Professor (Perry) Makepiece and his partner Gail are enjoying an evening on in the bar whilst on holiday in Marrakech. A lavish gentleman also in the bar catches Perry's eye and the man eventually walks over and asks the couple to join them for a drink. Accepting the offer, the two are taken in by the man and his excessive spending. The man, Dima, has a foreign accent and extends an invitation to the couple for them to join Dima and his friends for a party at his villa.
Accepting the offer, Perry and Gail arrive at Dima's house to find it's not the small gathering they were expecting. Taken in by Dima's friendly persona, Perry and Dima talk and Dima eventually reveals his motives to Perry for inviting the Brit over. Dima wants Perry to take a USB to MI6 with a message - Dima explains that he's actually a money launderer for the Russian mob and wishes for asylum for him and his family in exchange for information on the highest ranking members of the Russian mob and their international affiliates.
Perry must weigh up all the risks involved and decide just how much he's willing to risk in order to help Dima.
From Training Day to this year's Sabotage, filmmaker David Ayer writes and directs movies about the cathartic power of releasing your inner warrior. And this World War II action thriller is more of the same, with a "war is hell" message stirred in for good measure. The problem is that there's nothing particularly new here. It's a beautifully shot and edited film, with terrific performances and a remarkable sense of scale, but there have been so many movies made about this conflict that it's difficult to find something original to connect with.
It's near the end of the war, April 1945, as Wardaddy (Brad Pitt) leads the crew of a tank named Fury: Bible (Shia LaBeouf) is a true believer, Gordo (Michael Pena) is a relaxed joker, and Coon-Ass (Jon Bernthal) is a hot-headed thug. Having just lost their driver, they're joined by rookie Norman (Logan Lerman), who doesn't yet have a wartime nickname because he never thought he'd end up driving a tank. Together, they head further into Germany, not as liberators but as invaders and occupiers, working with other tank crews to take a strategic town before heading further into the hot zone, where a series of particularly brutal Nazi assaults ensue.
The point of the film seems to be that war erodes a person's humanity over time, and the sharpest aspect is the way each character emerges at some point on the continuum. Obviously, Norman is the naive newbie who still has a strong conscience, while at the other extreme Coon-Ass is virtually a monster. Wardaddy is somewhere in between, a tough guy who still has a sense of perspective, such as when he reasons that Norman should be allowed to have some private time with a young German girl (Alicia von Rittberg) simply because they're "young and alive". All of the actors are excellent, adding telling details to their characters that deepen every scene. And the camaraderie between the five-man crew is remarkably authentic, as is their ease inside the cramped quarters of the tank, which makes submarine movies look spacious by comparison.
Continue reading: Fury Review
During April, 1945, the final month of World War Two, the Allied Forces are making their final push into German territory. With the recent death of one of the crew of the tank, 'Fury', Norman (Logan Lerman) is inducted into the crew. The other members, 'Wardaddy' (Brad Pitt), 'Bible' (Shia LaBeouf), 'Gordo' (Michael Pena) and 'Coon-Ass' (Jon Bernthal) have been together for the entirety off the war so far, and desperately hope that the new recruit is ready to do his job. The film is brought to us by writer/director David Ayer ('Harsh Times' and 'End of Watch') and will be distributed by Columbia Pictures.
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Professor (Perry) Makepiece and his partner Gail are enjoying an evening on in the bar...
From Training Day to this year's Sabotage, filmmaker David Ayer writes and directs movies about...
During April, 1945, the final month of World War Two, the Allied Forces are making...