Taking your first steps into adulthood is never easy, but for a young Irish woman named Eilis Lacey it's about to get more complicated than she ever could have imagined. She is encouraged to travel across the Atlantic to Brooklyn, New York by her local priest Father Flood, seeking opportunities and a promising career. Once there she settles into a job and a place of residence, but becomes overcome by homesickness when she starts to receive letters from home. Confused about whether or not she wants to continue her life in Brooklyn, the question is answered for her when she meets a handsome bachelor named Tony at a dance who is everything she could want in a partner. However, after tragedy strikes at home, she is forced to return, and she really can't be sure if she'll make it back to Brooklyn - especially when a former flame catches her eye once again.
Continue: Brooklyn Trailer
30 years ago, the Rebel Alliance struck their killing blow against the Galactic Empire. The Emperor has been defeated, and his right hand man, Darth Vader, is dead. The second Death Star has been destroyed, and celebration reigned across the galaxy. But it was not the victory we once thought it was. With Imperial soldiers scattered across the galaxy, the Storm Troopers have rallied behind a new leader, a new Dark Lord of the Sith. But old heroes will rise once again, and come out of retirement, to once again wage war across the stars. The Force has awakened once more.
Continue: Star Wars: The Force Awakens Trailer
People are becoming more and more aware of the potential of AI uprising, so 'Ex Machina' may be just a little more than simple science fiction.
'Ex Machina' is the directing debut of writer Alex Garland, who burst onto the cinematic scene in 2000 with Danny Boyle's adaptation of his novel 'The Beach'. Since then, he has explored sci-fi themes in screenplays for '28 Days Later', 'Sunshine', 'Never Let Me Go' and 'Dredd'. But 'Ex Machina' is a completely new approach for him.
'Ex_Machina' comes from writer/director Alex Garland
The film is set, he says, "10 minutes into the future", exploring technology that is possible but doesn't quite exist yet. With just three characters, it's a contained exploration of artificial intelligence, a subtle story that features one of Garland's trademark genre twists, but never boils over into his usual riotous mayhem.
Continue reading: Alex Garland's 'Ex_Machina' Touches A Real Nerve
Slick and seductive, this exploration of artificial intelligence may essentially only have three characters, but it's complex, provocative and thoroughly engaging. After writing screenplays for films like 28 Days Later and Never Let Me Go, Alex Garland moves easily into the director's role, telling a superbly atmospheric story that twists and turns in subtle ways to both draw us in and freak us out. And the cast adds even more depth to the interaction.
Caleb (Domhnall Gleeson) is one of the smartest geeks at a technology mega-corporation, and he's thrilled when he wins a competition to spend two weeks with company founder Nathan (Oscar Isaac) at his vast isolated estate somewhere in the far reaches of what looks like Scandinavia. Once there, Nathan assigns Caleb to evaluate his latest invention, a robot named Ava (Alicia Vikander), and see if she passes the Turing Test: does Caleb remember that he's interacting with a computer? As Ava and Caleb check each other out, the heavy-drinking Nathan watches perhaps a bit too closely. Caleb begins to realise that he's never out of view, and Ava warns him not to trust Nathan. Then strange power cuts begin to hint that something else is going on here.
Where this goes is surprising because most of Garland's scripts and novels escalate to scenes of outrageous horror. But this story remains controlled and internalised; even when it gets violent, it remains emotionally resonant. And these three characters are fascinating (the fourth person in the house is Nathan's mute sushi chef, played by Sonoya Mizuno). Their conversations are packed with subtext, continually shifting the power while making us wonder who's really in control here. And the actors play them with earthy authenticity. Vikander has an uncanny humanity even though 80 percent of her body is a special effect. Gleeson is thoroughly likeable, easy to identify with as he falls into the rabbit hole. And Isaac is simply magnetic in the way he combines Nathan's groovy laid-back attitude with something vaguely sinister.
Continue reading: Ex Machina Review
Alex Garland's directorial debut is a sci-fi masterpiece.
Alex Garland, the writer of 28 Days Layer and Sunshine, could have delivered one of the finest directorial debuts in years with Ex Machina - a stylish new thriller featuring the talents of Domhnall Gleeson.
Domhnall Gleeson stars in Alex Garland's superb Ex Machina
The Irish actor - who will appear in Star Wars Episode VII: The Force Awakens - plays Caleb, a programmer at an internet-search giant who wins a competition to spend a week at a private mountain estate of the company's reclusive CEO, Nathan Bateman (Oscar Isaac).
