Gold is more than a valuable commodity for Kenny Wells, to him it's an obsession. The year is 1988 and Wells lives in Reno with his partner, Kay. The balding, fast-aging man is constantly down on his luck and often resorts to pawning his partner's possessions just to get hold of a little money.
The wannabe businessman attempts to start many new ventures but constantly finds himself being turned away. One day Wells awakes from his slumber and recalls a vivid dream telling him to go find Gold in unchartered territory. Kenny has little knowledge of how to make it work but knows that this is the big break he's been waiting for.
Teaming up with geologist Michael Acosta, Wells tells Acosta about the land he feels is rich with unmined gold reserves in Indonesia. Talking Acosta into the project, they begin their ambitious dig with basic supplies and minimal investment. As their workers begin to see that their efforts are not garnering any results they begin to leave and everything looks like it's going against the Americans.
Continue: Gold Trailer
Gifted director Jeff Nichols takes on another genre in his fourth film with actor Michael Shannon, after Shotgun Stories, Take Shelter and Mud. This one's an involving character-based sci-fi adventure made in the style of classic films like E.T. or Close Encounters. As the characters are thrown into an extraordinary situation, the story gradually reveals its fantastical secrets without resorting to the usual overblown blockbuster formula, which makes the movie remarkably resonant and genuinely thrilling.
Shannon plays Roy, a man who is on the run across Texas with his 8-year-old son Alton (Jaeden Lieberher) and his childhood friend Lucas (Joel Edgerton), who's now a state trooper. And the FBI is on their trail, investigating the religious cult they escaped from. Led by the defiant Calvin (Sam Shepard), the cult seems to have been centred around the unusual ability Alton has to gather information from government satellites. Which is why the FBI is so intent on tracking him down. Working with the FBI, NSA Agent Sevier (Adam Driver) is fascinated by Alton's abilities, and he begins to worry what might happen if the boy is captured. Meanwhile, Roy and Lucas have reunited with Alton's mother Sarah (Kirsten Dunst) and are continuing their journey across the American South. And time is clearly of the essence, since Alton is growing seriously ill.
Writer-director Nichols skilfully keeps the audience gripped by the central mystery, dropping in hints and revelations along the way that slowly build up to the final big picture. This forces the viewer into the same perspective as the characters, who don't have a clue what's going on but are gripped by the possibilities of what they're witnessing. This also makes it impossible to predict where the story might go next as it cycles through action, humour, emotion and exhilarating drama. Through all of this, the actors all offer beautiful textures in their characters, underplaying even the most intense scenes to make them feel strikingly realistic.
Continue reading: Midnight Special Review
Jason Bourne is used to living in the shadows. Since uncovering the wrongdoings of operation Blackbriar and Treadstone, Bourne has been in hiding, to the outside world Jason Bourne does not exist. Once again finding himself having to surface, Jason Bourne is a hunted man.
Memories of his past are slowly returning to Bourne but what as his limited allies are quick to remind him, there's a war going on and what Jason might not remember are the things that might be most important.
For a biopic of a real-life person, this feels like an oddly standard mob thriller. It's the true story of Boston gangster James "Whitey" Bulger, and it's told with gritty filmmaking and robust performances. But there's very little about the movie that sets it apart, leaving it as yet another depiction of violent criminal ambition and betrayal. And by the end, it's difficult to escape the feeling that we've seen it all before.
It opens in 1975 South Boston, where Jimmy Bulger (Johnny Depp) runs the Irish mafia, while his brother Billy (Benedict Cumberbatch) is a senator. Their childhood friend John Connolly (Joel Edgerton) is an FBI agent who has asked for their help in taking down the rival Angiulo family, which Jimmy sees as a win-win situation: he'll get rid of the competition while avoiding jail himself. Over the next 10 years, Jimmy expands his operation dramatically, and he's not afraid to get his own hands dirty as he sorts out problems that are created by his sidekicks (including Rory Cochrane, Jesse Plemons and W. Earl Brown), all of whom are increasingly annoyed at his control-freak ways. But as Jimmy becomes even more notorious, the FBI boss (Kevin Bacon) pressures John to take him down.
The actors dive into their roles. Depp transforms himself physically into a prowling thug with terrifyingly piercing eyes. He may be a heartless killer, but he's also a caring family man. Opposite him, Edgerton has a trickier role as a federal agent who operates more like the gangster he'd rather be, casually ignoring the law to push his own agenda. In the sprawling supporting cast, only a few characters emerge memorably: Cumberbatch has a sparky presence, Cochrane offers some thoughtfulness, and Bacon gets to chomp on the scenery. Other roles are much briefer, especially the sidelined female characters.
