Jean-Luc Godard and Jean-Pierre Gorin were interested in leftist, specifically Maoist, political theory at the time they filmed Tout va Bien (which translates to All's Well, a possibly ambivalent reference to activists being marched away by police at the end of the film). The film starts off amusingly, narrated by two voices (presumably supposed to be the filmmakers) who want to make a "political" film but don't seem to have any particular ideas in mind -- except that for monetary reasons the film needs to have "stars." So Yves Montand and Jane Fonda are injected into the story (dream casting, since both were stars who were also leftists). Montand plays Jacques, a former filmmaker who now shoots slick commercials to pay the bills; Fonda is Suzanne, an unsuccessful journalist.
All too quickly, though, the film goes straight into politics, as Jacques and Suzanne go to interview the manager of a sausage plant and are locked in with him by activists who call a strike. Here the film gets very talky, but also credibly presents the activists' concerns as they wonder what settlement the union will seek with the management. There are some effective sequences in which the strikers complain to Suzanne about working conditions in the plant, and Godard's technical skill (and interesting use of a cutaway set of the factory) makes even this preachy part watchable for a while.
Continue reading: Tout Va Bien Review