When Lord John and Lady Greystoke found themselves stranded in strange jungle, their only instinct was to survive. Lord Greystoke built a shelter in the trees and made a home for him, his wife and his new born son, John Greystoke Jr.. As time passed, the jungle grew wilder and both the lord and lady lose their lives. John is found in his crib by a nursing Gorilla who decides to take the baby and nurse him as her own. So begins the legendary tale of Tarzan.
As Tarzan grows stronger, he knows he's different from the rest of his tribe and when he discovers the house his father built it teaches Tarzan about a whole new world full of people just like him. The boy grows into a man and eventually climbs the ranks in his pack to become head of the group. Tarazan - King Of The Jungle.
When a boat is shipwrecked, Tarzan meets his Jane and the two fall in love. Wishing to seek out his homeland and learn more about where he comes from Tarzan and Jane return to London where Lord John Greystoke Jr is soon found to be just of much of a gentleman that of his father.
Continue: The Legend Of Tarzan Trailer
Based on the true story of an unapologetic underdog who never won anything, this British comedy is a shameless crowd-pleaser. Eddie Edwards won the hearts of fans worldwide by coming in dead last at the 1988 Winter Olympics in Calgary, and the cast and crew follow his journey with buckets of humour and emotion, plus some seriously exhilarating ski jumping. And like its central character, the film is awkward, good-hearted and impossible not to love.
Eddie (Taron Egerton) grew up obsessed with becoming an Olympian even though he has no talent for sport. He manages to become a regional downhill skiing champion, but is so annoying that the head of the British Olympics Team (Tim McInnerny) changes the rules to disqualify him. So at 22 he instead decides to become Britain's only ski jumper. He moves to Germany to train on his own, meeting the jaded ex-jumper Bronson (Hugh Jackman) and persistently convincing him to offer some coaching tips. And as the Olympics officials keep raising the bar for membership on the team, Eddie improves just enough to qualify. His father (Keith Allen) thinks he should give up, but his mother (Jo Hartley) quietly offers support. And it's Eddie's sheer tenacity that gets him to Calgary.
Director Dexter Fletcher (Wild Bill) tells this story as a high-energy comedy centred on a dorky young man who simply won't take no for an answer. Egerton plays Eddie with perhaps too many physical tics, but exudes so much goofy charm that it's easy to see how he won over the people around him, and the global audience watching the Olympics. His interaction with everyone he meets on this journey is barbed and hilarious, and his joy at each small achievement is infections. Egerton also generates terrific chemistry with Jackman in one of his most enjoyable roles yet. It's hugely entertaining to watch this grouchy loser be begrudgingly coaxed out of his shell by Eddie's boundless enthusiasm.
Continue reading: Eddie The Eagle Review
After battling the dating scene and finally finding love with Mark Darcy, Bridget Jones is ready to take her relationship to the next stage - well, sort of. After years of thinking that Mark was all she wanted, she realises that their relationship isn't as close as it once was and decides to call it a day.
Back where she started, Bridget decides that the men in her life are just distractions, now it's time to get fully involved in her work and climb to the position she's always wanted. As things start to fall into place for Bridget, soon her love life begins to pick up speed too.
A fleeting meeting with Mr Darcy leads to the pair reuniting - temporarily at least - whilst Bridget is also being wooed by a smooth American called Jack, a man who doesn't have Darcy's prim and proper ways but is just as charming. Playing the field doesn't work out quite as easily as Bridget hoped as she falls pregnant. Now all she must do is find out which partner she wants to be with and more importantly, who the father is.
Continue: Bridget Jones's Baby Trailer
Maggie Smith couldn't be more perfect for the title role in this film if it were written for her. But the most astounding thing about this story is that it's true, an event from playwright-screenwriter Alan Bennett's own life. The film cleverly plays with the idea of a writer telling his own story. And it also gives Smith an unforgettable role in a movie that's both entertaining and sharply pointed.
It happened in 1970 Camden, as neighbours worried about a homeless woman parking her van in front of their houses. She turns out to be Mary Shepard (Smith), and resident Alan Bennett (Alex Jennings) offers to let her park her van in his driveway for a few months. She stayed there for 15 years, during which Alan refuses to pry into Mary's personal life and she turns a blind eye to the steady flow of young gentleman callers at his door. Even so, over the years Alan learns some details about Mary's past as a musician, ambulance driver and nun, and that she became homeless because she was on the run from the police.
Bennett takes a cheeky approach to the script, writing two versions of himself: one who lives his life and one who writes about it. The interaction between the two is cleverly played by Jennings and directed with offhanded hilarity by Hytner, who shot the movie in the actual street and house where the events took place. Jennings also adds some emotional interest in Alan's relationship with his mother (Gwen Taylor), who ironically has to move into a nursing home. Opposite him, Smith is as magnetic as ever, reeling off each pithy one-liner with impeccable timing. The role may not seem like much of a stretch, but she delivers it with a prickly mix of attitude and humour, plus a strong undercurrent of pathos.
