Stephen Frears (High Fidelity) directs this powerful and moving work about a small facet of the past, and it's interesting to see him work without his trademark, wry humor as found in similar working-class-in-the-UK productions like The Van and The Snapper. Ian Hart is apt as the down-and-out father who gets sucked into anti-Jewish Fascism (thus endangering poor sis's breadwinning), and Borrows is a put-upon and precocious (yet not disgustingly so) kid in the tradition of Angela's Ashes.
Continue reading: Liam Review
The rapper teams up with Apple Music on his latest project.
The NBC series ended a decade ago, but Will, Grace, Karen and Jack haven't changed a bit.
Now THAT'S an engagement ring. Good job, Aaron Lohr!
The album is Williams’ first release since 2013’s ‘Swings Both Ways’.
There's already an Oscars buzz surrounding this movie.