Tony Webster is a retired man in his sixties whose past comes back to haunt him when he receives a strange letter in the post. It takes him back to his university days when he met the love of his life Veronica Ford. Though they have been estranged since then, she bequeaths him a diary in her will. Their separation was one of bitterness and heartbreak; his best friend Adrian Finn ended up stealing Veronica's heart, and Tony reacted by sending them a very angry letter in response to their partnership. Not long after, Adrian died in mysterious circumstances and with all the horror of those years brought up once again, Tony is forced to confront his guilt and innoncence in the whole saga - as well as other people's suspicions.
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It's been nearly 30 years since the last live-action Tarzan movie, and yet it still feels too soon for another remake. Thankfully, this is actually a sequel (perhaps it should have been titled Tarzan Returns), and along with a first-rate cast, this movie has a surprisingly beefy script that hints at a much more high-brow adventure epic. But clearly the studio preferred to make a mindless bit of blockbuster action.
After leaving the jungle, Tarzan (Alexander Skarsgard) has settled into life in damp 1880s England as the Earl of Greystoke with his American wife Jane (Margot Robbie). Meanwhile, deep in the Congo, Belgian diplomat Leon Rom (Christoph Waltz) has made a deal with Chief Mbonga (Djimon Hounsou), who has a personal grudge against Tarzan. Planning to hand over Tarzan in exchange for diamonds, Leon lures Tarzan back to Africa, accompanied by Jane and the American explorer George Washington Williams (Samuel L. Jackson), who suspects that the slave trade hasn't ended. On arrival, Leon pounces, and Tarzan must revert to the instincts he learned from the gorillas who raised him, while calling on help from old friends.
The plot is actually quite compelling, sparking lots of whooshing action (including plenty of vine-swinging) while grappling with some bigger themes involving colonialism and racism, plus more personal issues of identity and responsibility. The actors pack their scenes with textures that touch on these ideas, while also providing a spark of wit. With his impossibly sculpted physique, Skarsgard looks rather too gym-fit for the role, but he gives Tarzan a soulfulness that makes him likeable. He also develops some steamy chemistry with Robbie, who shines in her role as a feisty woman happy to return to the village where she was raised. The best scene in the film is when she has dinner with Waltz' sneering villain, gleefully swapping innuendo. And even with the action and gunplay, this is Jackson's deepest role in years.
Continue reading: The Legend Of Tarzan Review
Bridget has always known how to get herself into a muddle - catastrophic muddles at that - even though she's been separated from her last love, Mark, for five years it appears their journey together hasn't come to an end as yet.
After taking advice from one of her colleagues, Bridget decides that it's time to get back on the dating scene and after deciding that the likes of Tinder aren't for her, Bridget finds herself being set up with Jack Qwant who she sees in the news room studio.
The pair get on remarkably well and soon find themselves spending the night together. A little fun is just what Bridget needed. When she finds herself at the christening of one of her friends little girls, her and Mark are forced to be amicable towards one another but the pair fall into old habits and Bridget and he also spend the night together.
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When Lord John and Lady Greystoke found themselves stranded in strange jungle, their only instinct was to survive. Lord Greystoke built a shelter in the trees and made a home for him, his wife and his new born son, John Greystoke Jr.. As time passed, the jungle grew wilder and both the lord and lady lose their lives. John is found in his crib by a nursing Gorilla who decides to take the baby and nurse him as her own. So begins the legendary tale of Tarzan.
As Tarzan grows stronger, he knows he's different from the rest of his tribe and when he discovers the house his father built it teaches Tarzan about a whole new world full of people just like him. The boy grows into a man and eventually climbs the ranks in his pack to become head of the group. Tarazan - King Of The Jungle.
When a boat is shipwrecked, Tarzan meets his Jane and the two fall in love. Wishing to seek out his homeland and learn more about where he comes from Tarzan and Jane return to London where Lord John Greystoke Jr is soon found to be just of much of a gentleman that of his father.
