An astute satire of the pop music business, this raucous mock-documentary is consistently hilarious from start to finish. Some of the jokes are corny, but everything about this movie has a point to make about fame and the music industry. The songs are jaw-droppingly wacky, as is the constant string of big-name cameos. And it's anchored on a riotously funny performance by Andy Samberg.
He plays Connor, formerly one-third of the boy band Style Boyz, alongside his childhood friends Owen (Jorma Taccone) and Lawrence (Akica Schaffer). When Conner decided to go solo, Owen tagged along with him as his deejay, while Lawrence angrily left to become a farmer. But sales of Connor's new album are wobbling, and with 32 people on his personal payroll, he needs to bring in the cash. After a marketing scheme to upload his music to kitchen appliances backfires, he heads out on his Connquest world tour, supported by unhinged singer Hunter (Chris Redd). But Owen thinks that what Connor really needs is to make up with Lawrence, and bring the Boyz back together again.
Samberg is perfect as the too-cute musician who believes all the hype and doesn't have a clue what's really happening around him. Even in his ignorance, Connor is hugely likeable, because he never means to be cruel. This makes his interaction with the people around him thoroughly engaging, and often laugh-out-loud funny, from Sarah Silverman's PR guru to Tim Meadows' enthusiastic manager to Maya Rudolph's kitchen appliance queen. Joan Cusack has some marvellous moments as his dotty mum, while Imogen Poots gets the film's best sequence as the "official" girlfriend he proposes to complete with an ill-advised pack of wolves and live music by Seal. And then there's Justin Timberlake as Connor's singing chef.
Continue reading: Popstar: Never Stop Never Stopping Review
It joins '10 Cloverfield Lane' and the upcoming ghost story 'The Conjuring 2'.
This year is quite the year for horror. We've already seen a good handful of epic chillers and it's not stopping there. Stephen King's 'Cell' is the latest movie to be announced for release later this year, but here's a look at what we've seen so far and what's to come this summer.
Meet the band in exhilarating horror 'Green Room'
1. Green Room - Patrick Stewart as a ruthless psychopath determined to murder a punk band may seem an unlikely concept but that's what makes this nerve shredding horror (directed by Jeremy Saulnier of 'Blue Ruin') so grippingly intense. When a band shows up at neo-Nazi bar for a show, they unwittingly find themselves witnesses to a brutal murder - and now they're next on the hitlist. Alongside Patrick Stewart, the movie also stars Joe Cole from 'Peaky Blinders', '28 Weeks Later' actress Imogen Poots and 'Star Trek Into Darkness' star Anton Yelchin.
Continue reading: 'Green Room' Tops Our List Of 2016's Most Exciting Horrors
The Ain't Rights are a punk band looking for their big break and until that comes along, they're willing to tour and play any gig they're offered. When the band is given the chance to play a gig at short notice, they pack their bags and road trip to the Oregon venue.
The band work through their set of songs including a cover of The Dead Kennedys' track 'Nazi Punks F**k Off', some might say an odd choice of song given the current crowd of people they're playing to. As the band come off stage they return to the green room only to discover that they've stumbled upon a gruesome crime scene - a murder to be precise.
Locked in the green room and quickly evaluating their options, it seems that they're now the ones being targeted by the vicious venue owner, Darcy Banker, and his neo-Nazi gang. Held against their will, with no connection to the outside world, it becomes evident that Banker isn't going to allow the group to make it through the night alive.
Continue: Green Room - Teaser Trailer
With the passing of each decade, the music industry is constantly set alight by the most recent saviour of pop and Connor4Real is the latest major record label cash cow but behind every great talent there's a whole host of people working behind the scenes to create the finished Connor4Real package.
In an alternative universe maybe...
Since Daniel Craig firmly stated that he didn't want to do another James Bond film after 'Spectre', suggestions have been flying all over the place about who it could be next. Will Idris Elba become the first black 007? Or will it embrace the talents of Tom Hardy or Tom Hiddleston? But what if was a woman?
Ok, so feminism aside, it's a firmly held idea that Bond should continue to be a male. For a start, you'd have to change the name - how many ladies do you know called James? (Apart from Blake Lively's daughter, of course). But if you erase the tradition of him being a man, you might as well erase all the other Bond conventions; the gadgets, the fast cars, the womanising etc. But, turning pop culture upside for a moment, if James Bond WERE a woman - who would she be?
Emily Blunt displayed some I-work-for-the-government skills in 'Sicario'
Continue reading: If James Bond Were A Woman She'd Be Any Of These Ladies
Highly respected theatre director Arnold Albertson could not have made more of a mistake when he spends the night with a young and attractive escort named Izzy; now determined to become an actress, she turns up at auditions for his next big Broadway show the following day. To make matters even more awkward, his wife Delta is already cast in the upcoming play and Izzy's remarkable skill leaves him no choice but to take her on to avoid suspicion from the rest of the impressed cast. Unfortunately, it isn't long before Delta's co-star and ex-boyfriend Seth (who happens to still be in love with Delta) finds out about Arnold's brazen infidelity, and with this hanging over him, Arnold has no idea if show will go on if the truth comes out. Izzy is also causing a stir in other people's love lives; her therapist Jane has fallen head over heels for Arnold's playwright Joshua, but he only has eyes for Izzy. Who knew one girl could be so much trouble?
Continue: She's Funny That Way - Clips
Wacky enough to make us smile but never laugh out loud, this screwball comedy harks back to those nutty 1970s farces Woody Allen used to make about a group of neurotic urbanites. Actually, filmmaker Peter Bogdanovich used to make those kinds of movies too (1972's What's Up Doc is a classic). But he gives this film an oddly muted tone and uneven cast, which leaves it enjoyably silly even though it's never very funny.
