David Hoberman

David Hoberman

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Muppets Most Wanted Review


Where the 2011 reboot felt effortless in the way it recaptured that warmly anarchic Muppets humour, this sequel feels like it's working every step of the way. Yes, it's riotously silly and occasionally hilarious, but there are large chunks of the movie that just aren't funny at all, mainly because there's so much emphasis on the tangled web of a plot that the characters get lost in the shuffle.

It starts just as the last movie ended: the Muppets decide to do a sequel based on an idea from interloper Dominic (Ricky Gervais) to take their show on a world tour. But Dominic is actually in league with super-villain frog Constantine (Matt Vogel), who has just escaped from a gulag. So when the Muppet Show lands in Berlin, he orchestrates a swap: Constantine takes Kermit's place in the show, while Kermit (Steve Whitmire) is sent to Siberia under the watchful eye of guard Nadya (Tina Fey). Meanwhile, Interpol agent Jean-Pierre (Burrell) and CIA operative Sam Eagle (Eric Jacobson) are investigating a series of robberies mysteriously linked to Muppet performances in Berlin, Madrid and Dublin.

All of this builds to a head in London, where Constantine is staging an elaborate wedding to Miss Piggy (Jacobson) to distract from his real plan to steal the Crown Jewels. But this plot-strand feels predictable and limp compared to much more interesting character interaction. For example, scenes between Kermit and Fey are a lot more fun as they plan a musical revue with the inmates (and get Trejo and Liotta sing and dance!). And the escalating banter between Sam Eagle and Burrell is hilarious even as it indulges in cheap Euro-jokes.

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21 and Over Review


The writers of The Hangover stick with the same formula for this university-aged romp about three young guys who get far too drunk for their own good. It even opens on the morning after (they're walking naked across campus) before cycling back to piece together what actually happened. But all of the humour is as cheap as it can be, merely laughing at stupid behaviour rather than mining much genuine comedy out of the situation. At least the actors find some chemistry along the way.

Our three chuckleheads are party-boy Miller (Teller), smart-guy Casey (Astin) and their pal Jeff Chang (Chon), who is turning 21 at midnight. This prompts Miller and Casey to propose a night of drunkenness to celebrate his legal drinking age in style. But Jeff has his med school interview in the morning, so they have to sneak past his terrifying dad (Chau) to have just one drink together. Unsurprisingly, this drink turns into an epic bar crawl, culminating in Jeff's unconsciousness. And since Miller and Casey can't remember where he lives, they go on a ludicrously convoluted quest to find his address. This involves enraging a sorority house, releasing the university's mascot buffalo and tormenting the tough-talking boyfriend (Keltz) of a cheerleader (Wright) who catches Casey's eye.

Obviously, there's one massive problem with this whole premise: a cold shower and a cup of coffee would revive Jeff pretty easily. But then, Miller and Casey wouldn't need to go through, say, eight levels of frat-house drinking games to find a guy who might know Jeff's address. At least all of the antics give Teller and Astin a chance to deepen their characters a bit, mainly in the way they interact with each other as childhood pals who have taken unexpected turns along the way. Chon doesn't have quite as much to do with Jeff. Sure, he's been pushed into studying medicine by his fearsome dad, but he spends the entire movie in a drunken stupor.

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Los Angeles Premiere '21 & Over'

Jon Lucas, Scott Moore and David Hoberman - Los Angeles Premiere '21 & Over' - Los Angeles, California, United States - Thursday 21st February 2013

Jon Lucas, Scott Moore and David Hoberman
Jon Lucas, Scott Moore and David Hoberman
Jon Lucas and Scott Moore

Premiere Of Summit Entertainment's 'Warm Bodies' at the ArcLight Cinemas Cinerama Dome

David Hoberman - Premiere Of Summit Entertainment's 'Warm Bodies' at the ArcLight Cinemas Cinerama Dome Los Angeles California United States Tuesday 29th January 2013

The Muppets Review

Using their long absence from the screen as a premise, this film astutely taps into the nostalgia former fans still feel for these anarchic, loveable characters while winning over new followers. And even though it's very silly, it's still hugely enjoyable.