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Based on the true story of an unapologetic underdog who never won anything, this British comedy is a shameless crowd-pleaser. Eddie Edwards won the hearts of fans worldwide by coming in dead last at the 1988 Winter Olympics in Calgary, and the cast and crew follow his journey with buckets of humour and emotion, plus some seriously exhilarating ski jumping. And like its central character, the film is awkward, good-hearted and impossible not to love.
Eddie (Taron Egerton) grew up obsessed with becoming an Olympian even though he has no talent for sport. He manages to become a regional downhill skiing champion, but is so annoying that the head of the British Olympics Team (Tim McInnerny) changes the rules to disqualify him. So at 22 he instead decides to become Britain's only ski jumper. He moves to Germany to train on his own, meeting the jaded ex-jumper Bronson (Hugh Jackman) and persistently convincing him to offer some coaching tips. And as the Olympics officials keep raising the bar for membership on the team, Eddie improves just enough to qualify. His father (Keith Allen) thinks he should give up, but his mother (Jo Hartley) quietly offers support. And it's Eddie's sheer tenacity that gets him to Calgary.
Director Dexter Fletcher (Wild Bill) tells this story as a high-energy comedy centred on a dorky young man who simply won't take no for an answer. Egerton plays Eddie with perhaps too many physical tics, but exudes so much goofy charm that it's easy to see how he won over the people around him, and the global audience watching the Olympics. His interaction with everyone he meets on this journey is barbed and hilarious, and his joy at each small achievement is infections. Egerton also generates terrific chemistry with Jackman in one of his most enjoyable roles yet. It's hugely entertaining to watch this grouchy loser be begrudgingly coaxed out of his shell by Eddie's boundless enthusiasm.
Continue reading: Eddie The Eagle Review
After battling the dating scene and finally finding love with Mark Darcy, Bridget Jones is ready to take her relationship to the next stage - well, sort of. After years of thinking that Mark was all she wanted, she realises that their relationship isn't as close as it once was and decides to call it a day.
Back where she started, Bridget decides that the men in her life are just distractions, now it's time to get fully involved in her work and climb to the position she's always wanted. As things start to fall into place for Bridget, soon her love life begins to pick up speed too.
A fleeting meeting with Mr Darcy leads to the pair reuniting - temporarily at least - whilst Bridget is also being wooed by a smooth American called Jack, a man who doesn't have Darcy's prim and proper ways but is just as charming. Playing the field doesn't work out quite as easily as Bridget hoped as she falls pregnant. Now all she must do is find out which partner she wants to be with and more importantly, who the father is.
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Maggie Smith couldn't be more perfect for the title role in this film if it were written for her. But the most astounding thing about this story is that it's true, an event from playwright-screenwriter Alan Bennett's own life. The film cleverly plays with the idea of a writer telling his own story. And it also gives Smith an unforgettable role in a movie that's both entertaining and sharply pointed.
It happened in 1970 Camden, as neighbours worried about a homeless woman parking her van in front of their houses. She turns out to be Mary Shepard (Smith), and resident Alan Bennett (Alex Jennings) offers to let her park her van in his driveway for a few months. She stayed there for 15 years, during which Alan refuses to pry into Mary's personal life and she turns a blind eye to the steady flow of young gentleman callers at his door. Even so, over the years Alan learns some details about Mary's past as a musician, ambulance driver and nun, and that she became homeless because she was on the run from the police.
Bennett takes a cheeky approach to the script, writing two versions of himself: one who lives his life and one who writes about it. The interaction between the two is cleverly played by Jennings and directed with offhanded hilarity by Hytner, who shot the movie in the actual street and house where the events took place. Jennings also adds some emotional interest in Alan's relationship with his mother (Gwen Taylor), who ironically has to move into a nursing home. Opposite him, Smith is as magnetic as ever, reeling off each pithy one-liner with impeccable timing. The role may not seem like much of a stretch, but she delivers it with a prickly mix of attitude and humour, plus a strong undercurrent of pathos.
