Meryl Streep is having so much fun playing an ageing rocker that the audience only barely registers that this film isn't nearly as deep as it's pretending to be. There are some very nice observations about the messy ties that hold families together, as well as the fragility of dreams, but the real draw here is seeing Streep tearing up the screen, whether she's singing rock-n-roll classics or indulging in some spirited on-screen drama with her real-life daughter Mamie Gummer.
Streep plays Ricki, who has ended up singing in a shady Los Angeles bar with her on-off boyfriend Greg (Rick Springfield) and their band The Flash. Then she gets a call from her ex-husband Pete (Kevin Kline) saying that their daughter Julie (Gummer) has fallen into a deep depression and needs her mom. So Ricki heads home to Indianapolis, where she also has to face her two sons (Nick Westrate and Sebastian Stan), both of whom feel like they've been ignored by their childish mother and don't want much to do with her. So as she helps Julie cheer up, she's dealing with her sons, clashing with Pete's wife Maureen (Audra McDonald) and wondering why she's so reluctant about settling down with Greg.
None of this is terribly complicated, but the script is by Diablo Cody, who won an Oscar for Juno and also wrote the similarly themed Young Adult. She packs the dialogue with barbed wit that slices right to the core of these characters, bringing out crisp insights and dark emotions. The character interaction is often magical, including Streep's reignited chemistry with Kline (they first sparked together more than 30 years ago in Sophie's Choice). Her scenes with Gummer have an effortless crackle of authenticity, as do her biting chats with McDonald. In fact, the only weak moments are her off-stage scenes with Springfield, who expresses himself better with a guitar in his hands.
Continue reading: Ricki And The Flash Review
Lamb Mannerheim was a beautiful, smart, strictly religious, perfect young girl and the pride of both her parents and her local parish. That is until one day, when an accident changed her views on faith forever. Lamb suffered extreme burns over two thirds of her body after a traumatic plane crash and now she feels it's time to question her religion and all she previously believed in; after all, why had she suffered so much while trying to be as virtuous as possible? Throwing caution to the wind and horrifying her parents, she takes a vacation to none other than Las Vegas to experience the sin and debauchery she knows exist in the world. On the way she meets the glamorous lounge singer Loray and a British bartender named William who take her on a journey of freedom to fulfil her bucket list of sin and make her see that there's more to life than prayer and etiquette.
Continue: Paradise Trailer
Sam Raimi and his production team have gone in hard with the trailer for the Evil Dead remake.
Branded for mature audiences only, there are moments in this teaser that are so gory, they leave you wondering what hell they’ve put in the rest of the movie. This remake of Raimi’s classic 1981 movie starring Bruce Campbell was initially met with a degree of pessimism from horror purists but he’s back on board, with Sam Raimi and indie movie darling Diablo Cody both claiming a writing credit for the remake and with Fede Alvarez in the director’s seat, they appear to have taken no prisoners with this resurrection and the trailer alone is sure to silence the cynics.
2013’s Evil Dead stars Jane Levy as Mia. Shiloh Fernadez, Jessica Lucas, Lou Taylor Pucci and Elizabeth Blackmore all join her onscreen, as does Bruce Campbell himself, albeit briefly. Campbell, of course, is a huge part of the success of the original 1980s movies, so it’s a relief to see him on production duties here as well.
Continue reading: Sam Raimi Goes In Hard With Evil Dead Remake Trailer
The first image of the Evil Dead remake was released at New York’s Comic Con 2012.
Bruce Campbell was belligerently confident that die-hard fans will soon be swallowing all of the criticism they have spouted at the mere thought of a remake of the classic 1981 horror. Sam Raimi is back on board with the remake, whilst Bruce Campbell (who starred in the original) is one of the producers.
These days, there is hardly a horror movie left unturned these days. Remakes keep cropping up left right and centre; Carrie is one of the latest to get the modern Hollywood treatment and, of course, Tinseltown have been re-hashing Japanese (The Ring, for example) and European (take Let The Right One In, for example…) horror for years now. You don’t need to be particularly cynical to arrive at the assumption that the horror genre might be flagging a little. Not so, says Campbell, who, according to empireonline.com, insisted “Your sh*t will be just as freaked as it was in the original. We've got some really talented people who kicked their ass off. I know you fans were pissed. Don't think I didn't read about it every single day. Just wait and see the movie. I will accept all of your collective apologies. We don't want to screw this up.” Fighting talk from Campbell, there.
Continue reading: I Will Accept Your Apologies: Bruce Campbell On Evil Dead Remake
Drew Barrymore, Diablo Cody and Los Angeles Film Festival - Lorene Scafaria, Drew Barrymore, Diablo Cody Monday 18th June 2012 2012 Los Angeles Film Festival premiere of 'Seeking a Friend for the End of the World' held at Regal Cinemas L.A. Live
Mavis (Theron) left her small-town home for Minneapolis to become an author of young adult fiction. But as her book series comes to an end, she hears that her high school flame Buddy (Wilson) has just had a baby with his wife Beth (Reaser). So Mavis heads home to try to win him back. Of course, nothing goes as planned, and she ends up instead commiserating with another former classmate, Matt (Oswalt), who also can't seem to move on from his teen years.
Continue reading: Young Adult Review
Meryl Streep is having so much fun playing an ageing rocker that the audience only...
Lamb Mannerheim was a beautiful, smart, strictly religious, perfect young girl and the pride of...
There isn't much on the surface of this prickly comedy, but the sharp script slices...