In Smalltown America, Walter (Linz) has always felt different from his brother Gary (Segel). He has longed to meet the Muppets, his childhood heroes, and gets the chance when Gary and his girlfriend Mary (Adams) take him on a trip Los Angeles. But the Muppet Theatre is in ruin, and an evil tycoon (Cooper) is planning to tear it down and drill for oil. After meeting Kermit (Whitmire), Walter, Mary and Gary hatch a plan to save the theatre. But most of the Muppets have moved on with their lives.

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The Fighter Review

Director Russell significantly ups his game with this visceral drama based on the true story of two boxing brothers, one on his way up and one going down fast. But it's the emotional resonance of the tale that makes it so gripping.

In small-town 1993 Massachusetts, Dickie (Bale) is a crack addict who lives in his own glorious past as a boxer who once knocked down Sugar Ray Leonard. But his erratic life is jeopardising the growing career of his half-brother Micky (Wahlberg), who he's training and managing with their tough-as-nails mother (Leo). Micky knows that in order to further his career, he'll need to make a difficult break from his messy family. Then he meets Charlene (Adams), a barmaid who encourages him to go for it. And of course they see her as the villain.

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Surrogates Review

Lean and sleek, this futuristic thriller propels us entertainingly through its story without pausing for breath. Perhaps director Mostow was hoping we wouldn't notice how clunky the script is, with its rudimentary dialog and paper-thin plot.

It's been 14 years since a scientist (Cromwell) invented surrogates, robots controlled by brainwaves that let us experience anything. Now some 99 percent of the population has one, and people spend their lives in darkened rooms living virtually. Then FBI Agent Greer (Willis) and his partner Peters (Mitchell) discover that a guy (Noseworthy) has a weapon that can kill both surrogates and their human controllers. But the hunt for this weapon opens old wounds with the humans-only religious fanatics who live on reservations and follow the word of their Prophet (Rhames).

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The Proposal Review

As brightly enjoyable as this film is, there's no escaping the fact that it's yet another formulaic rom-com. Bullock and Reynolds have enough chemistry to keep us smiling, even though we never buy it for a second.

Margaret (Bullock) is a ruthless editor in New York whose efficient assistant Andrew (Reynolds) can't stand her. But when Margaret finds out she's being deported back to her native Canada, she talks Andrew into marrying her. To convince the probing immigration agent (O'Hare), she accompanies Andrew home to see his parents (Steenburgen and Nelson) in Alaska. And over the course of the weekend, their plan begins unravel even as they begin to see each other as humans for a change.

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Beverly Hills Chihuahua Review

Of all the misguided movie genres, the modern family film is the most disingenuous. While it argues that it's merely providing "quality" entertainment to those underserved by Hollywood's obsession with sex and violence, the truth is that most G- to PG-rated fare is far more insidious. Applying a sugar-coated Saturday morning superficiality to what's supposed to pass for pleasantries, the Tinsel Town machine still finds a way to manufacture out all the fun. Disney's disappointing live action comedy Beverly Hills Chihuahua can be accused of a great many faults -- indirect racism, single digit IQ writing, past-tense pop culture awareness -- but one thing it cannot claim is an ability to reach beyond its typical tween demographic.

Chloe (the voice of Drew Barrymore) is the most pampered pooch in all of sunny LaLa Land. Her owner (Jamie Lee Curtis) is a rich cosmetics titan who indulges her pet's every non-human whim. When the mogul needs to fly off to Europe to launch her new line, she must rely on her prissy, high strung niece Rachel (Piper Perabo) to mind her valuable canine. Showing just how responsible she is, our substitute sitter instantly accepts an invitation to weekend in Mexico, and takes Chloe along for the unnecessary ride. Dognappers eventually hijack the hound, and it's up to an ex-cop German Shepherd (voiced by Andy Garcia), a good natured landscaper (Manolo Cardona), and his frisky Chihuahua Papi (voiced by George Lopez) to rescue the four footed female before it's too late.