Continue reading: Black Mass Review
Alton is a very special young boy who has been given a unique gift. When his father, Roy, finds out that Alton is in trouble with his freedom - and life - in jeopardy, Roy takes matters in his own hands and kidnaps his son. On the run and being hunted by religious extremists and special agents, Roy takes to the road with his close friend in order to protect his son.
Continue: Midnight Special Trailer
The Bondurant Brothers, Forrest, Howard and Jack, take up lawless methods of achieving the American Dream during the Depression in Franklin County, Virginia. Soon their illegal money-making schemes, including selling their home brewed moonshine in their saloon, attract the attention of the local law enforcement who recruit a corrupt inner-city cop, Charlie Rakes, to break the brothers and force them to give him shares in their profits. In an attempt to gain his brothers' respect and win the heart of the pure and well brought up Bertha who seeks danger and excitement, the suggestible and smart Jack partners with the brutal and, quite frankly, untrustworthy city gangster Floyd Banner - things start to become strained for the Bondurants when the 'indestructible' Forrest is seriously injured and loyalty among the brothers is questioned.
Continue: Lawless Trailer
Bestselling author Nicholas (Allam) and his efficient wife Beth (Greig) use their Dorset farm as a writer's retreat, while the goings on in the nearby village provide plenty of inspiration. Especially when notorious journalist Tamara (Arterton) returns to town. Her childhood boyfriend (Evans) is stunned when she falls for posing rocker Ben (Cooper), who's the object of obsession for two local 15-year-old girls (Barden and Christie). Meanwhile, Beth's patience with Nicholas' straying eye is being sorely tested just as a visiting writer (Camp) starts paying her some attention.
Continue reading: Tamara Drewe Review
Jeffrey (Campbell Scott) is a bottom line-driven producer interested in Robert's (Peter Sarsgaard) script "The Dying Gaul," a semi-autobiographical tale about AIDS based on his relationship with his now-dead agent and partner Malcolm (Bill Camp). However, to make the project commercially viable, Jeffrey demands that Robert change the central couple from a homosexual to heterosexual duo. Jettisoning his integrity, Robert sells out and does as Jeffrey asks, in the process pocketing $1 million and establishing a close-knit friendship with Jeffrey and his failed screenwriter wife Elaine (Patricia Clarkson), whose life is so purposeless that learning how to control her multi-million dollar house's blinds constitutes an exciting afternoon. Yet the happy threesome's relationship is soon torn asunder when, after learning that Robert frequents chat rooms, Elaine strikes up an in-disguise online conversation with her new friend and learns that he's having an affair with Jeffrey. This devastating discovery frighteningly undercuts Elaine's sense of security and stability while also igniting a desire for retribution, leading to a dangerous game of cyberspace cat-and-mouse in which Elaine poses as the back-from-the-dead spirit of Malcolm and, ultimately, each character's true, less-than-savory personalities are drawn out into the blinding L.A. light of day.
Continue reading: The Dying Gaul Review
Night House speaks to us about his debut album.
In 'No Words Left', Lucy Rose has put down a marker, relatively early in the year, for a definite contender for album of the year.
The Number of the Beast was released on this day (March 22nd) in 1982.
The bands we really want to see play Lolla 2019.
Two Door Cinema Club have now unveiled the first single, Talk, from their upcoming record alongside a vibrant new video.
'Punk' by Chai is a curious anomaly that will divide opinion but at its heart there is some musical magic.
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Greek filmmaker Yorgos Lanthimos reteams with his The Lobster star Colin Farrell for another offbeat...
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Based on a true story, this lively and sometimes outrageous adventure is packed with twists...
Gifted director Jeff Nichols takes on another genre in his fourth film with actor Michael...
Jason Bourne is used to living in the shadows. Since uncovering the wrongdoings of operation...
For a biopic of a real-life person, this feels like an oddly standard mob thriller....
Alton is a very special young boy who has been given a unique gift. When...
Irish-American criminal mastermind Whitey Bulger was arguably one of the most dangerous men in America...
An unusually inventive approach brings this story to life, as the filmmakers get into the...
Sometimes, the greatest hiding place is in plain sight. For twelve years from the mid-1990s,...
In the mid-1960s, The Beach Boys were at the top of their game. Having released...
Things have been tough for Brian (Bradley Cooper). Having been fired from the US Air...