Josh Trank will no longer be directing the 'Star Wars' spin-off film.
Director Josh Trank has announced his departure from a standalone Star Wars project. The Chronicle director was supposed to direct a spin-off film, similar to Star Wars: Rogue One which is currently being developed by Gareth Edwards. Trank, who has also directed the upcoming Fantastic Four remake, announced he was leaving the Star Wars project on Friday (1st May) via the film franchise's website.
The upcoming Star Wars film, The Force Awakens, is due to be released in December.
Continue reading: Director Josh Trank Leaves 'Star Wars' Spin-off, Citing Personal Reasons
30 years ago, the Rebel Alliance struck their killing blow against the Galactic Empire. The Emperor has been defeated, and his right hand man, Darth Vader, is dead. The second Death Star has been destroyed, and celebration reigned across the galaxy. But it was not the victory we once thought it was. With Imperial soldiers scattered across the galaxy, the Storm Troopers have rallied behind a new leader, a new Dark Lord of the Sith. But old heroes will rise once again, and come out of retirement, to once again wage war across the stars. The Force has awakened once more.
Continue: Star Wars: The Force Awakens Trailer
People are becoming more and more aware of the potential of AI uprising, so 'Ex Machina' may be just a little more than simple science fiction.
'Ex Machina' is the directing debut of writer Alex Garland, who burst onto the cinematic scene in 2000 with Danny Boyle's adaptation of his novel 'The Beach'. Since then, he has explored sci-fi themes in screenplays for '28 Days Later', 'Sunshine', 'Never Let Me Go' and 'Dredd'. But 'Ex Machina' is a completely new approach for him.
'Ex_Machina' comes from writer/director Alex Garland
The film is set, he says, "10 minutes into the future", exploring technology that is possible but doesn't quite exist yet. With just three characters, it's a contained exploration of artificial intelligence, a subtle story that features one of Garland's trademark genre twists, but never boils over into his usual riotous mayhem.
Continue reading: Alex Garland's 'Ex_Machina' Touches A Real Nerve
Slick and seductive, this exploration of artificial intelligence may essentially only have three characters, but it's complex, provocative and thoroughly engaging. After writing screenplays for films like 28 Days Later and Never Let Me Go, Alex Garland moves easily into the director's role, telling a superbly atmospheric story that twists and turns in subtle ways to both draw us in and freak us out. And the cast adds even more depth to the interaction.
Caleb (Domhnall Gleeson) is one of the smartest geeks at a technology mega-corporation, and he's thrilled when he wins a competition to spend two weeks with company founder Nathan (Oscar Isaac) at his vast isolated estate somewhere in the far reaches of what looks like Scandinavia. Once there, Nathan assigns Caleb to evaluate his latest invention, a robot named Ava (Alicia Vikander), and see if she passes the Turing Test: does Caleb remember that he's interacting with a computer? As Ava and Caleb check each other out, the heavy-drinking Nathan watches perhaps a bit too closely. Caleb begins to realise that he's never out of view, and Ava warns him not to trust Nathan. Then strange power cuts begin to hint that something else is going on here.
Where this goes is surprising because most of Garland's scripts and novels escalate to scenes of outrageous horror. But this story remains controlled and internalised; even when it gets violent, it remains emotionally resonant. And these three characters are fascinating (the fourth person in the house is Nathan's mute sushi chef, played by Sonoya Mizuno). Their conversations are packed with subtext, continually shifting the power while making us wonder who's really in control here. And the actors play them with earthy authenticity. Vikander has an uncanny humanity even though 80 percent of her body is a special effect. Gleeson is thoroughly likeable, easy to identify with as he falls into the rabbit hole. And Isaac is simply magnetic in the way he combines Nathan's groovy laid-back attitude with something vaguely sinister.
Continue reading: Ex Machina Review
Alex Garland's directorial debut is a sci-fi masterpiece.
Alex Garland, the writer of 28 Days Layer and Sunshine, could have delivered one of the finest directorial debuts in years with Ex Machina - a stylish new thriller featuring the talents of Domhnall Gleeson.
Domhnall Gleeson stars in Alex Garland's superb Ex Machina
The Irish actor - who will appear in Star Wars Episode VII: The Force Awakens - plays Caleb, a programmer at an internet-search giant who wins a competition to spend a week at a private mountain estate of the company's reclusive CEO, Nathan Bateman (Oscar Isaac).
