Gold is more than a valuable commodity for Kenny Wells, to him it's an obsession. The year is 1988 and Wells lives in Reno with his partner, Kay. The balding, fast-aging man is constantly down on his luck and often resorts to pawning his partner's possessions just to get hold of a little money.
The wannabe businessman attempts to start many new ventures but constantly finds himself being turned away. One day Wells awakes from his slumber and recalls a vivid dream telling him to go find Gold in unchartered territory. Kenny has little knowledge of how to make it work but knows that this is the big break he's been waiting for.
Teaming up with geologist Michael Acosta, Wells tells Acosta about the land he feels is rich with unmined gold reserves in Indonesia. Talking Acosta into the project, they begin their ambitious dig with basic supplies and minimal investment. As their workers begin to see that their efforts are not garnering any results they begin to leave and everything looks like it's going against the Americans.
Continue: Gold Trailer
Terry Kinney, Randy Graff, Frank Wood, Michael Oberholtzer, Maddie Corman, Julie Halston, Josh Radnor and Leslie Bibb - New York Stage and Film and Vassar's 30th Anniversary Powerhouse Season Media Day held at Pearl Studios - Arrivals. - New York, New York, United States - Tuesday 3rd June 2014
Frank Wood and Katie Price - Kay Gayner, Frank Wood, Jordan Roth, Ben Curtis and Jonah Spear Sunday 2nd September 2012 Closing night after party for the Broadway play 'Clybourne Park' at The Lambs Club New York restaurant.
Sarah Goldberg, Brendan Griffin, Christina Kirk and Frank Wood - Damon Gupton, Sarah Goldberg, Jeremy Shamos, Christina Kirk, Crystal A. Dickinson, Frank Wood and Brendan Griffin Tuesday 17th July 2012 'Clybourne Park' celebrates 100 Broadway performances at the Walter Kerr Theatre Curtain Call
Thirteen Days is the film in question -- and unlike staff writer James Brundage I felt the film was a truly powerful one, an eye-opening dissection of the Cuban Missile Crisis, a sobering study of how close we came to annihialation during the Cold War, and a peek behind the scenes of detente. An excellent companion to another (even better) Kevin Costner vehicle, Oliver Stone's JFK, Thirteen Days is not an actor's showcase like JFK is, but rather lets its story do the telling, taking us behind the scenes as decisions with cascading consequences are made. To be sure, Roger Donaldson was likely a poor choice as director -- his arbitrary use of black and white vs. color, his heavy-handedness in glorifying Kennedy at every turn, and his preachy doomsaying all wear a bit thin. But even he can't ruin the film completely.
Continue reading: Thirteen Days Review
I don't know about you, but whenever I hear Kevin Costner is coming out with another two-hour-plus epic drama, I have a Pavlovian reaction of raging skepticism. After all, this man was the driving force behind "Waterworld" and "The Postman," not to mention the lengthy, maudlin romances "For the Love of the Game" and "Message In a Bottle."
So I admit I went in to "Thirteen Days" -- not only another Costner epic but another Costner revisionist history epic centering around John F. Kennedy -- expecting to cringe my way through it and subconsciously (?) looking for gaffes.
At first there were signs the film might live down to my expectations, like the title sequence's generically ominous stock footage of mushroom clouds and Costner's awk-cent, which begins as more Elmer Fudd than Kennedy compound before he eases into a smooth vocal rhythm. But within 10 minutes I was completely wrapped up in this fly-on-the-wall, pressure-cooker dramatization of what went down at the White House during the Cuban Missile Crisis.
Continue reading: Thirteen Days Review
Gold is more than a valuable commodity for Kenny Wells, to him it's an obsession....
I don't often override the writers at filmcritic.com, free speech and individual preference being what...