Continue reading: With 100%, Domhnall Gleeson's 'Ex Machina' Could Be Film Of 2015
Winning first prize in a competition, Caleb (Domhnall Gleeson) is sent to meet the CEO and creator of the company he works for. Arriving at the mysterious private home of the illusive Nathan (Oscar Isaac), Caleb believes that he may have a chance to relax and get to know the man that created the company, and possibly earn a promotion at some point in the future. What he soon realises, is that Nathan has organised this event in order for Caleb to serve as a test subject, used to monitor the progress on of the greatest achievement of mankind to date - a fully functioning AI named Ava (Alicia Vikander). As Caleb realises what is going on, he steadily begins to learn about the meaning of being human, all through his interaction with what will soon be mankind's replacement.
Continue: Ex-Machina Trailer
With a true story that's almost hard to believe, this inspiring biographical drama is made with attention to detail and a remarkable resistance to sentiment. And strong acting helps bring the characters to life, even if everything feels a little too carefully staged. But it's the real-life aspect that grabs the attention, and a central figure who's a remarkable example of the indomitable human spirit. The film also marks an auspicious step forward for Angelina Jolie as a director, telling a big story without giving in to the usual sappy moviemaking pitfalls.
Son of Italian immigrants, Louie Zamperini (Jack O'Connell) grew up in 1920s Southern California and by the time he hit his teens is on the way to becoming a criminal. But his brother Pete (Alex Russell) helps him channel his energy to running instead, and his natural skill make him a local champion as well as an American record-holder at the 1936 Berlin Olympics. When the war breaks out, he enlists and serves as a bombardier in the Pacific, surviving a plane crash before later going down at sea and drifting with two colleagues (Domhnall Gleeson and Finn Wittrock) for 47 days before being captured by the Japanese. From here he endures a horrific stint in a prisoner of war camp, taunted by the cruel commandant everyone calls The Bird (Miyavi), who takes particular notice of Louie simply because he refuses to break.
Jolie assembles the film as a big-budget epic, with massive set pieces as the plot cycles through several outrageous episodes before settling in on the prison years. Cinematographer Roger Deakins carefully contrasts Louie's sunny California youth with the much starker visit to Nazi Germany and the astoundingly bleak Japanese prison camp, with those endless days baking at sea in the middle. So the film looks terrific, drawing us into each chapter in Louie's story while building a sense of momentum. It's not quite as complex as it looks; Louie's darker moments feel a bit superficial. But O'Connell adds some weight to each scene, offering a kick of emotion as well as the charisma that convinces the men around him to draw inspiration from his tenacity.
Continue reading: Unbroken Review
Set three decades after the devastating events of 'Star Wars Episode VI: Return of the Jedi', the latest instalment sees a whole new adventure for Luke Skywalker and company, as both the light and dark of the universe clash once again. Episode VII, entitled 'Star Wars:
Louis Zamperini (Jack O'Connell) is a rebel. His constant fights and reckless behaviour cause more than enough trouble for his family. They believe he will amount to nothing, despite his incredible ability to never give in - no matter what. When he applies himself to running, he discovers that he is very good at it. More than that; Zamperini is great and competes in the Olympic Games. When World War Two begins, Zamperini enlists in the US Air Force, but is shot down by Japanese planes. Captured and placed in a Prisoner of War camp, Zamperini is forced to apply his will and drive in order to make it through the toughest ordeal of his life.
Continue: Unbroken - Alternative Trailer
Louis Zamperini has learned to fight tooth and nail for what he believes in all through life. It may have caused him one or two problems with the law in his youth, but it taught him that to achieve success, he must fight harder than anyone else. It's with this attitude that he joins his school track team, eventually surpassing the sprinting talents of all the local sportsmen. He lands a place on the US 5000 metres team for the 1936 Berlin Olympics before disaster strikes. It's World War II and America has become involved with the conflict; Louis must put his promising running career on hold in order to joined the US Army Air Force and defend his country. But he is faced with new challenges when he and his comrades find themselves adrift on the Pacific Ocean following a devastating plane crash. Unfortunately for them, waiting on the land ahead at Japanese soldiers who inter him and his peers in a Tokyo prison. What he subsequently displays during his time there is a remarkable show of strength of character, fearlessness and an unwavering courage that would touch millions.