Continue reading: The Lady In The Van Review
Eilis Lacey's life in Ireland has drawn to a standstill, there's no work and her life is quickly stagnating. It's the 1950's and the lure of the US is too strong to ignore. Landing in an entirely different country, New York is a vast site to behold but her future looks brighter now she's stateside. One of Eilis' biggest problems will be adjusting to life away from her family but there are a few people living in her new home who might be there to help.
After finally feeling like Brooklyn might be a place Eilis could find a new home, her past life catches up with her and she must pick a path to follow.
These new clips from Brooklyn give you a feeling of what to expect from the movie which is out now.
Continue: Brooklyn - Clips
Director John Crowley and writer Nick Hornby never even try to temper the flood of emotions that this story elicits, instead wading straight in. Thankfully, they manage to resist sentimentality at every step, although perhaps some more offhanded, edgy humour would have helped balance it better. Because as is, this film can be rather overwhelming at times, thanks to the sensitive, honest performances from the cast and a subject most people can identify with: how it feels to leave home.
It opens in 1950, as Eilis (Saoirse Ronan) is reluctantly preparing to leave her home and family in rural Ireland for a new life in New York City, arranged with the help of an Irish priest, Father Flood (Jim Broadbent). As she settles into the boarding house run by Mrs Kehoe (Julie Walters), she gets a department store job and starts studying bookkeeping, all of which helps take her mind off her homesickness. She also meets the persistent, charming Italian-American Tony (Emory Cohen), and they fall lustily in love. Just as life doesn't seem so bad after all, Eilis gets bad news and has to travel home to see her family. There, she meets the eligible bachelor Jim (Domhnall Gleeson). And now she will have to make a decision about where her home is.
The film's tone is open and emotive from the very start, with warmly glowing cinematography, a surging musical score and lots of over-serious conversations. The hills of Ireland have never looked so green, the bustling streets of Brooklyn never seemed quite so exciting. There are some comedic touches here and there, but the main tone here can be summed up in the word "yearning". This is a film that's easy to identify with for anyone who has ever moved away from home, especially as it explores conflicting loyalties and unexpected opportunities. These themes are much stronger than the romantic triangle that drives the film forward.
Continue reading: Brooklyn Review
Miss Shepherd is a highly educated elderly woman living off barely anything in a small dilapidated van. She asks for nothing from her community, other than to be allowed her peace and to have a place to park her van. Constantly being moved by authorities, she finds herself taking up residence on Alan Bennett's road, much to the displeasure of his house proud neighbours. Despite her prickly disposition and shameless boldness, Bennett - a man of more timid and awkward nature - takes an immediate shine to Miss Shepherd, offering her his driveway to park her vehicle on a temporary basis. Soon, though, just a few weeks turns into fifteen long years as this impoverished musical scholar and this lowly gentleman of humble background become unlikely yet inseparable friends - a friendship rocked by Miss Shepherd's eventual ill health which soon strikes a sadness in the heart of the whole town.
Continue: Lady In The Van - Alternative Trailer
Michelle Dockery has been cast in her first film after the end of 'Downton Abbey', starring alongside Jim Broadbent.
The movie - which is an adaptation of the 2011 Man Booker Prize-winning novel by Julian Barnes - will begin shooting next week and will take place over seven weeks in two locations, in London and Bristol.
Continue reading: Michelle Dockery Cast In The Sense Of An Ending
Beloved British Actors Brenda Blethyn And Jim Broadbent Are Teaming Up To Play Author Raymond Briggs' Parents In An Animated Adaptation Of His Book Ethel And Ernest.
The film adaptation of the bestseller will chronicle the half-century marriage of The Snowman author's parents from the late 1920s to the early 1970s.
The animated film will debut on the BBC next year (16).
Oscar winners Blethyn and Broadbent will be joined by Luke Treadaway, who will voice the part of Briggs.
Continue reading: Brenda Blethyn & Jim Broadbent To Play Raymond Briggs' Parents
Taking your first steps into adulthood is never easy, but for a young Irish woman named Eilis Lacey it's about to get more complicated than she ever could have imagined. She is encouraged to travel across the Atlantic to Brooklyn, New York by her local priest Father Flood, seeking opportunities and a promising career. Once there she settles into a job and a place of residence, but becomes overcome by homesickness when she starts to receive letters from home. Confused about whether or not she wants to continue her life in Brooklyn, the question is answered for her when she meets a handsome bachelor named Tony at a dance who is everything she could want in a partner. However, after tragedy strikes at home, she is forced to return, and she really can't be sure if she'll make it back to Brooklyn - especially when a former flame catches her eye once again.
Continue: Brooklyn Trailer
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