Johnny Simmons, Talia Shire, Beverly D’Angelo, Robin Thomas and Robert Schwartzman at the 31st Annual Fort Lauderdale International Film Festival held at Hard Rock Live, Florida, United States - Saturday 5th November 2016
Talia Shire, Francis Ford Coppola, Eleanor Coppola, Roman Coppola , Gia Coppola - TCM Honors Academy Award Winning Filmmaker Francis Ford Coppola With Hand/Footprint Ceremony At TCL Chinese at TCL Chinese Theatre IMAX - Hollywood, California, United States - Friday 29th April 2016
Talia Shire - Celebrities attend TCM honoring Francis Ford Coppola at Hand & Footprint Ceremony at TCL Chinese Theatre IMAX® in Hollywood. at TCL Chinese Theatre IMAX® in Hollywood - Hollywood, California, United States - Friday 29th April 2016
In hindsight, the first chapter of the rigorous franchise has a healthy leg-up on the rest of the films and feels uniquely homegrown in tone. It's almost basic mythology at this point: Rocky Balboa (Sylvester Stallone at the peak of his durability) works for a two-bit loan shark as freelance muscle while he trains to become a boxer and does amateur bouts for 40 bucks a pop. It's his nickname, The Italian Stallion, which catches the eye of heavyweight champion Apollo Creed (Carl Weathers) when the champ is looking for a gimmick. Creed is more of an entrepreneur than an athlete: When someone calls the gimmick "American," he quips back, "No, it's smart."
Continue reading: Rocky Review
Robert Schwartzman and Talia Shire - Robert Schwartzman and Talia Shire Beverly Hills, California - "The Darjeeling Limited" Premiere - Arrivals held at The Academy of Motion Picture Arts & Sciences Thursday 4th October 2007
Unlike many critics, I don't feel the sequel has the weight of the original -- many feel it to be better than the first film -- but it certainly is a necessary and extremely good follow-up, adding a wealth of information about "the family" that only serves to enhance the experience of the original movie. The problem, of course, is how could you measure up to The Godfather? The truly memorable scenes from the series -- the spilling cart of oranges, the horse's head, Michael's vengeance in the Italian restaurant, "an offer he couldn't refuse" -- are all found in the original, not here (or at best, they are simply repeated in the sequel). Godfather 2's most memorable moments -- the Senator's private meeting with Michael ("My offer is this: Nothing."), the denouement of Fredo -- pale in comparison. Well, not exactly pale, but you can't say that Godfather 2 is as good as Numero Uno.
Continue reading: The Godfather: Part II Review
While the film is well-acted (with the surprising exception of Diane Keaton reprising a role that wasn't all that interesting to begin with), masterfully lighted, and gorgeously photographed -- most notably the various shootout scenes -- it ultimately treads over old ground: material from the first two movies as well as repeating itself. This is most telling in the aforementioned shootouts -- the Atlantic City shoot-'em-up (courtesy of a helicopter outside) is horrifyingly grotesque (in a good way), but it seems more fitting for the histrionics of Scarface than the subtle and jaw-dropping one-two punch of Michael Corleone's assassination work at Louis' Italian-American Restaurant in The Godfather. Ultimately, the movie is simply one assassination after another -- and in Coppola's commentary track, he acknowledges this, placing much of the blame at the foot of the studio. It's also a testament to the amount of power that Coppola lost in the intervening decades -- again, something he acknowledges in the commentary.
Continue reading: The Godfather: Part III Review
In Italian: Molto bene.
Continue reading: The Godfather Review
Kiss the Bride is the kind of vanity project that every Hollywood actor dreams of making, and when it's all said and done they wonder why it never got theatrical distribution.
Continue reading: Kiss The Bride Review
The Visit is a prime example of a movie that has clearly been agonized over and loved, but to virtually no ultimate effect; writer/director/producer Jordan Walker Pearlman is so obviously enamored with the material he can't see the forest for the trees. Adapted from a play, The Visit still has that boxed-in feeling, with virtually all of the action taking place in the visiting room of the prison where Alex (Hill Harper) is incarcerated. Wrongly so, we are led to believe.
Continue reading: The Visit Review
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