Continue: Unbroken Trailer
Frank is an eccentric musician who refuses to be seen without the giant paper mache cartoon head he wears. As he embarks on a pursuit of fame and fortune, he enlists an aspiring artist named Jon to join his band Soronprfbs. Joined by Frank's short-tempered theremin player Clara and his manager Don, the band move to Ireland where they set out to record their debut album. Jon goes about getting the band's videos all over the internet, in a bid to land the most serious gig of their lives: South by Southwest Festival in Austin, Texas. But tension starts to arise as Frank's relentlessly mysterious persona gets increasingly more annoying, and he himself appears to be starting to lose his own head.
Continue: Frank Trailer
It looks like JJ Abrams and his team are building a full-size Millennium Falcon for the new movie.
We have been given our first look at the brand new Millennium Falcon that is being built for the upcoming Star Wars: Episode VII, thanks to an alleged photo leak TMZ has published. The new shots, which are purported to feature full-size space vehicles from the sci-fi franchise, have strongly hinted that Han Solo's iconic spaceship and others will be included in Jj Abrams upcoming reboot.
If the photos are real, they are evidence that Abrams' team has decided to create full-size versions of the vehicles that George Lucas' movies only made in miniature model sizes. It will also indicate that Episode VII will use minimal CGI effects in favour of high spec props and spacecraft models. Eagle-eyed observers also spotted what looks like an X-Wing starfighter amongst the other unknown constructions.
The photos were evidently taken in some kind of cavernous hangar which fans are speculating could be England's Pinewood Studios, where much of the movie's filming will take place. Vast sets are shown being built out of wood and covered with ladders and scaffolding as Abrams' vision slowly takes form.
Continue reading: Millennium Falcon Photos From 'Star Wars 7' Set Leak: Could It Be?
Director J.J. Abrams has sent the cast and crew of ‘Star Wars: Episode VII’ an enthusiastic note thanking them for their hard work and hoping can make “something great”.
J.J. Abrams has written to the cast and crew of Star Wars: Episode VII, encouraging them in the production began shooting last Friday (16th May) in London.
J.J. Abrams is directly Star Wars Episode VII.
Abrams sent a touching note to every member of the cast and crew stating what “an honour” it was to work with them and thanking them for all the “work past and future.” Abrams, who is directing the upcoming instalment in Star Wars, wished the actors well and asked they “take good care” of themselves and “each other”. The picture was obtained by moviefone and appears to have been written on a discarded piece of script paper. He also reminded them of the magnitude of the task they are taking on. Towards the end of his note he wrote “the world awaits this film,” encouraging his cast and crew with “let’s give ‘em something great!”
While this comedy-drama is sometimes wilfully absurd, it's also exhilarating cinema, telling its story with conflicting amounts of warm emotion and prickly abrasiveness. Irish filmmaker Lenny Abrahamson (What Richard Did) is known for keeping his audience on its toes, shifting moods and navigating sharp plot turns. And while it takes a while to get into the rhythms of this movie, it ultimately wins us over entirely.
Loosely based on the true story of English musician Chris Sievey (aka Frank Sidebottom), the film centres on the art-punk band Soronprfbs, which is fronted by Frank (Michael Fassbender), who wears a gigantic papier-mache head both on and off stage. While touring in Britain, he recruits the nerdy aspiring musician Jon (Domhnall Gleeson) to join the band for a gig in Ireland and then stick around to write and record the next album. This means that Jon must figure out how to relate to the bandmates, all of whom seem to have serious issues. Frank's girlfriend is the freaky noisemaker Clara (Maggie Gyllenhaal), and there's also hapless manager Don (Scoot McNairy) and opinionated but aloof musicians Baraque and Nana (Francois Civil and Carla Azar).
Abrahamson lets the film play out in the same utterly bonkers style as Soronprfbs' chaotic songs: veering from subtle harmony to soaring emotion to pure chaos. And through it all there's a remarkably resonant centre as we take this journey alongside Jon, who is played by Gleeson like the obnoxious little brother we can't help but love. Meanwhile, Fassbender delivers a remarkably soulful performance from within that big head, using his voice and body to add layers of intriguing depth. And Gyllenhaal continually surprises by undermining her intensely scary character with unexpected expressions of raw feeling.
Continue reading: Frank Review
Domhnall Gleeson had some complimentary words for Angelina Jolie.
Star Wars actor Domhnall Gleeson has complimented director Angelina Jolie for her work on forthcoming war drama Unbroken. The Irish actor stars in the biopic of Louis Zamperini and praised Jolie for "getting stuck in."
