Aubrey Plaza

There's nothing clever about this deliberately rude and vulgar comedy, but certain audiences will find it absolutely hilarious. Never afraid to head straight into the cheapest, nastiest gag, director Dan Mazar and writer John Phillips throw their odd-couple stars into a series of riotously awkward situations, usually involving nudity. And even if it's not as funny as it ought to be, at least there's some meaning to the chaos.

Zac Efron plays Jason, a bright young Atlanta lawyer who takes after his workaholic father (Dermot Mulroney). But Jason's grandfather Dick (Robert De Niro) remembers a more interesting Jason, before ruthless ambition took over his life. So after Grandma's funeral, Dick asks Jason to drive him down to Florida a week before Jason is due to marry the high-maintenance Meredith (Julianne Hough). Jason quickly discovers that Grandpa is intent on sowing some very wild oats, detouring their journey through Daytona at spring break, where they meet a couple of girls (Aubrey Plaza and Zoey Deutch) who are up for pretty much anything. What Jason doesn't know is that Grandpa is doing all of this to remind Jason who he really is, and to show him how to enjoy life instead of control it.

The script sometimes lays on this message rather thickly in between a series of deliberately jaw-dropping gross-out sequences. Predictably, drugs and sex abound, and most of the jokes are so corny and ludicrous that they're not remotely believable. Everything that happens strains to shock the audience, which means that nothing is actually very shocking. But while the story has no tension at all, it also manages to grab hold of the audience simply because the characters are so vividly played by the fearless Efron and De Niro. Neither role is much of a stretch, but they dive into even the yucky and/or naked moments with gusto, developing some chemistry in the process.

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Shia LaBeouf is well-cast in this freewheeling combination of comedy, romance and action. He plays a scruffy guy with no plans and nothing to lose, lost in a strange culture while falling in love with the wrong woman. It's not a particularly original premise, and much of what happens feels wildly improbable, but the characters and situations are so entertaining that we can't help but hold on for the ride.

It opens in Chicago, where Charlie (LaBeouf) watches helplessly as his mother (Melissa Leo) dies in hospital, asking her what he should do next. Then there she is appearing to him, telling him to visit Bucharest. "That's weirdly specific," he replies, but he follows her advice, and on the flight over has another encounter with a dead person. This one asks him to look up his daughter Gabi (Evan Rachel Wood) and give her a message. Of course, Charlie is instantly smitten, but tries to ignore the fact that Gabi's psychopathic husband Nigel (Mads Mikkelsen) looks easily capable of murder. As does the mobster club owner Darko (Til Schweiger) Charlie has a run in with while out on the town with his youth hostel roommates, two chucklehead Brits (Rupert Grint and James Buckley).

As the title suggests, Charlie feels like death is inevitable for him, especially now that he seems to have caught whatever that kid from The Sixth Sense had. LaBeouf gives Charlie just the right mix of hapless loser and quick-thinking resourcefulness, and his chemistry with Wood is tetchy and fun to watch. Meanwhile, the scene-stealing supporting stars Mikkelsen, Schweiger, Grint and Buckley add a terrific mixture of comedy silliness and dark peril. This seems to be director Fredrik Bond's main goal here: to blend genres from grim drama to sweet romance to goofy slapstick to Taken-style action violence.

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