Domhnall Gleeson looks set to take on a leading role in DC and Vertigo film 'The Kitchen'.
Based on the DC/Vertigo comic book series of the same name, 'The Kitchen' is the upcoming New Line Cinema film release that tells the story of a group of women who have all married into the Irish mafia. Set in Hell's Kitchen, New York, the narrative sees the men of the industry arrested, with the women then forced to take over their criminal empires. It soon becomes clear however that these ladies aren't ones to be messed with, and they've learned a lot from their significant others.
Domhnall Gleeson will play Gabriel O'Malley in 'The Kitchen'
Elisabeth Moss, Melissa McCarthy, Tiffany Haddish and Margo Martindale have all been confirmed to lead the film as the mafia wives, and now another big name has been added to proceedings. Domhnall Gleeson is said to be extremely close to signing on as Vietnam vet Gabriel O'Malley; a man who worked as a hitman and managed to escape the authorities by skipping town.
Continue reading: Domhnall Gleeson Joins Cast Of Upcoming Mafia Movie 'The Kitchen'
Filmmakers have had to apologise over disturbing scenes in the new movie.
Sony Pictures has been forced to apologise over a particular scene in the new children's film 'Peter Rabbit', which appears to depict Peter and his friends using McGregor's serious food allergy against him. Experts and parents of children with allergies have called for a boycott.
The 'Peter Rabbit' world premiere
People may make jokes about gluten and dairy intolerances all the time, but the fact remains that food allergies are an all too real horror for many, with children being especially vulnerable to potential attacks. Children have died because of bullies deliberately exposing them to their allergy, which makes the scene in the new film - a modern, semi-animated adaptation of the classic Beatrix Potter story - all the more disturbing.
Continue reading: 'Peter Rabbit' Under Fire For Making Light Of Food Allergies
After the thunderous reception for J.J. Abrams' Episode VII: The Force Awakens two years ago, writer-director Rian Johnson had a lot to live up to with Episode VIII. And he delivers more than anyone expected: a lucid, entertaining film that operates on four distinct planes, deepens all of its characters, enriches the mythology and constantly surprises the audience with twists and turns. It's a little overwhelming, a nonstop two and a half hours of action and intensity without any time to catch your breath. But there's also a steady stream of sharp humour to help keep things in perspective.
Visual effects were always a huge part of Star Wars movies, and The Last Jedi is no exception to using innovative technologies that made the whole experience possible.
The story picks up straight away, as the First Order led by Supreme Leader Snoke (Andy Serkis) presses its advantage to wipe out the rebellion for good. Snoke is playing his apprentice Kylo Ren (Adam Driver) off against General Hux (Domhnall Gleeson) for maximum effect as they launch an attack. Rebel General Leia (Carrie Fisher) is trying to protect her scrappy army, with pilot Poe (Oscar Isaac) trying against the odds to find a way to get them to safety. He sends rebel hero Finn (John Boyega) and mechanic Rose (Kelly Marie Tran) on a mission to track down a hacker who can give them a chance against the First Order. Meanwhile, Rey (Daisy Ridley) has tracked down Leia's brother, jaded Jedi master Luke (Mark Hamill), who is trying to teach her hard truths about the Force.
Continue reading: Star Wars: The Last Jedi Review
It was also a nostalgic affair for both actors.
The film Goodbye Christopher Robin is a biopic about Winnie the Pooh author A.A. Milne and his wife Daphne, played by Domhnall Gleeson and Margot Robbie. And for both actors, playing these upper crust English characters was a challenge, especially as the story dips into some very dark emotions.
Margot Robbie And Domhnall Gleeson star in 'Goodbye Christopher Robin'
Robbie was drawn to the project because she grew up with the books. "One of the reasons I wanted to do this project was because my mum used to do voices for my Winnie the Pooh and my teddies," she says, "which is what Daphne does to Christopher Robin in this film."
Darren Aronofsky doesn't make fluffy movies, and has only had one genuine misfire (2014's Noah). His best films are unforgiving explorations of artistic ambition (Black Swan), addiction (Requiem for a Dream) or mortality (The Wrestler), admittedly big themes. But this bonkers family horror movie perhaps has more in common with his ambitious existential sci-fi epic The Fountain: this is a resolutely symbolic movie that's impossible to take literally. And yet it still freaks us out.