Maggie Gyllenhaal [L], Michael Fassbender [Centre] and Domhnall Gleeson [R] in 'Frank'
"She likes to get stuck in. She's some woman. She's great," he told the Press Association of Angelina.
Continue reading: Domhnall Gleeson On Director Angelina Jolie, "She's Some Woman"
Ready to play I Spy?
The cast of the new Star Wars movie has been revealed in a new teaser photo posted on the Star Wars website. The team shot shows includes John Boyega, Daisy Ridley, Adam Driver, Oscar Isaac, Andy Serkis, Domhnall Gleeson, and Max Von Sydow.
The franchise's new faces join original cast members Harrison Ford, Carrie Fisher, Mark Hamill, Anthony Daniels (C3PO), Peter Mayhew (Chewbacca), and Kenny Baker (R2D2). The photo shows the cast plus director JJ Abrams chilling out in comfy chairs as they lay the foundations for Disney's reboot of George Lucas' well-loved sci-fi movies.
Continue reading: Guess Who? 'Star Wars 7' Cast Revealed In Team Photo
After the 2011 black comedy The Guard, Brendan Gleeson reteams with writer-director John Michael McDonagh for a darker comical drama grappling with issues of faith and forgiveness. McDonagh's usual jagged dialogue and snappy characters are on-hand in abundance while the film digs deep through a rather meandering, episodic plot.
In rural Ireland, Father James (Brendan Gleeson) is quietly enduring confessionals when one of his parishioners says he's going to kill him next Sunday. Shaken, James begins to explore his faith and mortality over the coming week. His daughter Fiona (Kelly Reilly) arrives following another suicide attempt, and he consoles a grieving French visitor (Marie-Josee Croze) and visits an imprisoned killer (Domhnall Gleeson). But almost anyone in the village could be the aspiring murderer: the over-emotional butcher (Chris O'Dowd), drug-addict doctor (Aidan Gillen), ladies-man African (Isaach De Bankole), shifty millionaire (Dylan Moran), eccentric fisherman (M. Emmet Walsh).
Intriguingly, it never really matters who issued the threat (James has a pretty good idea), because that's not the point of the film. McDonagh is exploring bigger ideas here, adeptly mixing riotously funny dialogue with startlingly bleak emotions. The film's languid pace nearly lulls us to sleep, then wakes us up with another sparky scene-stealing performance from the gifted cast. Gleeson is wonderfully muted, expressing more with an exhausted sigh than most actors can manage with a Shakespearean monologue. His moments with Reilly crackle with honest emotion, and the deceptively simple scene between father and son actors Brendan and Domhnall is a heart-stopper.
Continue reading: Calvary Review
The Frank Sidebottom-inspired 'Frank' is opening Sundance London 2014.
After winning a prestigious award or starring in a blockbuster, many actors never look back to their humble, low-budget, indie film beginnings. Thankfully, Michael Fassbender is not one to be so chronically short-sighted and takes centre-stage in Lenny Abrahamson's marvellous, off-beat and quirky new movie, Frank.
Michael Fassbender Is Both Weird & Musical In 'Frank.'
Inspired by the life of masked musician and comedian Frank Sidebottom and the details written about him in screenwriter Jon Ronson's memoir, Frank is a fictional story that follows the journey of the world's most peculiar band from the rehearsal room to the big festival stage. Fassbender ('12 Years a Slave') is transformed into an enigmatic musician who insists on constantly wearing a giant, cartoon-like papier-maché head, even off-duty.
Fassbender stars as the titular masked musician in this Frank Sidebottom-inspired movie.
Sundance London 2014 will play host to many independent movies, but perhaps none so eagerly anticipated and talked about as Leonard Abrahamson's Frank, inspired by the life of frontman and comic personality, Frank Sidebottom. Frank will get its UK premiere on the festival's opening night on April 25 following its first screening at Sundance in Utah back in January.
Domhnall Gleeson Plays A Wannabe Musician Who Joins The World's Weirdest Band.
Michael Fassbender ('12 Years A Slave,' 'Shame') plays the titular masked musician and bandleader who wears a giant papier mache head throughout the film, which follows his band on their trip to playing the South by Southwest festival. Maggie Gyllenhaal and Domhnall Gleeson also star in the film as members of Frank's avant-garde pop band.
