Jack Sadelstein loves his family. He loves his wife, Erin and he loves his two children, Sofia and Gary. But the one family member he truly hates is his sister, Jill. Which is why Jack dreads Thanksgiving every year; it's the one time of the year where Jill travels up to see him to stay for a few days.
Continue: Jack And Jill Trailer
But years of scene-stealing in both indie movies and lowbrow comedies have refined Faris's approachable goofiness, and she finds an original, star-quality approach to playing a cheesy sex bomb. As Shelley, Faris widens her eyes (or as Shelley refers to them, "the nipples of the face") as if she's struggling to see through her own blissful daze, and speaks with a breathy, earnest tone. She's superficial and bubbleheaded, but doesn't have a malicious bone in her toned body; Faris finds comedy in her innocent belief in the healing togetherness of the Playboy fantasy. Shelley's attempts at sexiness are so goofy that they go back around and become sexy again.
Continue reading: The House Bunny Review
Steve Zahn headlines the directorial debut of Joe Dirt screenwriter Fred Wolf, playing Peter Gaulke, the stoner son of a famous Crocodile Hunter-like dad whose show Strange Wilderness was once a mega-hit. After dad died and Peter took over, things went downhill, with Peter turning in episodes punctuated by absurd narration and questionable nature... unless you count girls flashing their breasts in the shrubs behind the office building "nature." Peter defends the segment, of course, claiming them to be "natives."
Continue reading: Strange Wilderness Review
So he's perfect a fit for The Benchwarmers, the latest Saturday Night Live alumni comedy from Happy Gilmore, Adam Sandler's production company. Heder does his spaz routine, gets his laughs, and moves on. The same success applies for Schneider and Spade, two guys who should never shoulder a whole movie unless a studio exec has lost a bet. In The Benchwarmers, Schneider (never the world's funniest actor) plays it straight, and Spade's cutting remarks come at amusing intervals. The result is a movie with a nice number of laughs and an encouraging message.
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The animated Eight Crazy Nights takes place in a simpleton town called Dukesberry, where both Hanukkah and Christmas each get equal holiday treatment. The town is buzzing in holiday cheer until Davey (looks and sounds like Sandler), the 33-year old town drunk, crushes everyone's fun by parading through the town passing gas at carolers, and knocking over snowmen. He's arrested for his actions, but instead of getting jail time, he's to redeem himself by assisting an aging youth-basketball league referee named Whitey (Sandler again, sounding too feminine) with his duties on the court.
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When I watch certain actors paint such vivid and animated characters across the silver screen, I am almost reach a state of pure cinema bliss. I came close to that bliss when I watched the riveting Richard Gere is his latest film, American Gigolo 2, Male Gigolo. Gere has such a powerful presence in a number of memorable moments that draw from him an almost frightening realism that seems to reach out from the screen to the audience. Richard Gere's performance in the film--oh, wait a minute--let me retract that last statement. Did I say Richard Gere? Sorry for the confusion. I meant Rob Schneider, and his new film Deuce Bigalow, Male Gigolo. Gere and Schneider, I tend to mix up the two so often.
Continue reading: Deuce Bigalow: Male Gigolo Review
Little Nicky (Adam Sandler) is the devil's third---and least impressive---son. Bested in brains by his brother Adrian (Rhys Ifans) and in strength by his brother Cassius (Tiny Lester), Nicky finds little joy outside of hanging out in his hell-bound bedroom, banging his head to heavy metal favorites. That is, until his father's 10,000-year reign draws to a close and it's time to name the new ruler of Hades.
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Adam Sandler has gone soft and it just doesn't work. Whilehe somehow managed to carry off his sweet, pathetic romantic lead characterin "The Wedding Singer" last year, in "BigDaddy" he's taken it too far. The formerly outrageous Sandler hasbecome the Sensitive Guy.
He's polite and politically correct toward two of his collegebuddies who turned gay and became a couple. He's accompanied everywherehe goes by a tender moments soundtrack copped from a General Foods InternationalCoffees commercial. And get this -- he cries. Not for laughs, either.He cries and wants the audience to commiserate with his broken little heart.He wants us to like him.
Buddy, you're Adam Sandler, not Jimmy Stewart. Heck, you'renot even Robin Williams, and he's no good at that sad clown crap, either.
Continue reading: Big Daddy Review
Having now seen "Little Nicky," in which Adam Sandler plays the retarded son of Satan, I have formulated a hypothesis I'm calling the Sandler Theory of Exponentially Obnoxious Returns. It goes something like this:
Adam Sandler goes out of his way to make each gimmick character he plays ("Billy Madison," "Happy Gilmore") more grating than the last, just to see how far he can push it before his easily amused fan base will turn on him.
His most detestable character to date had been "The Waterboy," but that Southern-fried dope was mister congeniality compared to Nicky, the little devil that couldn't. Sandler spends this entire movie with his face screwed up in a hit-by-a-shovel grimace and speaking in a silly, raspy voice like a little kid pretending to be sick so he can stay home from school. There's no joke here. It's just Sandler's version of stretching as an actor.
Continue reading: Little Nicky Review
As someone who watches upwards of 500 movies a year, I've seen more than my fair share of bad remakes. But I've never seen one do anything as stomach-turning as the way Adam Sandler's new movie rapes, pillages and incinerates Frank Capra's classic "Mr. Deeds Goes to Town."
Entitled just "Mr. Deeds" and punctuated with elementary dialogue and the worst kind of feel-good muzak score, it doesn't contain a single sincere moment, a single performance that would pass muster in an elementary school play or a single scene without glaring continuity problems. Different takes within the same conversations don't even sync up -- ever.
As in Capra's very funny and heartfelt hallmark, the story is about a modest, idealistic small-town schnook named Longfellow Deeds (Sandler) who inherits a fortune from a distant uncle and is swept away to New York City, where ruthless tabloid scrutiny turns him into an object of both scorn and laughter. Leading the smear campaign is an ambitious female reporter (Winona Ryder), who poses as a fellow wide-eyed out-of-towner. But while trying to railroad Deeds into splashy front-page behavior, she falls for the guy, has a change of heart and decides to help save him from the urban wolves.
Continue reading: Mr Deeds Review
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