Steve Dallas may have a high-flying career as a TV weather man, but it hasn't affected his feelings for his distinctly less successful best buddy Ben Baker. The pair have been joined at the hip since their childhood, despite their vast personal differences, so when Ben attempts to barge into the studio to speak to Steve, the latter is by his side immediately. Ben's father has passed away and thus needs someone around who understands him and who can pull him through one of the toughest times of his life. Things get complicated though when Mr Baker Sr.'s last will and testament requests Ben be the receiver of his house, business and estate. Unfortunately, though, Ben is less than up to the task of taking on the family business and so Steve helps him find a way to get him back on his feet emotionally.
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After being confined to a mental asylum for 17 years, Grace B Jones gets released following years of abuse and torment at the hands of mental health nurses. She goes to live with her brother Landy Bretthorse, his wife Bea and two young girls in Boonville, Missouri despite Bea's concerns about her instability particularly around the children. Although Grace seems a nice, friendly person and treats the girls kindly, she has regularly bouts of hysteria which first come about after a boat accident during the calamitous 1951 flood. Is there enough of Grace left to save? Or will the household conclude that sometimes a broken woman is beyond repair?
'Saving Grace B Jones' is based on a true story surrounding first time feature film director Connie Stevens' childhood in the fifties when she was sent away from her home in Brooklyn to Missouri to live with family friends after witnessing a brutal murder. She was to find, that summer, that that terrible crime was not the thing that would have the biggest effect on her the rest of her life. This shocking drama has been co-written by Jeffry Elison in his screenwriting debut and first premiered in 2009 at the Philadelphia Film Festival/Cinefest. It is now available to see in theaters everywhere now.
Director: Connie Stevens
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Joel Gretsch - Joel Gretsch and wife Melanie Shatner Burbank, California - The 21st Annual 'Priceline Hollywood Charity Horse Show' sponsored by Wells Fargo at The Los Angeles Equestrian Center Saturday 30th April 2011
It's the mid-1970s at a proper boys' prep school in DC, and Kline's Hundert encounters his first splash in the face with the cold water of life outside revered academia when he meets the father of a mischievous underachieving student. The stern dad, a brash U.S. senator, scolds Hundert: "You will not mold my son, I will mold my son". With a dose more sympathy for the kid, Hundert befriends him and watches him turn into a studying machine.
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The story opens in the present with an aged Hardy Greaves (Jack Lemmon) suffering a heart attack on a golf course. As he lies quietly smiling to himself, he muses on the frequency of his cardiovascular failures and his love of the game of golf, which meanders into a quixotic narration on the career of Rannulph Junuh (Damon). Soon the narrative fades to the past and we see Junuh at the height of his career, in the company of the enchanting Adele Invergordon (played by Charlize Theron of The Devil's Advocate fame; who, by the way, happens to represent the purest embodiment of good, wholesome sex that the film industry has to offer).
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Isn't it ironic that Robert Redford, the Sundance sugar daddy of independent film, seems to have become incapable of directing a movie that isn't utterly conventional, soft-focused Hollywood melodrama?
Granted, he's good at it. There's a certain beauty and poetry to films like "A River Runs Through It," "The Horse Whisperer" and his new golf-as-philosophy fable "The Legend of Bagger Vance," but it's a Hallmark card kind of beauty and poetry, printed on flimsy paperboard and worth $2.50 at most.
The title character of "Bagger Vance" -- a folksy, Southern, porch swing spirit guide played by Will Smith -- even speaks a lot like a Hallmark card.
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A routine aerial shot swoops down over the grounds of an architecturally classic boarding school while a buoyant, sanguine score bleats with insistently lyrical French horns in the opening moments of "The Emperor's Club." And that's all most moviegoers will need to divine everything there is to know about the picture's musty, fond-memory-styled milieu of plucky, Puckish schoolboys and the dedicated, kindly educator who inspires them.
It's a movie that seems motivated more by a desire to match mortarboards with "Dead Poets Society" and "Good Will Hunting" than by its own story. It's a movie of highly telegraphed archetypes slogging their way through clichés (the off-limits girls' school is just across the lake) and only-in-the-movies moments, like the climactic scholarly trivia contest in which the three smartest boys in school don togas and answer questions on stage about the minutiae of Roman history.
These settings, these characters and this narrative arc -- about a contentious teacher-student relationship -- are so familiar that while the movie is not inept or boring, it never feels real enough to inspire much more than a shrug in response.
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Chris Cornell refuses to stop, and on the eve of the release of his fourth solo album next month, he is reissuing his first solo album on vinyl and...
Pharrell Williams teams up with Puff Daddy and The Family on new single 'Finna Get Loose'.