Louis Zamperini may have been a wayward child, constantly getting into trouble with the local authorities, but he would soon grow up to be an inspiration to people across the world. At a young age he joined his school's track team and eventually went on to land a place on the US 5000 metres team during the 1936 Berlin Olympics. However, as World War II hit the globe, he put his sporting career on hold to protect his country as a member of the US Army Air Force which subsequently saw him and his comrades captured by the Japanese army as prisoners of war after their plane crashed and they were adrift on the Pacific Ocean for 47 days. Louis' incredible determination and strength of character helped him pull through his ordeals and tell his story to the world and now, at the age of 97, he re-tells it for the big screen.
Continue: Unbroken - Teaser Trailer
Several films due to be premiered at the Sundance Film Festival are generating a hefty amount of conversation
The Sundance Film Festival is the place to be for young, aspiring filmmakers hoping to crack into the hotly-contested business of the movies. By the end of the film festival, which this year runs from 16-26 January, there are always a selection of film titles that are revived for the following awards season, and this year people are so eager for the celluloid showcase that a number of early contenders for festival glory have been marked before their debut release.
The dark God's Pocket stars Philip Seymour Hoffman and Eddie Marsan
In thirty years the film has discovered some of the most promising filmmakers out there and continues to deliver, from Roland Joffé’s The Killing Fields in the festival's opening year (1985) to last year's most notable success; Fruitvale Station, the debut feature length from Ryan Coogler. With another 120 films to get through this year it seems more than likely that at least one of the releases will be leaving Park City, Utah, with more than a few skiing lessons and a commemorative t-shirt.
Father James Lavelle is a good-natured priest whose life is thrown into confusion and disarray when an anonymous man tells him in confession that he will kill him in a week's time - the only reason being because Lavelle is an innocent man. Of all the shocking things he's ever heard in confession, none have thrown him quite as much as this. Unable to go to the police under the rules of the 'Seal of the Confessional', Lavelle consults his church peers pondering whether it was merely an idle threat, or whether his life really is in danger. In his apparent last week in existence, he scrutinises the corrupt individuals of his sin-filled parish, wondering along the way why people seem to focus more on their vices than their virtues, but when his beloved church is burnt to the ground, his views on good and evil become distorted.
'Calvary' is the darkly comic drama about the timeless story of good and evil, and guilt and innocence. It has been directed and written by BAFTA nominated John Michael McDonagh ('The Guard', 'Ned Kelly') and is set in Ireland's beautiful West Coast countryside. The film is set to be released on April 11th 2014.
Attention now turns to finding the right actor to play Mr Christian Grey.
The 50 Shades of Grey movie appears to be in turmoil with just over two weeks before a huge crew descends on Vancouver for the first official day of shooting, with Universal and Focus Feature expecting to release the movie - based on E.L. James' erotic novel - in August, 2014.
Continue reading: '50 Shades Of Grey' Movie Cast In Turmoil After Charlie Hunnam's Exit
Is it really 'About Time' for rom-com king Richard Curtis, responsible for 'Notting Hill' and 'Love Actually', to bow out?
Master of the romantic comedy genre, Richard Curtis, who helped bring us some of Britain's best-loved romance films of the last three decades has said that he thinks upcoming film About Time will be his last.
The thrice BAFTA-winning, Oscar-nominated director has tole Empire magazine, as reported by The Independent, that "[About Time] probably will be the last film I will direct." The 56 year-old filmmaker admitted he himself wasn't sure why he wanted to bow out, saying "I don't know. Just a feeling...just a feeling. It feels like a summing-up to me. We'll see how things turn out."
Richard Curtis Thinks About Time Will Be His Swansong.
Actor Ben Daniels is the new favourite to replace Matt Smith as Doctor Who this Christmas.
Ben Daniels is the latest name to become the favourite to inherit the role of Doctor Who in the long-running BBC series. Very soon there'll be very few British male actors who haven't been rumoured to be taking over the controls to the TARDIS as the Merlin actor now has the most favourable odds at 6/1. With previous odds of 16/1, Chiwetel Ejiofor (Salt, American Gangster) now closely follows Daniels at 7/1.
Could Ben Daniels Take Over From Matt Smith As The New Doctor?
However, chances are the new Who may not be a male actor at all; there have been calls for the new Doctor to be female, which would mark a first for the series which has run since 1963.
Continue reading: Ben Daniels Is New Favourite For 'Doctor Who' Job: Could He Be The One?
