Jason Bateman (born 14.01.1969) Jason Bateman is an American actor.
Childhood:Bateman was born in Rye, New York. His parents are Victoria Elizabeth, a former flight attendant, and Kent Bateman, an actor and director. He moved to Salt Lake City when he was 4 and later California.
Acting career: Jason made his TV debut in 'Little House on the Prairie' with Michael Landon, Melissa Gilbert and Karen Grassle. In 1982, he began appearing in 'Silver Spoons' before joining the cast of sitcom 'The Hogan Family' in 1986 with Valerie Harper, even directing three episodes when he was just 18. In 1987, he appeared in the movie 'Teen Wolf Too' which was a box office failure. He appeared alongside Katharine Hepburn and Anthony Quinn in 'This Can't Be Love' in 1994. Around this time he also had big roles in several series including 'Simon', 'Chicago Sons', 'George & Leo' and 'Some of My Best Friends', and in 2002, he appeared in the movie 'The Sweetest Thing'. In 2003, he landed a part in the comedy series 'Arrested Development' opposite Portia de Rossi, Will Arnett and Michael Cera which won him a Golden Globe for Best Actor and an Emmy nomination. In 2006, he guest starred in an episode of 'Scrubs' which stars Zach Braff and Sarah Chalke. In 2009, he provided his voice in the Fox comedy 'Sit Down, Shut Up'. The following year, he and Will Arnett founded 'DumbDumb Productions'. In 2004, he appeared in the award-winning comedy 'Dodgeball: A True Underdog Story' alongside Vince Vaughn and Ben Stiller. He also appeared with Vince again in 'Starsky & Hutch', 2006's 'The Break-Up' and 2009's 'Couples Retreat'. 2007, saw him opposite Ben Affleck in 'Smokin' Aces', 'The Kingdom' alongside Jamie Foxx, 'Mr. Magorium's Wonder Emporium' with Dustin Hoffman and 'Juno' which starred Ellen Page. In 2008, he was in the superhero film 'Hancock' with Will Smith and Charlize Theron. 2010 saw him in the rom com 'The Switch' with Jennifer Aniston and in 2011 he starred in 'Horrible Bosses' and 'The Change-Up'. He starred in the thriller 'Disconnect' in 2012 and 'Identity Thief' in 2013 opposite Melissa McCarthy.
Personal life: Bateman has previously struggled with alcohol and drug addiction. He married Amanda Anka in 2001 and they have two daughters; Francesca and Maple. In 2005, he underwent surgery to remove a polyp from his throat which interrupted the production of 'Arrested Development'. He is a fan of the baseball team the Los Angeles Dodgers.
The drama will be making its return to the streaming service in the near future.
Hitting Netflix a little earlier this year, Jason Bateman and Laura Linney-led new drama series 'Ozark' debuted to a good critical reception, and it would seem the show has had enough support from subscribers that the company have already decided to give it the go ahead for a second season.
Jason Bateman is enjoying a huge wave of success
Bateman stars in 'Ozark' as financial advisor Marty Byrde; a man who looks after his family by secretly laundering money for a Mexican drug cartel. It's a hugely different role for the guy who usually plays the funny man in film or on screen, most notably in the likes of 'Arrested Development' or 'Horrible Bosses'.
Continue reading: Jason Bateman's 'Ozark' Gets Season 2 Renewal At Netflix
Colleen Atwood in the press room at the 89th Annual Academy Awards (Oscars 2017) held at the Dolby Theatre at the Hollywood & Highland Center - Los Angeles, California, United States - Monday 27th February 2017
Jason Bateman and Amanda Anka at the 89th Annual Academy Awards (Oscars 2017) held at the Dolby Theatre at the Hollywood & Highland Center - Los Angeles, California, United States - Sunday 26th February 2017
Munn stars opposite Bateman in festive ensemble comedy 'Office Christmas Party'.
With brains, beauty and wit, it’s easy to see why Olivia Munn has become one of Hollywood’s fastest rising stars in recent years.
In Office Christmas Party, the journalist turned actress holds her own as part of an ensemble cast which includes seasoned comedy stars, Jennifer Aniston, Jason Bateman and Kate McKinnon.
Olivia Munn stars in Office Christmas Party
Continue reading: Jason Bateman: "Olivia Munn Has Got It All"
The big budget comedy is looking to reach number one in the box office
'Office Christmas Party', starring Jason Bateman and Jennifer Anniston, has made a modest $950,000 in its preview showings on Thursday night at 2429 North American locations.
