Christopher Hampton arrives for the National Theatre's annual dinner, showcase and auction to raise funds for the Learning Department of the National Theatre. Held at Olivier Theatre, South Bank - London, United Kingdom - Tuesday 7th March 2017
In 1904 Zurich, Jung (Fassbender) tests Freud's theoretical "talking cure" on manic patient Sabina (Knightley). And it works, revealing Sabina's own skills as a potential shrink. Two years later, Jung travels to Vienna to meet Freud (Mortensen), and they start a working friendship. But when Freud refers an outspoken patient (Cassel), Jung starts to question his morality. As a result, he starts an affair with Sabina, which is much hotter than his comfortable marriage to Emma (Gadon). But this causes him to question Freud's theories, leading to a clash of the titans.
Continue reading: A Dangerous Method Review
The same shot can be found in Wright's adaptation of Ian McEwan's monumental Atonement, though the setting is now 1930s France. Three soldiers from London come upon a beach filled with soldiers waiting to return to their respective homelands. The camera glides past sergeants executing diseased horses, a choir of damaged infantry men and dozens of wounded battalions. Smoke bellows from scrap fires and a looming ferris wheel turns in the distance as the three English soldiers make their way into a bar.
Continue reading: Atonement Review
If you're like me, you're saying to yourself, "Who is this Dora Carrington, and why would someone make a movie about her?" Well, I still don't have the answer to that one. Carrington was something of a homebody who thrived on shocking Victorian sensibilities with her outrageous behavior, the bulk of which involved sexual promiscuity in some fashion or another. Most notable among her odd and largely meaningless "flings" was a doomed-from-the-start relationship with troublesome writer Lytton Strachey (Jonathan Pryce), a bearded, neo-Oscar Wilde who couldn't function normally without substantial babysitting from Carrington and/or any number of her lovers.
Continue reading: Carrington Review
It's a worse idea than the talent in this picture would probably care to admit to. Leonardo DiCaprio stars in yet another true-story-about-poets movie this year, following up his excellent portrayal of teenage wacko Jim Carroll in The Basketball Diaries with one of even more wacko teenager Arthur Rimbaud in Total Eclipse. David Thewlis (Naked) is Paul Verlaine, a slightly older poet who becomes entranced with Rimbaud, who returns his affections with little more than scorn and physical abuse. Verlaine in turn passes this abuse on to his pregnant wife, Mathilde (Romane Bohringer).
Continue reading: Total Eclipse Review
Joining their ranks is director Phillip Noyce, another director who has released two films in the same year, though he's the only one, in my opinion, who might find himself competing against his own film come awards season.
Continue reading: The Quiet American Review
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