The official announcement trailer for 'Blade Runner 2049' is finally here and while we still know little about the plot, we do get a glimpse of Ryan Gosling in his leading role as Officer K. We see him approaching the wreckage of what looks like a blimp and then an empty building in which he comes across a gun-wielding Harrison Ford who returns as Rick Deckard. The movie is based 30 years after events in the first movie, the LAPD's Officer K is the new blade runner in town, but his job gets a lot more complicated when he uncovers the truth behind the replicants' existence and sets out to find the long lost Deckard.
Continue: Blade Runner 2049 - Announcement Trailer
Lennie James - 'The Walking Dead' Season Six Premiere and Ultimate Fan Event at Madison Square Garden - Arrivals at Madison Square Garden, The Walking Dead - New York City, New York, United States - Friday 9th October 2015
With an appropriately jarring sense of energy, this James Brown biopic acutely captures the Godfather of Soul's iconic musical talents, although the fragmented script undermines any emotional kick in his story. The film also struggles to build up momentum, because it continually leaps between various chapters in Brown's life. Which means that it never quite connects these disparate episodes into one coherent narrative. Even so, Chadwick Boseman delivers an electrically charged central performance.
Boseman plays James from the time he was 16, thrown into prison for stealing a suit in 1949, until his comeback in the 1990s. Raised in a brothel run by his Aunt Honey (Octavia Spencer) after his parents (Viola Davis and Lennie James) abandoned him, James is in prison when he meets visiting gospel singer Bobby Byrd (Nelsan Ellis), who takes him in on his release. Together they form The Famous Flames, gaining small-time success as James catches the eye of a manager (Dan Aykroyd), a record executive (Fred Melamed) and the public. A string of major hits followed in the 1950s and 60s, then James went solo in the 70s before the usual issues of fame caught up with him: money, drugs and guns. But he returned to the stage in the 1990s.
The film completely skips over his Hollywood years in the 80s, which wouldn't be a problem if the decade was so notably missing from the film. As the story skips back and forth through the years, the audience is forced to make sense of the disparate scenes, filling in several holes along the way. Aside from one rather surreal scene in a Southern Gospel church, there's never much of a sense of how Brown found his voice or developed his inimitable style. It also never quite captures his impact on the music industry as a whole.
Continue reading: Get On Up Review
Since he was a child, he knew he'd become a star. He may not have had the easiest life growing up in a poor family and enjoying frequent brushes with the law (something that continued for the rest of his life despite his illustrious career), but he was a pioneer in what he did best. Following his first stint in prison as a teenager, he embarked on a musical career that would create a whole new way of looking at music. His funky rhythms, mind-blowing voice and effortless moves on stage would go on to inspire artists for generations even if his troubled personal life left much to be desired. He even took his soul magic to Vietnam during the 20-year conflict - a venture that demonstrated both his patriotism and his bravery. This is the story of James Brown.
Continue: Get On Up Trailer
The stars of the upcoming James Brown biopic 'Get On Up', Viola Davis, Nelsan Ellis and Octavia Spencer, talk about the legendary musician alongside artists Ice Cube, Pharrell, Mick Jagger, Cee-Lo Green and Aloe Blacc in a short featurette ahead of the film's release on September 26th 2014.
Continue: Get On Up - Featurette
James Brown didn't have the easiest childhood being born to two young parents who were so poor they could barely afford to live. After just a few years, his mother left him and he was raised by his aunt who, although was equally as financially insecure, resolved to love him as her own. Naturally, given his tough background, James turned to crime as a youth and spent time in a juvenile detention centre following an armed robbery conviction. It was there he took his passion for music seriously and decided to form a gospel band with some fellow inmates. Following his parole, he joined another gospel group and from there spiralled an illustrious career in funk and soul music that took the entire world by storm. Just as he dreamed, he became one of the music industry's most revered stars, but, alas, he also became one of the most troubled.
Continue: Get On Up Trailer
BBC2's star drama registered disappointing numbers last night.
When the BBC crime drama Line of Duty debuted two years ago, it was the biggest new drama the channel had had in a while. Not only did last night’s series 2 premiere fail to top that success, it didn’t even come close to matching it, despite critical success. So, what happened between then and now? Let’s talk ratings. The first series of the Jed Mercurio drama about police corruption had an overnight average of 3.2 million for its first run, ending with 3.5 million. Last night’s premiere didn’t even manage 2 million. Bearing in mind that the first episode of each season usually sees a notable spike in ratings, Line of Duty’s viewing numbers might drop even lower as this season progresses. Despite the guest appearance of Keeley Hawes in the first episode, Line of Duty only made it to 1.8 million viewers, according to The Guardian.
The crime drama was a bit too heavy for the Thursday night crowd.
Meanwhile, ITV’s staple Midsummer Murders had a considerably better night. On its 100 episode anniversary, Midsummer registered 5.8 million viewers or 24,6% of those tuning in to the 8pm-10pm slot. The anniversary episode was set partly in Copenhagen, with Danish stars Ann Eleonora Jorgensen from the The Killing and Borgen's Birgitte Hjort Sorensen taking part in the centenary episode crime-solving shenanigans.
BBC 2's drama impresses
If there’s one thing the British viewing public love, it’s a solid crime drama, and Line of Duty delivers in spades. The critics have been really impressed the Line of Duty’s series 2 opener, calling it an exciting return to form.
Serious business: Line of Duty
The procedural cop drama, which, unusually for its genre, is part improvised, blurs the lines between good and bad, often pointing the finger at law enforcement bodies. In that sense, it’s truly original, but it still adheres to the tropes of the crime drama, with brooding tension and plot twists along the way. But don’t take our word for her, here are what the critics had to say.
Continue reading: The Critics Are Delighted With Line Of Duty's Return
In the near future the world most secure prison MS1 houses the most dangerous prisoners on Earth, floating precariously above the atmosphere offering no chance of escape for the convicts. That is until one convict in particular makes things increasingly inconvenient for those below him on Earth as he manages to unlock the cells of each prisoner, with an ensuing mass riot making things even more uncomfortable for authoritarians. What's worse is that the President's daughter, Emilie Warnock, just so happens to be on board the galactic detention centre. A rescue operation must be formed and ex-agent Snow takes on the lone mission to ensure her safe return as well as restore order in the prison.
Continue: Lockout Trailer
In Colombia, feisty 9-year-old Cataleya (Stenberg) witnesses her parents' massacre of by Marco (Molla), henchman the drug kingpin Luis (Benites). Years layer (now Saldana) she's in Chicago, where she's been raised by her uncle (Curtis) to be a stealthy assassin. Now she's trying to draw Marco and Luis out of protective CIA custody by leaving clues at each murder scene. And it seems to be working. With an FBI agent (James) on her trail and a boyfriend (Vartan) who knows nothing, she's playing a dangerous game.
Continue reading: Colombiana Review
John (Crowe) is a university literature professor who is struggling to cope with the fact that his wife Lara (Banks) has been imprisoned for murder.
Convinced of her innocence, he launches three years of appeals, all of which fail. Now at the end of his tether, he begins to hatch an unthinkable plan to reunite her with him and their 6-year-old son (Simpkins). After consulting an expert (Neeson), the question remains whether a mild-mannered schoolteacher can stage a daring prison break. And two cops (Hinds and Beghe) are closing in on him.
Continue reading: The Next Three Days Review
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