Continue reading: With 100%, Domhnall Gleeson's 'Ex Machina' Could Be Film of 2015
Domhnall Gleeson - Director Alex Garland & actor Domhnall Gleeson at a preview screening of their movie 'Ex Machina' at The IFI, Dublin, Ireland - 19.01.15. - Dublin, Ireland - Monday 19th January 2015
Domhnall Gleeson - Brendan Gleeson with his two sons, Brian and Domhnall Gleeson in costume for a full dress rehearsal of their new stage play 'The Walworth Farce' at The Olympia Theatre. - Dublin, Ireland - Friday 9th January 2015
Leona Allen, Brian Gleeson and Domhnall Gleeson - Brendan Gleeson & sons Brian Gleeson and Domhnall Gleeson with Leona Allen at a photocall for their play The Walworth Farce (opens 14th January) in The Olympia Theatre, Dublin, Ireland - 09.01.15. - Dublin, Ireland - Friday 9th January 2015
Winning first prize in a competition, Caleb (Domhnall Gleeson) is sent to meet the CEO and creator of the company he works for. Arriving at the mysterious private home of the illusive Nathan (Oscar Isaac), Caleb believes that he may have a chance to relax and get to know the man that created the company, and possibly earn a promotion at some point in the future. What he soon realises, is that Nathan has organised this event in order for Caleb to serve as a test subject, used to monitor the progress on of the greatest achievement of mankind to date - a fully functioning AI named Ava (Alicia Vikander). As Caleb realises what is going on, he steadily begins to learn about the meaning of being human, all through his interaction with what will soon be mankind's replacement.
Continue: Ex-Machina Trailer
With a true story that's almost hard to believe, this inspiring biographical drama is made with attention to detail and a remarkable resistance to sentiment. And strong acting helps bring the characters to life, even if everything feels a little too carefully staged. But it's the real-life aspect that grabs the attention, and a central figure who's a remarkable example of the indomitable human spirit. The film also marks an auspicious step forward for Angelina Jolie as a director, telling a big story without giving in to the usual sappy moviemaking pitfalls.
Son of Italian immigrants, Louie Zamperini (Jack O'Connell) grew up in 1920s Southern California and by the time he hit his teens is on the way to becoming a criminal. But his brother Pete (Alex Russell) helps him channel his energy to running instead, and his natural skill make him a local champion as well as an American record-holder at the 1936 Berlin Olympics. When the war breaks out, he enlists and serves as a bombardier in the Pacific, surviving a plane crash before later going down at sea and drifting with two colleagues (Domhnall Gleeson and Finn Wittrock) for 47 days before being captured by the Japanese. From here he endures a horrific stint in a prisoner of war camp, taunted by the cruel commandant everyone calls The Bird (Miyavi), who takes particular notice of Louie simply because he refuses to break.
Jolie assembles the film as a big-budget epic, with massive set pieces as the plot cycles through several outrageous episodes before settling in on the prison years. Cinematographer Roger Deakins carefully contrasts Louie's sunny California youth with the much starker visit to Nazi Germany and the astoundingly bleak Japanese prison camp, with those endless days baking at sea in the middle. So the film looks terrific, drawing us into each chapter in Louie's story while building a sense of momentum. It's not quite as complex as it looks; Louie's darker moments feel a bit superficial. But O'Connell adds some weight to each scene, offering a kick of emotion as well as the charisma that convinces the men around him to draw inspiration from his tenacity.
Continue reading: Unbroken Review
Set three decades after the devastating events of 'Star Wars Episode VI: Return of the Jedi', the latest instalment sees a whole new adventure for Luke Skywalker and company, as both the light and dark of the universe clash once again. Episode VII, entitled 'Star Wars:
It doesn't tell us much, but here's your first taster of 'Star Wars: The Force Awakens'.
It's finally here! The teaser trailer you've all been waiting for: 'Star Wars: The Force Awakens', and while it's not really giving anything away, it looks pretty intense. Vehicles have updated, the stormtroopers are looking shinier and R2D2 appears to have evolved.
Star Wars returns in December 2015
Since George Lucas announced his retirement from the franchise, there's been all sorts of speculation about what differences could be expected from an updated sequel: though it's difficult to tell from the less than one and a half minute trailer. Everyone seems to be in a rush (especially, in a comical fashion, R2D2) and there's some brand new faces, who all look a little nervous as a voiceover booms out: 'There has been an awakening. Have you felt it? The dark side and the light.'
Sometimes, a competition can reward you with more than you bargained for. When a 24-year-old coder for the world’s largest investment company wins the chance to spend a week with the companies CEO, he has no idea what is in store for him. Caleb (Domhnall Gleeson) travels into the middle of nowhere to find the retreat of CEO Nathan (Oscar Isaac), but he soon discovers that the contest has actually entered him into an insane experiment, rather than offering him a reward. Steadily, it is revealed that Nathan has actually developed the world’s first AI, and from there, the world will never be the same again.
Continue: Ex-Machina Trailer