Jennifer Aniston at the Office Christmas Party premiere in California
The Josh Gordon-directed film is expected to make between $13 and $15 million across 3210 sites for 'Paramount'. The 15 rated comedy could potentially challenge the Dwayne Johnson-starring 'Moana', as the Disney film looks to top the box office charts for the third week in succession.
After teaming up with Will Ferrell for Get Hard and Ice Cube for two Ride Along movies, Kevin Hart takes on The Rock in this entertaining action-comedy bromance. They make a great couple, as Dwayne Johnson's bulk cleverly contrasts with Hart's tightly wound intensity. Even more enjoyable is that they've essentially swapped roles, with Hart as the straight guy opposite Johnson's awkward goofball.
They play characters who knew each other in high school, when Calvin (Hart) was the king of the campus, captain of every sports team, star of every theatre production, top student and boyfriend of the sexiest cheerleader (Danielle Nicolet), whom he went on to marry. On the other hand, Bob (Johnson) was a badly bullied, overweight kid, who now turns up in town for their 20th reunion as a beefy muscleman. Clearly a little unhinged, Bob is also a rogue CIA operative, hunted by his boss Pam (Amy Ryan) for killing his partner (Aaron Paul) and other crimes he insists he didn't commit. So he ropes Calvin in to help clear his name, but Calvin finds this situation so insane that he's not sure who to believe.
While all of this plays out in a blissfully silly way, there's also a bit of an edge to the movie as it explores the issue of bullying with some gentle nuance that includes racism, sexism and homophobia. So even when it's rude or mindlessly corny, the movie is making a point. That said, the message might have been more convincing without the over-the-top violence that fills all of the action sequences. Thankfully, that never drowns out the terrific chemistry between Johnson and Hart, who bounce hilariously off each other as two men who have been emasculated in very different ways and need to prove themselves. This vulnerability makes both of them easy to identify with, especially as they play with their usual on-screen personas.
Continue reading: Central Intelligence Review
The filmmakers behind Tangled and Wreck-it Ralph join forces for this entertaining animated action comedy, which has clearly been planned as a franchise-launcher. Energetic and funny, the movie is packed with wonderfully engaging characters and animated with clever visual inventiveness. But even though it's a lot of fun, it's difficult to escape the feeling that Disney is trying to sell us a whole new range of products.
The setting is a world populated only by animals, where predators and prey have learned to get along. The story centres on feisty rabbit Judy Hopps (voiced by Ginnifer Goodwin), who grew up under pressure to work in the family carrot-farming business. But she wants to be a cop, even though no bunny has ever made the force. Top of her class at police academy, she's assigned to the Zootropolis Police Department, where Chief Bogo (Idris Elba) makes her a meter maid. But she's too ambitious to write parking tickets all day, and teams up with con-artist fox Nick (Jason Bateman) to look into the strange case of a missing otter, which might be linked to a series of unexplained events in which predators suddenly became aggressive and dangerous.
The writers and directors have a great time with the premise, peppering scenes with knowing references mainly to other movies but also to resonant aspects of society, such as the genius casting of sloths as government workers. And there are also much bigger themes rattling around the edges, from how other peoples' expectations constrain us to how politicians use fear to control the public. There's also a cleverly pointed undercurrent about prejudice and diversity. And at the centre, Goodwin and Bateman give solid vocal performances as natural enemies who find a way to trust each other. Of the supporting cast, Elba is the standout as a buffalo who is all bluster.
Continue reading: Zootopia [aka Zootropolis] Review
Marketed as a horror-thriller, this sharply well-made film is actually a bleak drama with a strong message about bullying. Actor turned writer-director Joel Edgerton creates a vividly creepy atmosphere as he digs into the perceptions and motivations of three central characters, and he finds plenty of opportunity to unnerve the audience in the process. There are a few big jolts, but it's the unsettling themes that freak us out.
There has clearly already been quite a lot of trauma in the marriage between Simon and Robyn (Jason Bateman and Rebecca Hall), so much so that they've packed up their home in Chicago and moved to Los Angeles to start over. As they're settling into their stunning new home in the hills, Simon runs into his old school friend Gordon (Edgerton), who seems to appear out of nowhere, worming his way into their life with a series of thoughtful gifts. But Simon doesn't want to reconnect with Gordon, whom he always thought was a weirdo, which Robyn thinks is rather cruel. She reluctantly agrees with Simon that they break contact with Gordon, due to pressures at work and in their attempts to start a family. But things immediately turn very nasty. And Robyn realises that there's more to Simon and Gordon's past than either is letting on.
