Bring Me The Horizon announce global cinema event L.I.V.E. in São Paulo (Live Immersive Virtual Experiment)
Bring Me The Horizon have turned their biggest show to date into an immersive concert film.
Bring Me The Horizon are set to bring their biggest-ever headline show to the big screen, announcing L.I.V.E. in São Paulo (Live Immersive Virtual Experiment).
The worldwide cinema event captures the band’s landmark performance at São Paulo’s Allianz Parque Stadium.
The show, performed to a sold‑out crowd of 50,000 fans, marks the most ambitious live production of the band’s career.
The concert film will screen globally for two dates only, on March 25 and March 28, with tickets going on sale February 11 at 2pm GMT / 9am EST / 6am PDT.
Described by the band as their “best show yet,” L.I.V.E. in São Paulo expands the visual and narrative world of their POST HUMAN era. The film blends high‑end cinematic production with fan‑shot footage and in‑universe character appearances from E.V.E, Selene and M8, creating an immersive hybrid experience that pushes the boundaries of the traditional concert movie.
Co‑directed by CiRCUS HEaD, the project features multi‑camera coverage, sweeping drone shots and crowd‑submitted clips, offering a multi‑angle perspective designed to mirror the scale and intensity of the night. The setlist spans the full arc of Bring Me The Horizon’s evolution, including material from Sempiternal, That’s the Spirit, amo, and the POST HUMAN series.
A full list of participating cinemas and ticket links will be available from February 11 at bmth.live, with fans encouraged to sign up for updates.
Alongside the cinema release, Bring Me The Horizon have confirmed that L.I.V.E. in São Paulo will also arrive as a physical and digital live album on April 10. The record will be available across major streaming platforms, as well as on vinyl and CD/DVD, offering fans a chance to experience the full set in album form.
The tracklist includes fan favourites such as MANTRA, Happy Song, Shadow Moses, Parasite Eve, Can You Feel My Heart, Drown and Throne, alongside interludes and POST HUMAN‑era cuts that formed the backbone of the São Paulo performance.
