Writer/director John G. Young has taken care to underlay the seemingly perfect domesticity of this privileged rural existence with plenty of emotional landmines. Unlike the assumption we're meant to make at the beginning, Jeanette and Martin are not married, as he's gay. Sierra and Jeanette haven't talked for years, as Jeanette was not exactly the best mother when her husband, Sierra's father, left her for a younger woman, leaving Jeanette a borderline alcoholic prone to abusive rages. Andrew seems an uptight urban snot completely not at home in this quiet, woodsy place. Also, it's more than likely that for all her avowed anti-maternal rage, Sierra is patterning herself after Jeanette by her choice of husband - both Andrew and Martin being black. To top everything off, it seems that by marrying Andrew, Sierra will be able to come into some family money.
Continue reading: The Reception Review
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