It's set in a huge isolated house, which a young woman (Jennifer Lawrence) has been restoring for her older poet husband (Javier Bardem) after it burned down. Just as it's beginning to look good, and she starts thinking about starting a family, the husband invites a stranger (Ed Harris) to stay, and he encroaches on their hospitality by inviting his pushy wife (Michelle Pfeiffer) and their bickering sons (real-life brothers Domhnall and Brian Gleeson). After causing some chaos, they finally leave, the wife falls pregnant and the husband's writers' block finally breaks. But his new book inspires so much adulation from his fans that their happiness is in jeopardy.
Continue reading: Mother Review
This biopic about Winnie the Pooh author A.A. Milne may look like the usual lushly produced British period movie, but it's far more original than expected. Avoiding pushy sentimentality, the filmmakers go for something that's surprisingly grim, and the messiness of the people and situations makes it feel almost unnervingly real. It may be set in frightfully posh society, where cut-glass accents waft through sun-dappled woodlands, but there are gritty issues swirling through every scene.
It opens in 1941, as Alan and Daphne (Domhnall Gleeson and Margot Robbie) receive word about their son Christopher Robin, who is off fighting in the war. This triggers a flurry of flashbacks for Alan, who is still suffering from trauma after his own service in World War I. He returned from the front determined to stop writing frothy comedies for the stage and screen, and sets out to be more politically aware. After his wife gives birth to Christopher Robin, whom they call Billy, they move to the Sussex countryside. Billy is mainly raised by his nanny Olive (Kelly Macdonald), but as a young boy (Will Tilston) he also spends time with his father in the woods, making up stories about his collection of stuffed animals. These would become the Winnie the Pooh books, and they change the family's life as the public clamours to know the "real" Christopher Robin. So as Billy grows up (now Alex Lawther), he's determined to be his own man.
Director Simon Curtis (My Week With Marilyn) cleverly weaves the flashbacks to create a vivid sense of Alan's mindset. This of course triggers big emotions, but the filmmaker never wallows in them. Gleeson is superb in the role as a sensitive, creative man with a gentle twinkle in his eye and some very dark shadows deeper inside. In his privileged world, he's not allowed to show emotion, but the actor lets us see inside. Robbie has an even trickier role as the matter-of-fact Daphne, a good-time girl who rejects anything serious ("No blubbing!") but is clearly feeling everything very strongly.
Continue reading: Goodbye Christopher Robin Review
The Irish actor, who plays General Hux in the Star Wars saga, was dazzled by Rian Johnson's script.
After starring in the hugely successful The Force Awakens a couple of years ago, Star Wars actor Domhnall Gleeson has admitted that he only signed up to its sequel The Last Jedi after having been dazzled by the movie’s script.
The 34 year old Irish actor is set to reprise his role as the evil General Hux - the former head of the First Order's Starkiller Base – in the much-anticipated eighth Star Wars movie this December. However, he revealed that he was extremely surprised when he read the movie’s script, written by director Rian Johnson.
Speaking to Collider, Gleeson, explained: “When I read it I needed to talk to him, and I think that's always a good sign. I was like, 'Wow there's some stuff there which is kind of - not scary but different to what I expected,' and that's a really, really nice thing. I think that's a really positive thing, I think that's important for those films that we don't repeat ourselves.”
Peter Rabbit (James Corden) is a naughty little critter, easily identifiable by his little blue jacket. His favourite activity in the world is eating vegetables, and more often than not that involves sneaking into the garden of the often exasperated Mr. McGregor (Domhnall Gleeson). He takes his friends along with him - some of which you'll definitely recognise from Mrs. Tiggy-Winkle the hedgehog to Mr. Tod the fox - and together they have a whale of a time with an all-you-can-eat buffet of lettuce, carrots and tomatoes.
When Mr. McGregor returns home one day to find his garden ransacked and his house littered with leftovers, he thinks things couldn't get any worse. That is until he realises that there are a load of anthropomorphic animals hiding in his furniture. By the looks of things, he's not the furious farmer we read about in the original story - rather one of Peter's poor victims. But we'll soon discover what happens to the rebellious buck, and whether or not he learns his lesson about stealing from people's gardens.
