Annie Parker is a fun-loving young woman struggling with the difficulties of motherhood, a husband who's slowly losing interest and, more importantly, breast cancer. She is unsurprised that she has become afflicted with the disease following her mother and older sister's suffering, but she suddenly finds herself overcome with the determination to find out why. Meanwhile, a young research geneticist named Mary-Claire King is looking into a breakthrough theory that suggests that some women are genetically pre-disposed to have breast cancer due to a particular gene. Unfortunately for her, there are few scientists who believe her theory. In order to prove her theory, she must conduct a research project looking into cancer sufferers' and their relatives' medical history - and that's where Annie Parker is eager to help.
Continue: Decoding Annie Parker Trailer
Frankie is a troubled African American go-go dancer in the 70s who begins a mental struggle when she repeatedly forgets large chunks of her life. She finds a crossword filled out in childish handwriting and an expensive designer dress in her wardrobe she doesn't remember purchasing among the various confusing clues suggesting there's something wrong. She is suffering from dissociative identity disorder (DID), more commonly known as multiple personality disorder, in which she possesses two alter-egos. One of them is Genius, a smart young child, while the other is the unashamedly racist Alice who appears to be a white woman with a Southern American accent. Unable to link these personalities together herself, the people around her - from friends and family to conquests and the authorities - are becoming desperately confused with her unpredictable behaviour and she is referred to a doctor who is determined to bring her out of her debilitating ordeal.
Continue: Frankie & Alice Trailer
Elliot (Zach Selwyn) is driving down the highway in a bleached out, barren American landscape and spies a jaw-dropping beauty (Bonnie Warner) trying to hitch a ride. Elliot adjusts his glasses and turns the car around to pick her up but she is gone. Elliot proceeds onward, finding the girl engaged in a pitched battle by the roadside with a fat, middle-aged lout in a SUV. Elliot comes to rescue (Andrea, the hitcher, later remarks to Elliot, "What's your story anyway? Riding up and down the highway, looking for damsels in distress?") but quickly loses the advantage and gets bitch-slapped and kicked by the wayside schlub. Andrea takes command, pulling a gun, holding it pointblank at her violator's temple, and making the guy piss in his pants. Crying like a baby, he makes his retreat as Andrea screams like a banshee and cackles like a devil. Elliot runs up to her as the SUV drives away, and she simply shrugs it off. "Men!" she says.
Continue reading: Damage Done Review
I wish I could say it's a good movie, but an unspeakably lame concept pretty much grounds any hope of that. As the three friends visit and ultimately discover their limitations -- represented by the revealing of the school's time capsule, which holds everyone's then-future hopes -- the women are escorted by the spirits of their dead grandmothers (played by the motley crew of Chita Rivera, Renée Taylor, and Claire Bloom). Yes, you've read correctly. It's an unnecessary idea, stealing time away from the three friends' personal struggles, which is really the meat of the story. Seriously, if you took the grandmother subplot out, what would you lose?
Continue reading: Kalamazoo? Review
Trashy and foul-mouthed (and playing with her boobs throughout the film), I wracked my brain to figure out where I'd seen her before. Turns out Baron was Mitch Taylor's mother in the cult classic Real Genius. Here she's reunited with Dr. Hathaway himself, William Atherton.
Continue reading: Burning Down The House Review
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Annie Parker is a fun-loving young woman struggling with the difficulties of motherhood, a husband...
Frankie is a troubled African American go-go dancer in the 70s who begins a mental...
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