Jean-pierre Aumont

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Mahogany Review


Grim
Thirty years after its release, Mahogany is still screened often... in gay bars. A minor camp classic starring Miss Diana Ross as a Chicago striver who claws her way to the top of the international high fashion scene, it's a mess of clichés, faulty feminist logic, and uncountable costume changes that mainly serve to enable Ross's raging narcissism.

Drunk on adulation from her Oscar-nominated performance in Lady Sings the Blues three years earlier, how could Ross resist such a star vehicle, especially one that let her design her own costumes: a decision, by the way, that ranks up there with the Watergate break-in as one of the worst ideas of the 1970s? Even Cher must have averted her eyes.

Continue reading: Mahogany Review

Day For Night Review


Excellent
If you know what the phrase "day for night" means, then you've probably already seen Truffaut's self-confessed love affair with the cinema.

Day For Night is a simple tale populated by a complex cast of characters -- all actors and crew members working on a film being shot on the French Riviera. The film starts on the first day of shooting, ends on the last. Meanwhile, all manner of problems -- some funny, some serious -- plague the shoot, along with endless romantic entanglements.

Continue reading: Day For Night Review

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