With a pungent sense of foreboding, the film is instantly riveting, mainly because it resembles movies like Fatal Attraction. So we brace ourselves for that bunny-boiling moment, and as a writer, director and actor, Edgerton plays with us mercilessly, dropping all kinds of hints and revelations about the reality beneath the surface of these characters. But instead of turning into a crazed, violent thriller, the film instead takes a much more internalised approach, generating suspense from the implications of what is happening. Essentially, it works because it forces us to understand even the darkest motivations of the characters.
Continue reading: The Gift Review
With fans already getting excited about the 2018-dated 'Jurassic World' sequel, we remember five movie follow-ups that should never have been made.
Not all sequels are terrible - Toy Story, The Bourne Identity and Batman Begins all received excellent second (and third) instalments, for example - but sometimes a disastrous sequel comes along that nobody was asking for. Here are five of the worst.
1. Teen Wolf Too (1987)
This comedy didn't leave audiences howling
Simon and Robyn barely have time to contemplate their perfect lives with their happy marriage and beautiful new house when they come face to face with the less than perfect past. While shopping at a department store Simon bumps into an old classmate named Gordo, though it takes a while for him to recognise him. When a bottle of expensive wine shows up on their doorstep from Gordo, they are left wondering how he got the address but nonetheless invite him over for dinner to say thank you for the house-warming gift. But pretty soon Gordo starts frequently showing up uninvited with stranger and stranger gifts, and when Simon tries to break off their unwanted friendship, things start to get scary. Threatening notes are left, Robyn's fish are suddenly dead and their house is being vandalised. Robyn starts to become seriously suspicious of her husband when the suggestion of an uncomfortable past between the two men arises, and she's desperate to find out what happened before things get out of hand.
Continue: The Gift Trailer
It's often said that mankind is the scourge of the Earth, disrupting the civilised nature of animal life and the environment. So imagine a world of walking, talking and fully-clothed animals of all kinds and not a human being in sight - peace at last, right? Well, not so much. It seems inborn enmity is still a thing in Zootopia, which makes the job of Officer Judy Hopps (the only rabbit on the vastly predatory town police force) extremely difficult. As feisty as she may be, she still finds herself facing everyday trouble - especially in the form of her natural enemy, a fox named Nick Wilde who is well known to the cops. But she's got other things on her mind; a mammal has gone missing and the police have only got 48 hours to find it. While she's eager to get on the case, unfortunately for her she is forced to pair with Wilde in order to use his skills as a master con artist. Can the pair defy the laws of nature and build a friendship?
Continue: Zootopia - Teaser Trailer
Like The Hangover, Horrible Bosses was a movie no one really wanted to see a sequel to, but here it is anyway: the same film, but even more inane. It is also likely to make plenty of money from audiences looking for mindless entertainment on a Saturday night. Although "mindless" seems almost complimentary when a movie is as idiotic as this one is. There's so little to its plot that the whole film seems to evaporate before the end of the climactic chase scene.
It's been a couple of years since Nick, Kurt and Dale (Jason Bateman, Jason Sudeikis and Charlie Day) tried to solve their problems by trying to kill their bosses. Instead, they've become inventors, and have just sold their Shower Buddy to a popular catalogue company owned by Bert (Christoph Waltz). They go all out to fill his order, putting their necks on the line, and Bert leaves them hanging there. Faced with the prospect of losing everything, they again consult their criminal pal Jones (Jamie Foxx), who helps them launch a "kidnaping". The idea is to grab Bert's son Rex (Chris Pine) and demand a ransom to cover their debts. But Rex takes over the operation, asking for a lot more cash and causing a lot more chaos. They also run into a couple of their old bosses: sex-crazed Julia (Jennifer Aniston) is still determined to sleep with Dale, while Harken (Kevin Spacey) can still freak them out from behind bars.
Director-writer Anders and cowriter Morris use almost the exact same formula this time, going for laughs in a carefully plotted caper in which everything that can go wrong does. Although instead of merely being inept, these people are all morons. Bateman's Nick is essentially the straight man in the movie, and even he fails to notice that they've borrowed and spent a vast sum of cash without even a simple contract with Bert. Meanwhile, Kurt and Dale are mind-achingly stupid, bungling every single moment so completely that it's hard to see them as functioning adults. Pine isn't much better, but at least we haven't seen this schtick from him before, and he's rather good at it.
Continue reading: Horrible Bosses 2 Review
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It's often said that mankind is the scourge of the Earth, disrupting the civilised nature...
Like The Hangover, Horrible Bosses was a movie no one really wanted to see a...
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In the wake of their struggle to murder their bosses in the first film, 'Horrible...
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