Continue reading: The Lady In The Van Review
Eilis Lacey's life in Ireland has drawn to a standstill, there's no work and her life is quickly stagnating. It's the 1950's and the lure of the US is too strong to ignore. Landing in an entirely different country, New York is a vast site to behold but her future looks brighter now she's stateside. One of Eilis' biggest problems will be adjusting to life away from her family but there are a few people living in her new home who might be there to help.
After finally feeling like Brooklyn might be a place Eilis could find a new home, her past life catches up with her and she must pick a path to follow.
These new clips from Brooklyn give you a feeling of what to expect from the movie which is out now.
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Director John Crowley and writer Nick Hornby never even try to temper the flood of emotions that this story elicits, instead wading straight in. Thankfully, they manage to resist sentimentality at every step, although perhaps some more offhanded, edgy humour would have helped balance it better. Because as is, this film can be rather overwhelming at times, thanks to the sensitive, honest performances from the cast and a subject most people can identify with: how it feels to leave home.
It opens in 1950, as Eilis (Saoirse Ronan) is reluctantly preparing to leave her home and family in rural Ireland for a new life in New York City, arranged with the help of an Irish priest, Father Flood (Jim Broadbent). As she settles into the boarding house run by Mrs Kehoe (Julie Walters), she gets a department store job and starts studying bookkeeping, all of which helps take her mind off her homesickness. She also meets the persistent, charming Italian-American Tony (Emory Cohen), and they fall lustily in love. Just as life doesn't seem so bad after all, Eilis gets bad news and has to travel home to see her family. There, she meets the eligible bachelor Jim (Domhnall Gleeson). And now she will have to make a decision about where her home is.
The film's tone is open and emotive from the very start, with warmly glowing cinematography, a surging musical score and lots of over-serious conversations. The hills of Ireland have never looked so green, the bustling streets of Brooklyn never seemed quite so exciting. There are some comedic touches here and there, but the main tone here can be summed up in the word "yearning". This is a film that's easy to identify with for anyone who has ever moved away from home, especially as it explores conflicting loyalties and unexpected opportunities. These themes are much stronger than the romantic triangle that drives the film forward.
Continue reading: Brooklyn Review
Miss Shepherd is a highly educated elderly woman living off barely anything in a small dilapidated van. She asks for nothing from her community, other than to be allowed her peace and to have a place to park her van. Constantly being moved by authorities, she finds herself taking up residence on Alan Bennett's road, much to the displeasure of his house proud neighbours. Despite her prickly disposition and shameless boldness, Bennett - a man of more timid and awkward nature - takes an immediate shine to Miss Shepherd, offering her his driveway to park her vehicle on a temporary basis. Soon, though, just a few weeks turns into fifteen long years as this impoverished musical scholar and this lowly gentleman of humble background become unlikely yet inseparable friends - a friendship rocked by Miss Shepherd's eventual ill health which soon strikes a sadness in the heart of the whole town.
Continue: Lady In The Van - Alternative Trailer
Tony Webster is a retired man in his sixties whose past comes back to haunt...
As it's been 12 years since the last Bridget Jones movie, expectations aren't too high...
It's been nearly 30 years since the last live-action Tarzan movie, and yet it still...
Bridget has always known how to get herself into a muddle - catastrophic muddles at...
When Lord John and Lady Greystoke found themselves stranded in strange jungle, their only instinct...
Based on the true story of an unapologetic underdog who never won anything, this British...
After battling the dating scene and finally finding love with Mark Darcy, Bridget Jones is...
Maggie Smith couldn't be more perfect for the title role in this film if it...
Eilis Lacey's life in Ireland has drawn to a standstill, there's no work and her...
Director John Crowley and writer Nick Hornby never even try to temper the flood of...