Edith Evanson

Edith Evanson

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Twice-Told Tales Review


Very Good
In the tradition of Tales from the Darkside comes this trilogy of stories drawn from Nathaniel Hawthorne stories and each starring Vincent Price. Watch as he and Sebastian Cabot discover a youth serum dripping in the basement -- and use it to resurrect Cabot's dead fiancee! Other tales tell of a poisonous plant Vinny uses to ensure his daughter stays by his side, and a rendition of The House of Seven Gables. Well produced and solidly acted all around. And the stories fit perfectly into the 40-minute vignettes.

Rope Review


Extraordinary
Along with The Birds and Psycho, Rope was one of the very first Hitchcock films I saw as a kid -- a dusty old videotape sitting on a shelf with an odd title scrawled on its edge. I loved it then and still have a fond memory for the film, which led me to explore nearly 50 pictures from the Master of Suspense.

Rope is a complex and dazzlingly unique picture. Subversively based on the Leopold and Loeb murder case, it presents us with two boys (Dall and Granger) who have been taught by their old headmaster (Stewart) in the Nietzchian philosophies of the Superman and the unimportance of the lives of simpler people. Dall masterminds a plot and Granger follows as his half-willing pull-toy; together they strangle a mutual friend, dump his body in a chest, and throw a party for his father -- serving a buffet from his makeshift casket.

Continue reading: Rope Review

I Remember Mama Review


Excellent
A sentimental but well-intentioned portrait of an immigrant family, I Remember Mama is an oddity for Hollywood -- very slow, almost entirely lacking in dramatic punch, but surprisingly realistic. Martha Hanson (Irene Dunne) is the center of a Norwegian-American family in early 20th century San Francisco. (The row houses are still standing, but no one who lives in them has to count pennies.) The story is narrated by a daughter (Barbara Bel Geddes) who worshipfully portrays her mother through her own somewhat selfish lens, but allows us to see her mother as she is: uneducated, strong, simple, forthright, and content. Like so many immigrants, Mama unsentimentally embraces her new country and raises her children as acculturated Americans, without changing herself.

The role was a stretch for Irene Dunne, usually a comedienne who teamed with Cary Grant, among others, in screwball comedies of the '30s and '40s (The Awful Truth, etc.). Unfortunately, the film signaled her retirement rather than a new beginning.

Continue reading: I Remember Mama Review

Edith Evanson

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Edith Evanson Movies

Rope Movie Review

Rope Movie Review

Along with The Birds and Psycho, Rope was one of the very first Hitchcock films...

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