Based on real events, this sharply well-made film shifts from a rather light-hearted comedy into a horrific thriller. And it feels unnervingly natural as it does so. Where this goes is a bit relentless in its exploration of the darkest aspects of human capabilities, but it's also bracingly truthful. At the same time, it shows the enduring value of an experiment that seemed to go perilously wrong.
In Northern California in 1971, a group of 24 university students respond to a newspaper advert asking for participants in a psychological experiment. On the toss of a coin, organiser Dr Zimbardo (Billy Crudup) divides the young men into guards and inmates, and places them in a makeshift prison where they can be observed. And things start to turn nasty very quickly, as guard Christopher (Michael Angarano) targets snarky prisoner 8612 (Ezra Miller) for extra punishment. The guards also turn on the especially vulnerable 819 (Tye Sheridan). And when the inmates revolt, Zimbardo allows the guards to carry on with their increasingly harsh discipline. But Zimbardo's girlfriend Christina (Olivia Thirlby), herself a psychologist, worries that the situation has gone too far.
It's intriguing, and perhaps obvious, that it had to be a woman who saw through a scenario that had become little more than an out-of-control expression of masculinity. Even more telling, Zimbardo and his team became part of the experiment themselves, as they allowed and were fascinated by the abuse heaped on the prisoners by play-acting guards who let the power go to their heads. Director Kyle Patrick Alvarez (C.O.G.) shoots this in an unusually stripped-down style that gives the film a documentary tone. This low key approach means that the pacing sometimes feels draggy, as the intensely internalised suspense cycles around and around again. But what this is revealing about human behaviour is invaluable, and seriously terrifying.
Continue reading: The Stanford Prison Experiment Review
It's 1971 and University professor Dr. Philip Zimbardo wants to try a new social and psychological experiment. The idea was to take 18 young, well-adjusted males and put half in the role of a prison guard and half in the role of a prison inmate. It quickly became apparent that the guards would dominate this situation and take their new job roles to the extreme.
Though all the volunteers know they're being watch by Zimbardo and his colleagues, this didn't seem to make much difference to how the guards react. Not willing to put up with the actions of the guards, soon the submissive prisoners decide to rebel and take matters into their own hands. As the volunteers fall deeper into their new lives, Zimbardo becomes fascinated by the results and how quickly the situation escalates. When rules start to get broken, when should enough be enough?
The Stanford Prison Experiment is a psychological thriller based on true events. The results of Zimbardo's test were published in a book named The Lucifer Effect.
The Stanford Prison Experiment was directed by Kyle Patrick Alvarez and stars a number of young actors including Michael Angarano, Moises Arias & Ezra Miller.
With an appropriately jarring sense of energy, this James Brown biopic acutely captures the Godfather of Soul's iconic musical talents, although the fragmented script undermines any emotional kick in his story. The film also struggles to build up momentum, because it continually leaps between various chapters in Brown's life. Which means that it never quite connects these disparate episodes into one coherent narrative. Even so, Chadwick Boseman delivers an electrically charged central performance.
Boseman plays James from the time he was 16, thrown into prison for stealing a suit in 1949, until his comeback in the 1990s. Raised in a brothel run by his Aunt Honey (Octavia Spencer) after his parents (Viola Davis and Lennie James) abandoned him, James is in prison when he meets visiting gospel singer Bobby Byrd (Nelsan Ellis), who takes him in on his release. Together they form The Famous Flames, gaining small-time success as James catches the eye of a manager (Dan Aykroyd), a record executive (Fred Melamed) and the public. A string of major hits followed in the 1950s and 60s, then James went solo in the 70s before the usual issues of fame caught up with him: money, drugs and guns. But he returned to the stage in the 1990s.
The film completely skips over his Hollywood years in the 80s, which wouldn't be a problem if the decade was so notably missing from the film. As the story skips back and forth through the years, the audience is forced to make sense of the disparate scenes, filling in several holes along the way. Aside from one rather surreal scene in a Southern Gospel church, there's never much of a sense of how Brown found his voice or developed his inimitable style. It also never quite captures his impact on the music industry as a whole.
Continue reading: Get On Up Review
The stars of James Brown biopic 'Get On Up' including leading man Chadwick Boseman arrive for the New York premiere of the movie which was held at the city's Apollo Theater. The movie is scheduled to hit cinemas in September 2014.
L to R, Guest, Aunjanue Ellis, Nelsan Ellis and Tiffany Snow - Universal Pictures and Imagine Entertainment present the world premiere of 'Get On Up' at The Apollo Theater - Arrivals - New York, United States - Monday 21st July 2014
Since he was a child, he knew he'd become a star. He may not have had the easiest life growing up in a poor family and enjoying frequent brushes with the law (something that continued for the rest of his life despite his illustrious career), but he was a pioneer in what he did best. Following his first stint in prison as a teenager, he embarked on a musical career that would create a whole new way of looking at music. His funky rhythms, mind-blowing voice and effortless moves on stage would go on to inspire artists for generations even if his troubled personal life left much to be desired. He even took his soul magic to Vietnam during the 20-year conflict - a venture that demonstrated both his patriotism and his bravery. This is the story of James Brown.
