Tiffany Siart, Nicole Lorey, Kate Nichols, Laura Lizer and Amber Valletta - Big Brothers Big Sisters of Greater Los Angeles (BBBSLA) annual Accessories for Success Spring Luncheon & Fashion Show at The Beverly Wilshire Hotel at The Beverly Wilshire Hotel - Los Angeles, California, United States - Friday 17th April 2015
Amber Valletta - Celebrities attend Big Brothers Big Sisters of Greater Los Angeles (BBBSLA) annual Accessories for Success Spring Luncheon & Fashion Show at The Beverly Wilshire Hotel. at The Beverly Wilshire Hotel - Los Angeles, California, United States - Friday 17th April 2015
Amber Valletta - Celebrities attend Tom Ford Autumn/Winter 2015 Womenswear Collection Presentation - Red Carpet at Milk Studios. at Milk Studios - Los Angeles, California, United States - Friday 20th February 2015
'50 First Dates' star Drew Barrymore wore a glamorous black frock with laced sleeves and a sheer skirt as she posed for photos on the red carpet at the New York City Ballet 2013 Fall Gala held at the David H. Koch Theatre.
One of the big events of the weekend was the LACMA Film + Art Gala which saw some of the great and good of Hollywood in attendance to raise a glass in honour of the director Stanley Kubrick and artist Ed Ruscha. Cameron Diaz, Evan Rachel Wood, Robert Pattinson, Will Ferrell and Salma Hayek were just some of the names there for the event which cost between $5000 and $10000 a ticket.
Continue reading: Pictures: Hollywood Stars Turn Out For The LACMA Gala
Unfortunately, the film is a cacophonous mess without a single interesting character.
In the nearish future, roleplay game-maker Ken Castle (Hall) has made his fortune with two games that let people live vicariously through others: the sex-and-party Society and the war-and-destruction Slayers. The twist is that the gamers are controlling actual people due to nano technology implanted in the performers' brains. In Slayers, they're all death row inmates firing real bullets, and the global megastar performer is Kable (Butler), controlled by rich geek Simon (Lerman). But Kable longs to escape and find his wife (Valletta), and a renegade hacker (Bridges) sets his escape in motion.
Continue reading: Gamer Review
The reason I find this so funny is because the out-of-order thriller consciously jumbles its supernatural narrative in an effort to dodge easy explanations. You're going to want to discuss possible theories with those who've seen it, which is exactly what I planned to do while working the Premonition press junket weeks ago.
Continue reading: Premonition Review
The reason for this is simple. Unlike the rest of us, 13-year-old boys haven't yet developed an immunity to mindless spectacle. They haven't been around long enough to realize it's their job as moviegoers to cluck and fuss every time a director tries to pull one over on the audience. Instead of feeling cheated when implausible scenarios pile up and ridiculous actions beget even more ridiculous reactions, 13-year-old boys hoot in approval. The explosions, the fights, the hot chicks, that's enough for them. It's a good thing, too, because that's all The Transporter 2 has.
Continue reading: The Transporter 2 Review
But when this good-natured Wall Street mega-titan puts his life on the line to save a convenience store from a firefight, he makes a big mistake. Because that kid with the pistol (Don Cheadle) is no ordinary hoodlum -- he's some kind of wacky angel or ghost-of-Christmas-in-a-parallel-universe or something. And little does Jack know, as he lay himself down to sleep on Christmas Eve, that he'll wake the next morning to the life he could've had if only he'd married his college girlfriend (Téa Leoni, Deep Impact) instead of following his ambition to become one of the world's richest, most powerful men.
Continue reading: The Family Man Review
Smith plays the titular hero, a guy who's so smooth he turned it into a career as a "date doctor," helping a succession of schlubby but good-hearted guys make it into the arms of gorgeous women who otherwise wouldn't have looked twice at them. But although he's like a consultant for romance, Hitch doesn't use his powers to find true love for himself, leaving marriage and lasting relationships for his clients. This leaves him with plenty of energy to devote to his newest project: Albert (Kevin James, very funny), a nervous, fumble-thumbed accountant desperately in love with one of his clients, the ridiculously wealthy and beautiful heiress Allegra (Amber Valletta, who comes closer to approximating an actual actress in each film she's in) and needs help getting her to notice him. A few quick lessons from Hitch, which include a nicely-played Cyrano scene (and a dancing tutorial that contains most of the film's few true laughs), and Albert begins to blossom into a confident, impressive romantic who looks sure to make Allegra fall for him. It's light stuff, to be sure, but often played with a disarmingly sweet touch by both James and Valletta and enjoyable enough. But then the film feels the need to add in a whole other storyline, and that's where the problems start.
Continue reading: Hitch Review
Lesson number one: Take time to acclimate the audience to the characters. Unlike The Perfect Storm, What Lies Beneath completely absorbs the main character's personalities into the dramatic mix- frailties and all, through an intense look into their psyche, practically forcing the audience to become emotionally attached. This is not an original concept in cinema, but after watching Clooney and Wahlberg jump on that fishing boat and mournfully pronounce their goodbyes as if they already knew the ominous storm was on its way, you can't help but root for the ship to capsize.
Continue reading: What Lies Beneath Review
Few bad movies are more aggravating than a sequel that betrays everything which made its predecessor entertaining.
The B-movie, wild-ride brilliance of 2002's "The Transporter" stemmed from the filmmakers (producer-writer Luc Besson, co-writer Robert Mark Kamen and especially director/fight-choreographer Cory Yuen) not letting the plot get in the way of the tongue-in-cheek, out-sized action of incredible car chases and slick kung-fu. The flick embraced its own simplistic silliness -- revolving around a glibly stoic ex-Special Forces operative who makes a living delivering anything, anywhere with no questions asked -- and had a ball doing it.
Star Jason Statham retains his scruffy but well-dressed, bad-ass smirky-cool in "The Transporter 2," but he's continually tripped up by ridiculous, amateur-hour car chases and crashes (on the level of old "CHiPs" episodes), by over-choreographed fight scenes (so badly shot and edited that all you can comprehend is motion), and by the insultingly half-baked machinations of a convoluted screenplay.
Continue reading: The Transporter 2 Review