Naomi Bishop is a senior investment banker who works in the male dominated world of Wall St Finance, and who quickly becomes involved in a world of corruption and scandal. In 'Equity', Bishop misses out on an opportunity for a promotion in her company when it becomes apparent that she miscalculated the IPO's (Initial Public Offering) value and didn't handle the going public news effectively, as a result she needs to prove herself once again. This leads to her courting the promising newcomers in order to get her foot in the door and spot a potential business opportunity.
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Ghostbusters is a new film for 2016 and is based on the 1984 film of the same name and is directed by Paul Feig. The film features four women on their quest to save New York City when various ghosts take over and exercise control over the humans.
Two authors Erin Gilbert and Abby Yates write a novel about the existence of ghosts and the revelation that they believe they do exist. However this novel is not taken seriously and when it becomes apparent that Gilbert wrote this book, she becomes the centre of a joke in her professional career as a teacher at Columbia University, even her students don't take her seriously.
This film quickly becomes the tell - tale narrative of who's laughing now, when Gilbert teams up with Yates and two other women to fight the ghosts that have decided to inhabit the city. A mission is deployed and the quartet set out to save the world from the evil ghost Rowan, providing the audience with lots of laughs along the way.
Bill Murray shines in this story of a cynical grump whose life is changed by his friendship with a bright young kid. Writer-director Theodore Melfi makes an assured debut with this hilariously astute, emotional punchy drama, which may sometimes feel a bit over-planned but gives the audience plenty to think about. And along with Murray, the film has especially strong roles for Melissa McCarthy, Naomi Watts and promising newcomer Jaeden Lieberher.
It's set in a New York suburb, where the neighbourhood grouch Vincent (Murray) is already having a bad day when he discovers meets the perky family next door: Maggie (McCarthy) and her curious son Oliver (Lieberher). She has just fled from her unfaithful husband (Scott Adsit) and is working extra hours to make ends meet, so she reluctantly agrees to let Oliver stay at Vincent's house after school. Intriguingly, Oliver is one of the few people Vincent can bear to be around, aside from the pregnant Russian stripper Daka (Watts) and his lively cat Felix. And Oliver is like a sponge, happily soaking up Vincent's knowledge about things like swearing, fighting and betting on the horses. Oliver has no real idea that all of this makes Vincent a seriously unsuitable role model.
Yes, the central point is that good people are sometimes hard to spot. Vincent may smoke, swear, gamble and hang out with hookers, but he also has a deep soul that Oliver witnesses in the way he takes care of Daka, or how he regularly visits his wife in a nursing home even though she has long forgotten who he is. Melfi makes the most of this perspective, seeing everything through the eyes of perceptive young actor Lieberher. And Murray shines in a role that adds clever shadings to the actor's usual on-screen bluster. The interaction between Oliver and Vincent snaps with personality, and sharp roles for McCarthy and Watts offer meaningful wrinkles, as do other side characters such as Chris O'Dowd's schoolteacher.
Continue reading: St. Vincent Review
Vincent is living a life of hedonism in his retirement from the army. An avid smoker and drinker with few friends save for nightclub dancer Daka, he's hardly what you'd call a friendly neighbour. Nonetheless, a recently divorced Maggie has moved in nearby with her impressionable young son Oliver and she is desperate for a babysitter. Never one to judge a book by its cover, she enlists Vincent to take care of him while she's at work, and while he's not cut out to deal with children realistically, he could really do with the cash. Oliver learns a lot from Vincent, who pays him to cut his lawn and who helps him overcome his bulllies at his new school, while Vincent also learns a little from his new friend, who unwittingly shows him that there's a lot more left in life for him to enjoy.
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St. Vincent de Van Nuys is a broke former soldier with a serious alcohol and gambling habit. He has few friends apart from nightclub dancer Daka, but that's all about to change when some new neighbours arrive. Maggie and her young son Oliver have moved in, with the latter feeling a little alienated as one of the only Jewish kids at school as well as being smaller than everyone else. Vincent decides to take him under his wing in a bid to earn a little more cash as a babysitter, and Oliver soon warms to him despite his hedonistic life and generally poor childminding skills. Maggie is unhappy that Vincent is introducing him to strip clubs, dingy bars and the racetrack, but it soon becomes clear that Oliver is exactly what Vincent needs to finally get his life on track.
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Miss Congeniality shows up The Other Guys in this riotously funny buddy-cop comedy, which overcomes its silly script with the ingenious pairing of Sandra Bullock and Melissa McCarthy. The plot is essentially a flimsy framework on which to hang a series of nutty set pieces, but they're so hilarious that we don't mind at all.