Continue: Get On Up Trailer
The stars of the upcoming James Brown biopic 'Get On Up', Viola Davis, Nelsan Ellis and Octavia Spencer, talk about the legendary musician alongside artists Ice Cube, Pharrell, Mick Jagger, Cee-Lo Green and Aloe Blacc in a short featurette ahead of the film's release on September 26th 2014.
Continue: Get On Up - Featurette
James Brown didn't have the easiest childhood being born to two young parents who were so poor they could barely afford to live. After just a few years, his mother left him and he was raised by his aunt who, although was equally as financially insecure, resolved to love him as her own. Naturally, given his tough background, James turned to crime as a youth and spent time in a juvenile detention centre following an armed robbery conviction. It was there he took his passion for music seriously and decided to form a gospel band with some fellow inmates. Following his parole, he joined another gospel group and from there spiralled an illustrious career in funk and soul music that took the entire world by storm. Just as he dreamed, he became one of the music industry's most revered stars, but, alas, he also became one of the most troubled.
Continue: Get On Up Trailer
This is an strangely slushy movie from Lee Daniels, whose last two films (Precious and The Paperboy) bristled with unexpected life. By contrast, this star-packed drama uses a true story to trace the Civil Rights struggle from the 1950s to the present day. But it's been so fictionalised that it feels kind of like a variation on Forrest Gump.
Cecil Gaines (Whitaker) grew up on a Georgia cotton plantation, where the cruel master's kindly mother (Redgrave) taught him to be a house servant. Years later, he marries Gloria (Winfrey) and moves to Washington DC, where he gets a job in the White House as a butler to presidents from Eisenhower (Williams) to Reagan (Rickman). His job description is simple: "You hear nothing, you see nothing, you only serve." And yet as the nation grapples with its racist culture, he has a quiet influence on each leader who moves through the house.
Whitaker narrates the film in drawling flashbacks, while the story flickers between Cecil and his eldest son Louis (Oyelowo), an activist who is involved in every key moment in the Civil Rights movement. And their younger son (Kelley) is sent to Vietnam. So it's like a condensed version of late 20th century American history, made notable by the lively cast of cameo players including Marsden (as JFK), Schreiber (LBJ), Ellis (MLK) and Cusack (Nixon), plus Fonda as a lively Nancy Reagan.
Continue reading: The Butler Review
Members of the cast including singer Lenny Kravitz and 'Jack Reacher' actor David Oyelowo arrive at the premiere of 'The Butler' in New York. Lenny plays the role of James Holloway in the film while David stars as Louis Gaines.
Mariah Carey appeared alongside Oprah Winfrey and Forest Whitaker on the red carpet sporting an adorned arm injury.
'The Butler' looks set to be one of the most memorable movies of the year with an all-star cast that glittered on the red carpet at the New York premiere last night (August 5th 2013).
Sparkling the brightest was Oprah Winfrey in a pretty pink sequined gown with her hair in full afro form, alongside her onscreen husband Forest Whitaker who plays the title role, and her real partner Stedman Graham. Nursing a dislocated shoulder in a funky studded sling was Mariah Carey, who has not been letting her injury get in the way of anything she does at the moment as this wasn't the first time she has stepped out in a quirky bling sling. Some of the presidents from the movie also showed up, including Liev Schreiber who played Lyndon B. Johnson and James Marsden who was John F. Kennedy, as well as First Ladies Minka Kelly as Jackie Kennedy and Jane Fonda as Nancy Reagan.
Forest Whitaker plays the title character in 'The Butler'
Perry performed 'Rise' and 'Roar' before Clinton accepted the nomination to be the Democrats' presidential candidate.
Bruce Springsteen will release rare tracks from 1966 in new album 'Chapter and Verse', which will accompany his autobiography 'Born To Run'.
There's still no reunion planned though.
Not broadcast in its entirety since 1967, a full restoration will be played in select cinemas to support Ron Howard's 'Eight Days a Week' touring...
Based on real events, this sharply well-made film shifts from a rather light-hearted comedy into...
It's 1971 and University professor Dr. Philip Zimbardo wants to try a new social and...
With an appropriately jarring sense of energy, this James Brown biopic acutely captures the Godfather...
The stars of the upcoming James Brown biopic 'Get On Up', Viola Davis, Nelsan Ellis...
James Brown didn't have the easiest childhood being born to two young parents who were...
This is an strangely slushy movie from Lee Daniels, whose last two films (Precious and...
Cecil Gaines is a modest and dedicated butler at the White House who manages to...
A terrific story is compromised by the demands of commercial filmmaking, adding action-thriller scenes to...