It's set in a version of Manhattan where everyone sees the same shrink, eats in the same restaurant and stays at the same hotel, conveniently. Isabella (Imogen Poots) is working as a hooker, and her next john is Arnold (Owen Wilson), who offers her $30,000 if she gives up being a call girl after tonight and pursues her dream of becoming an actress. Then when she goes for her first Broadway audition, she's shocked to discover that Arnold is the director, and her costars would be his wife Delta (Kathryn Hahn) and leery actor Seth (Rhys Ifans), who knows what she used to do for a living. Another ex-client (Austin Pendleton) is obsessing because Isabella has vanished, so he visits the tetchy therapist Jane (Jennifer Aniston), who not only happens to also be counselling Isabella but is dating the playwright Joshua (Will Forte) who fell for Isabella at her audition.
The entanglement between these seven characters is recounted in flashback as Isabella is interviewed by a jaded Hollywood reporter (Illeana Douglas), so the film has a rather episodic structure as it traces each slapstick encounter between these people. With the plot so ludicrously convoluted, it's up to the actors keep us entertained, and they're a mixed bag. Aniston is surprisingly funny as the short-tempered psychologist who really should be in therapy herself, and Hahn gets the balance just right between the manic emotion and the darker comedy. Ifans has his moments as well, creeping around the corners of most scenes. But Poots never quite convinces in the focal role, while Wilson merely recycles his usual hapless routine and Forte gets lost in the shuffle as the token nice guy.
Continue reading: She's Funny That Way Review
With preparation well underway for his latest Broadway show, director Arnold Albertson (Owen Wilson) heads to New York to begin casting. While there, he has a one-night-stand with a young starlet named Izzy (Imogen Poots). He is then shocked to discover her attending his audition the next day, where she performs alongside his wife Delta (Kathryn Hahn) and performs so well that he has to give her the part. As if that wasn't enough, Abertson's leading man (Rhys Ifans) knows about the affair, and also is in love with Delta. And if THAT wasn't enough, Izzy's therapist Jane (Jennifer Aniston), has fallen in love with the show's playwright Josh (Will Forte), who in turn has fallen in love with Izzy. All that remains, is to find out if the play with succeed with so many forces acing against it.
Continue: She's Funny That Way Trailer
Exploring a year in the life of Jimi Hendrix just before he hit the public consciousness is a fascinating idea, but this biopic misses every opportunity to say something interesting. The filmmakers certainly invest this movie with plenty of stylish period detail trying to make up for the fact that they didn't secure the rights to use Hendrix's music. With a better sense of character or story, they might have got away with it. But this movie feels all wrong.
It opens in 1966, when Jimi (Andre Benjamin) is quietly working in a New York bar as a member of Curtis Knight and the Squires. One evening, he's spotted by Linda (Imogen Poots), Keith Richards' girlfriend, who thinks he should be a star. Linking him with manager Chas (Andrew Buckley), a former member of the Animals, Linda takes Jimi to London to record an album and build his reputation. Over the next year, Jimi hones his sound, puts together his band The Jimi Hendrix Experience and hooks up with local girl Kathy (Hayley Atwell). And it starts to work: the band breaks into the UK pop charts with a series of hit singles. On the other hand, across the Atlantic the Americans seem to be rather apathetic. And the organisers of the 1967 Monterey Pop Festival hesitate before inviting him to perform.
The rest is history. And it's not in this film. But then the story here centres on Hendrix's pre-fame year, which allows writer-turned-director John Ridley (12 Years a Slave) to dig further into the artist's motivations than most biopics do. Hendrix's stroke of genius was to fuse rock instruments with the blues, creating all new sounds with his guitar. But then these aren't in the film either. Instead there are just sound-alike tunes, plus one audacious performance on a London stage: singing Sgt Pepper just after it was released, with the Beatles in the audience. Whether it actually happened like this is anyone's guess; like much of the film, this scene feels mythical.
Continue reading: Jimi: All Is By My Side Review
Scroll for the trailer and some pictures from the movie
Andre Benjamin, better known by his Outkast pseudonym, Andre 3000, bleeds cool in the new trailer for ‘Jimi: All Is By My Side’ in which he plays the legendary musician before worldwide fame caught up with his awesome talent.
Andre Benjamin as Jimi Hendrix
The film sees Hendrix navigate London in 1966, a year fuelled by drugs, guitar music and national pride derived from England’s solitary World Cup win. We watch as he battles the cynicism of the music industry while simultaneously taking it by storm, and how his relationship with Kathy Etchingham (Imogen Poots) begins to fall apart as his star becomes known.
Date of birth
3rd June, 1989
An astute satire of the pop music business, this raucous mock-documentary is consistently hilarious from...
The Ain't Rights are a punk band looking for their big break and until that...
With the passing of each decade, the music industry is constantly set alight by the...
Rick is one of the hottest screenwriters in Hollywood but after the death of his...
Wacky enough to make us smile but never laugh out loud, this screwball comedy harks...
With preparation well underway for his latest Broadway show, director Arnold Albertson (Owen Wilson) heads...
Exploring a year in the life of Jimi Hendrix just before he hit the public...
Jimi Hendrix started earning money from his musical career as a simple backing guitarist at...
With a darkly serious theme and a corny rom-com filmmaking approach, this film never quite...
It's difficult to understand how a movie about fast cars, tough guys and feisty women...
Even a strongly likeable cast can't breathe life into this ill-conceived film, which poses as...
Martin Sharp is a disgraced TV presenter whose ambitions and family have been destroyed by...
If there's no clear cut message between two people who like other, nobody knows where...