Beatrix Potter's world famous children's characters have been brought to life in this wonderful CGI / live action comedy 'Peter Rabbit'. Directed by the Golden Globe nominated Will Gluck ('Friends with Benefits', 'Easy A', 'Annie'), who co-wrote the screenplay alongside Rob Lieber ('Alexander and the Terrible, Horrible, No Good, Very Bad Day'), the film is based on the original 1902 story 'The Tale of Peter Rabbit' - with a humorous modern twist, of course.
Continue: Peter Rabbit Trailer
An enjoyably freewheeling tone and Tom Cruise's star wattage combine to make this an entertaining true story. Packed with an astonishing sequence of absurd twists and turns, it's the kind of movie that could only be based on real-life events. But Cruise kind of overwhelms the material, turning it into a film about his trademark cock-of-the-walk swagger rather than an actual man who got caught up in a series of outrageous situations.
It opens in 1978, as airline pilot Barry Seal (Cruise) is approached by shifty CIA handler Schafer (Domhnall Gleeson) and offered a great job flying over Central America and taking spy photos of freedom fighters and terrorists. With his wife Lucy (Sarah Wright Olsen) oblivious, the job soon escalates into an arms-delivery service across the region. This introduces Barry to Colombian drug lord Jorge Ochoa (Alejandro Edda), who offers him huge amounts of cash to carry cocaine back to America on his return flights. Soon Barry is running a massive business under the protection of the CIA, DEA and Reagan's White House. But these are dangerous people, and a series of shaky events reminds Barry how precarious his position is.
The film is narrated with videotapes Barry records in 1986 to document everything he got up to over the previous eight years. This gives director Doug Liman and screenwriter Gary Spinelli a framework on which to hang a series of rapid-fire set pieces, and the story leaps quickly from one crazy moment to the next, rarely pausing for breath. This is a lot of fun to watch, especially because the details scattered throughout the script are so jaw-dropping. But this race through the material doesn't offer much time for character development, and Barry never seems like a person in his own right: he's Tom Cruise, flashing that white grin while diving into a series of dangerous stunts.
Continue reading: American Made Review
A young woman (Jennifer Lawrence) and her older husband (Javier Bardem) have the most perfect solitary life, spending all their time together in their beautiful and peaceful country home. But their paradise is about to be threatened with the arrival of an older couple (Ed Harris and Michelle Pfeiffer), who appear to mistake their home for a bed and breakfast. The young woman's husband is accommodating to them despite their mistake and her serious reservations about letting strangers sleep in their house. Pretty soon this union of two couples turns into a bloody tale of fear, insanity and a whole load of weirdness - more people arrive at the sanctuary and the young woman's husband seems to be somebody else completely. Now it's a game of survival - God help you.
Continue: Mother! Trailer
Domhnall Gleeson attends Burberry 'The Tale of Thomas Burberry' Campaign Party in London, United Kingdom - Tuesday 1st November 2016
Domhnall Gleeson , Saoirse Ronan - EE British Academy Film Awards 2016 (BAFTAs) held at Royal Opera House - Press Room at British Academy Film Awards - London, United Kingdom - Sunday 14th February 2016
Domhnall Gleeson - Director Alex Garland & actor Domhnall Gleeson at a preview screening of their movie 'Ex Machina' at The IFI, Dublin, Ireland - 19.01.15. - Dublin, Ireland - Monday 19th January 2015
Domhnall Gleeson and Brendan Gleeson - Brendan Gleeson with his two sons, Brian and Domhnall Gleeson in costume for a full dress rehearsal of their new stage play 'The Walworth Farce' at The Olympia Theatre. - Dublin, Ireland - Friday 9th January 2015
Domhnall Gleeson - 'Meet the Actors' panel featuring of the stars of 'Frank,' presented by Apple Store SoHo - New York, New York, United States - Saturday 9th August 2014
Date of birth
12th May, 1983
After the thunderous reception for J.J. Abrams' Episode VII: The Force Awakens two years ago,...
Darren Aronofsky doesn't make fluffy movies, and has only had one genuine misfire (2014's Noah)....
This biopic about Winnie the Pooh author A.A. Milne may look like the usual lushly...
Peter Rabbit (James Corden) is a naughty little critter, easily identifiable by his little blue...
An enjoyably freewheeling tone and Tom Cruise's star wattage combine to make this an entertaining...
A young woman (Jennifer Lawrence) and her older husband (Javier Bardem) have the most perfect...
Like most men and women of his time, Alan Alexander Milne - professionally known as...
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