Bullock plays Ashburn, an FBI agent who endangers her upcoming promotion by being too obsessively efficient and showing up the boys. Her boss (Bichir) thinks she could use some new scenery, so sends her to Boston to find a drug kingpin. But she quickly encroaches on the turf of local detective Mullins (McCarthy), whose outside-the-box methods have deeply intimidated her frazzled chief (Wilson). As they investigate the same case, Ashburn and Mullins clash badly before they realise that they really should be working together. But neither is willing to relinquish even a tiny bit of control.
It's hard to remember the last time two over-40 actresses were allowed to play such lively characters. Bullock and McCarthy have a fantastic snap of chemistry on-screen, as they improvise much of their hysterical interaction. This is a terrific combination of Bullock's fearless slapstick physicality and McCarthy's stinging humour. They're a lot funnier when they're at each others' throats than when they're working together, although even then they use deadpan humour to play on their differences. And in another clever flip of the genre, the male actors all have thankless roles around the edges of the story.
Continue reading: The Heat Review
Justin Long will star in Mom, a new CBS comedy series. The actor will play the love interest of the central character, played by Anna Faris.
CBS' comedy Mom has added Justin Long to its cast. Chuck Lorre made the announcement at a promotional event for the series. He told the gathered press Octavia Spencer would also be making a guest appearance in an early episode.
Justin Long at the 2013 Tribeca Film Festival, New York.
Chuck Lorre, the executive producer and creator of the comedy, announced Long would be involved in the project. He will star opposite Anna Faris and act as her love interest. Faris, playing Christy, is the 'Mom' in question. She is a recovering alcoholic who decides to relocate with her children to the Napa Valley, California.
Continue reading: Justin Long Will Star With Anna Faris In CBS' New Comedy 'Mom'
Director Paul Feig was joined on the red carpet at the New York premiere for 'The Heat' at the Ziegfeld Theater by his wife Laurie Karon and several of the movie's stars including Demian Bichir with his Mexican actress wife Lisset Gutierrez, 'Still Single' star Jamie Denbo, Jessica Chaffin from 'Zoey 101', 'The Big Bang Theory' actor John Ross Bowie and Nate Corddry from 'Sunset Strip'.
Imogene cannot seem to move on from her unsuccessful career as a playwright in New York and her destroyed relationship with a former boyfriend. Dreaming of the past and what could've been, she goes into meltdown and wakes up in the bed of a psychiatric unit with a doctor informing her that she must either stay in hospital or be cared for by a close relative. She is ultimately forced to go back to her hometown in New Jersey to be with her wayward mother who has never had the ability to take care of her properly as a child let alone as an adult. However, when she gets home, she discovers that her mother is living with an eccentric compulsive liar and has rented out Imogene's bedroom to a young man, who happens to be rather charming. She soon learns that in order to get better and be able to stand on her own two feet again, she must accept her family as it is and forgive her mother for her past struggles.
Continue: Girl Most Likely Trailer
Sarah Ashburn is an FBI special agent with an unmatched record for closed cases. However, she is as much valuable as she is disliked as her flawless reputation has inflated her ego and turned her into a control freak who repeatedly fails to be a team player among her fellow agents. When her boss sends her to Boston, little does she know that she's about to meet her match in the shape of Detective Shannon Mullins; a loud-mouthed cop who has also never been good at working with other cops and makes for a truly formidable adversary. However, it is to everyone's surprise when these tough-talking law enforcers succeed in partnering up to bring in a particularly ruthless mobster with serious drug connections and manage to work together in interrogating his known associates. It soon becomes clear that these ladies are becoming less in the way of crime-fighting partners and more in the way of best friends.
This fantastic bad girl comedy sees Sandra Bullock ('Miss Congeniality') as an FBI agent yet again and, for this reason alone, guarantees it to become a huge comedy flick. Directed by Paul Feig ('Bridesmaids') and written by Katie Dippold ('MADtv', 'Parks and Recreation'), 'The Heat' is set to hit screens on April 5th 2013.
Director: Paul Feig
Continue: The Heat Trailer
He unveils the 2015 video for his Danger Mouse collaboration.
Hardy and his pet dog Woodstock will read 'You Must Bring a Hat' on CBeebies on New Year's Eve.
If you like your poetry dubstep-free and styled by old, dead geezers wearing cravats, look away now.
It's their first release in almost two decades.
One of this year's rising superstars.
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