Mara Hobel

Mara Hobel

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Mommie Dearest Review


Very Good
Horror's got nothing on Faye Dunaway's harrowing portrayal of Joan Crawford -- a woman who will not be remembered as the Oscar-winning star of Mildred Pierce and Whatever Happened to Baby Jane?, but more likely as the subject of Mommie Dearest, a scathing biography based on a tell-all "novel" penned by Crawford's adopted daughter Christina.

While it's justly criticized for trivializing child abuse, Mommie Dearest paints a unique picture of the kind of criminal behavior movie stars and other celebrities are allowed to get away with. (O.J. anyone?) The horrific picture of consistant, repeated abuse and down-right craziness is enough to make you think your family is downright normal. Of course, my mother always alluded to "wire hangers" when I was growing up... wonder what that means.

Continue reading: Mommie Dearest Review

Mommie Dearest Review


Very Good
Horror's got nothing on Faye Dunaway's harrowing portrayal of Joan Crawford -- a woman who will not be remembered as the Oscar-winning star of Mildred Pierce and Whatever Happened to Baby Jane?, but more likely as the subject of Mommie Dearest, a scathing biography based on a tell-all "novel" penned by Crawford's adopted daughter Christina.

While it's justly criticized for trivializing child abuse, Mommie Dearest paints a unique picture of the kind of criminal behavior movie stars and other celebrities are allowed to get away with. (O.J. anyone?) The horrific picture of consistant, repeated abuse and down-right craziness is enough to make you think your family is downright normal. Of course, my mother always alluded to "wire hangers" when I was growing up... wonder what that means.

Continue reading: Mommie Dearest Review

Personal Velocity Review


Good

Comprised of three frank and psychologically resounding stories of women at crossroads in their relationships with men, writer-director Rebecca Miller's "Personal Velocity" creates a visceral sense of its characters' lives and conflicted emotions that carries it far above and beyond what could have been a melodramatic, Lifetime Channel-style anthology, had it fallen into the wrong hands.

Miller is the daughter of playwright Arthur Miller, and she's learned a thing or two about delving into the human psyche and building an empathetic relationship between characters and audience from her dad's works like "The Crucible" and "Death of a Salesman." Her stories are profound and penetrating on a small, personal scale, and succinct without seeming like allegorical models of modern women's adversity.

Tied loosely together by each character hearing a news report of a hit-and-run accident, the film's three segments follow an abused wife (Kyra Sedgwick) who is finally ready to run away from her husband but has nowhere to go, a yuppie Manhattan book editor (Parker Posey) whose career is taking off just as she's falling out of love with her fiancé and hating herself for it, and an already troubled young punkette (Fairuza Balk) whose direct connection to the hit-and-run has shaken her faith in her relationship barometer just as she's learned she's pregnant.

Continue reading: Personal Velocity Review

Mara Hobel

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Mara Hobel Movies

Personal Velocity Movie Review

Personal Velocity Movie Review

Comprised of three frank and psychologically resounding stories of women at crossroads in their relationships...

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