of birth
8th October, 1949
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