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Traitor Review

Can a thriller really be a thriller without thrills? Better yet, can an international spy story really succeed by purposefully getting us to sympathize with the enemy? That's the double edged sword being wielded by Jeffrey Nachmanoff with his new film Traitor. Even the title offers yet another bit of bifurcation -- on the one hand we have a deeply religious man (Don Cheadle) working with terrorists to blow up Americans. On the other, we see how he uses his faith as a means of undermining the group's most violent objectives. Of course, this doesn't make the tale interesting or exciting. Sometimes, just being different doesn't save you from being dull.

Samir Horn (Cheadle) was 12 when his cleric father was killed by a car bomb. After years struggling with Islam, he becomes an explosives expert, working within a radical faction. When FBI agents Roy Clayton (Guy Pearce) and Max Archer (Neal McDonough) storm their headquarters in Yemen, Samir and his cohorts are jailed. Soon, he is befriended by Omar (Said Taghmaoui) who recruits him to join his latest mission. Under the guidance of leaders Fareed (Aly Khan) and Nathir (Raad Rawi), Samir will construct 50 bombs, each one destined for a trip on a U.S. cross-country bus come Thanksgiving. As a man of conscience (and secrets), involvement in such a plot will test every fiber of his being -- and his loyalties.

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The Shaggy Dog Review

In the summer of 2003, Disney scored with its update of Freaky Friday, employing the talents of gifted writer Leslie Dixon (Mrs. Doubtfire), Jamie Lee Curtis, and a pre C-cup Lindsay Lohan. The movie not only was a surprise box office hit, but very funny. Lohan deservedly became a star, a fact people are starting to forget, and we re-discovered Curtis's crack comic timing.

Now, with Pixar and DreamWorks making family films kids and parents cherish for different reasons -- The Incredibles being a prime example -- Disney would have been smart to stick to the formula that earned Freaky Friday over $110 million at the box office and critical kudos. It doesn't seem that difficult.

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Eight Below Review

When you see the phrase "inspired by a true story," you assume the accompanying movie will have the intimate perspective of someone affected by adversity. Eight Below, Disney's sled dogs in peril picture, is a case of false advertising. You get a true story only told by someone rattling off headlines and first paragraphs: "Dogs Abandoned in Snow," "Owner Sad About Dogs Missing." The only adversity worth following, which the movie doesn't cover, is how Paul Walker kept his dreamy tan in the Arctic cold.

The year for some reason -- the actual events happened in 1957 -- is 1993. Walker plays a guide at the National Science Foundation's base in Antarctica, where he and his eight sled dogs cover the terrain, helping with expeditions. Bruce Greenwood plays a big-shot scientist who comes to the cold continent looking for the remains of an asteroid or something else out of a Michael Bay movie. The men head out on the sled, encounter a heap of trouble, and barely return to headquarters.

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Beauty Shop Review

Television shows spin-off characters all the time - Matt LeBlanc leaves Friends for Joey and Cheers gives way to Frasier. Not so in movies, where producers frequently tease similar spin-offs but rarely make the big-budget steps to actually get these projects off the ground. For every Elektra, for example, there are promised X-Men franchises waiting to be built around Wolverine and Magneto.

Bucking the odds, MGM's Beauty Shop spins off from the successful Barbershop comedies, taking Queen Latifah's sassy stylist Gina Norris from the second installment and setting her up in a potential franchise all her own.

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Senseless Review

Really a showcase for Wayans's physical comedy talents (which are prodigious), this silly comedy about a hard-working underpriviledged college guy who gains super senses thanks to an experimental drug, is as senseless as they come. Fun to watch at moments, though.
David Hoberman

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