Tim Lake is 21-years-old and not exactly what you call an expert in the art of getting girlfriends. However, all that's about to change when his father lets him in on an incredible secret the day after a shambolic New Year party; all the men in their family can travel back in time and change things that have happened in their lives. Given that he is so clumsy around beautiful women, Tim uses this to his advantage, giving himself a second chance on first impressions. He manages to woo a beautiful girl named Mary with his advances, having honed them to perfection, but little does he realise just how dangerous his actions are. When he accidentally slips up during one time warp incident, he discovers that Mary has never met him before and that several months of romance have completely vanished. He must try and win her back once again, but accept that he cannot avoid the problems life and love inevitably bring - no matter how many times he tries.
Continue: About Time Trailer
Tolstoy's iconic novel may have been filmed several times, but you've never seen a version like this. Clever writer Tom Stoppard and visually whizzy director Joe Wright combine talents with this ambitious film, which sets all of the action in a theatre that expands and shifts into a variety of settings.
Yes, it's rather strange, but it's also drop-dead gorgeous.
Knightley reteams with Pride & Prejudice and Atonement director Wright to deliver another solid performance as Anna, an aristocrat in 1870s St Petersburg who is married to the achingly nice establishment gent Alexei (Law) but falls under the spell of the bland but sexy young heartbreaker Vronsky (Taylor-Johnson). And when she gets pregnant, she has to make a very difficult decision. The central theme is that these people are characters in a play dictated to them by their restrictive Russian society, so they have little choice but head toward tragedy.
Fortunately, there's a parallel plot about a wealthy farmer (Gleeson) who rejects so-called civilised society to stay in touch with the earth. He pursues the smart, young Kitty (Vikander), also entranced with Vronsky but beginning to become disgusted with so-called civilised culture. The film includes a rather huge number of characters, including Anna's womanising brother (Macfadyen) and his longsuffering wife (a particularly excellent Macdonald). And Wright and Stoppard effortlessly let everyone swirl around each other in a huge pool of emotion.
Although this pool often feels frozen over, as the feelings are pretty icy. So it's good to have open-hearted performances by Macdonald and Gleeson to hold our interest. Knightley is excellent, although we never understand why Anna does anything she does (which is the whole point). But perhaps the most impressive thing about this film is its astoundingly beautiful design: the sets, costumes, photography and music are sumptuous and lush, never fussy but always adding to the intensity of each scene. Look for it to deservedly hoover up Oscar nominations across the board.
It's the not-so-distant future, and 800 million people are crammed into the only remaining inhabitable area in North America, a mega-city that covers the East Coast. With so many people, crime is out of control, so cops and lawyers have been replaced with judges who arrest, try and execute criminals on the spot. Dredd (Urban) is a particularly efficient judge, assigned one day to take trainee Anderson (Thirlby) with him for evaluation. But they walk into a nasty gang war in a 200-storey tower block, where snarling gang boss Ma-Ma (Headey) locks them in and starts hunting them down. And while Dredd and Anderson have to be careful not to kill the block's innocent residents, Ma-ma doesn't care how many people die.
Continue reading: Dredd Review
Riseborough gives her best-yet performance as Colette, a young IRA operative who visits London in 1993 and is arrested by MI5 agent Mac (Owen). He offers her a terrible deal she can't refuse: if she wants to avoid prison to raise her son, she'll have to return to Belfast and spy on her mother (Brennan) and activist brothers (Gillen and Gleeson). But when she gets home, she discovers that the IRA boss (Wilmot) knows there's a spy in their midst. Is he talking about her? Or is there another one? And Mac is also a bit nervous when his boss (Anderson) starts acting suspicious.
Continue reading: Shadow Dancer Review
In a chaotic dystopian future, America has turned into one huge slum devastated by the Atomic Wars and overrun with criminals. Survivors of the old world dwell in megacities in order to separate themselves from the radioactive parts of the world known as Cursed Earth occupied by mutant people. The only ones enforcing any kind of order in the country are the Judges of the Hall of Justice; police officers that have been given the role of judge, jury and executioner. Judge Dredd is the most advanced and experienced Judge and takes it upon himself to mentor a rookie called Cassandra Anderson who possesses psychic powers due to a genetic mutation caused in the Atomic Wars. The pair bravely venture to the one place that few Judges ever dare to endeavour; a two-hundred floor drug manufacturing base run by the heavily scarred, merciless Ma-Ma in one unruly city known as Mega City One. She and her ring of criminals are producing a new drug on a massive scale called Slo-Mo which makes the consumer perceive time moving at 1% of its normal speed. Judge Dredd and Cassandra must fight for their lives as they embark on a deadly mission to end Ma-Ma's reign of power.
Continue: Dredd Trailer
Date of birth
12th May, 1983
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