Tom Arnold

Tom Arnold

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Tom Arnold , son - Safe Kids Day 2016 held at Smashbox Studios - Arrivals at Smashbox Studios - Los Angeles, California, United States - Sunday 24th April 2016

Tom Arnold and Son
Tom Arnold and Son
Tom Arnold and Son
Tom Arnold and Son

Tom Arnold - Tom Arnold takes his son, Jax, to the Farmers market - Los Angeles, California, United States - Sunday 20th March 2016

Tom Arnold
Tom Arnold
Tom Arnold
Tom Arnold and Jax Copeland Arnold
Tom Arnold and Jax Copeland Arnold
Tom Arnold and Jax Copeland Arnold

Tom Arnold - Tom Arnold out at the Rose Bowl Game. The Stanford Cardinal defeated the Iowa Hawkeyes by the final score of 45-16 in the 102nd Rose Bowl Game in Pasadena. at Rose Bowl - Pasadena, California, United States - Friday 1st January 2016

Tom Arnold
Tom Arnold
Tom Arnold
Tom Arnold
Tom Arnold
Tom Arnold

Tom Arnold , Ashley Groussman - Tom Arnold leaning on a traffic meter as he talks with his wife during a shopping trip in Beverly Hills - Los Angeles, California, United States - Wednesday 12th August 2015

Tom Arnold and Ashley Groussman
Tom Arnold and Ashley Groussman
Tom Arnold and Ashley Groussman
Tom Arnold and Ashley Groussman
Tom Arnold and Ashley Groussman
Tom Arnold and Ashley Groussman

Tom Arnold - World Premiere of Universal Pictures' 'Straight Outta Compton' held at The Microsoft Theatre - Arrivals at Microsoft Theater - Los Angeles, California, United States - Monday 10th August 2015

Tom Arnold

SuperMensch: The Legend Of Shep Gordon Review


Excellent

For his lively film directing debut, Mike Myers (aka Austin Powers) traces the remarkable life of his friend, the almost too-likeable music manager Shep Gordon. A mensch is a really nice guy, and this film documents how Gordon has created a makeshift family of loyal friends around him, even though he's never had a proper family of his own. It's an engaging movie that reminds audiences that the most important thing in life is certainly not fame.

Shep Gordon came to Los Angeles as a young man and happened to stay in the same hotel where Joplin, Hendrix and Morrison were hanging out. Quickly getting involved in their blurry world of drugs and money, Shep won over everyone he met simply because of his integrity and generosity. As a manager, he lived the high-life with high-powered girlfriends like Sharon Stone (who introduced him to Buddhism) and a Playboy Playmate wife. He helped Groucho Marx sort out his finances, and worked with lifelong pal Alice Cooper to create Cooper's iconic on-stage persona. And he's still considered one of the best fix-it men in the business. His home in Maui is a bolt-hole for any of his celebrity buddies who are trying to escape the limelight.

The film is assembled with a snappy rhythm that catches a sense of Shep's fast-paced lifestyle. It's packed with great film clips, hilarious home movies and even a few re-enactments. But the best stories are told by the starry interviewees who clearly adore Shep and recount riotous backstage anecdotes about their experiences with him, as well as his larger-than-life personality and unstoppable libido. The most jaw-dropping story is about how he ramped up clean-cut Canadian singer Anne Murray's reputation and career by having her photographed with super-cool lothario Teddy Pendergrass. But with a life this high-flying, Shep has never found a life partner or had his own children. Although he has become a father figure to his ex-wife's kids, essentially raising them himself.

Continue reading: SuperMensch: The Legend Of Shep Gordon Review

Supermensch: The Legend Of Shep Gordon Trailer


Shep Gordon may not be as famous as some of the biggest celebrities in the world, but you can bet they count him among their closest friends. A popular Jewish music manager who took on the career after meeting Janis Joplin and Jimi Hendrix, Shep's first subject was shock rocker Alice Cooper in 1965. Since then, his Hollywood career has exploded having also worked alongside the likes of Pink Floyd, Luther Vandross, Blondie, Ann Murray and others. Not only that, but Shep instigated the breakthrough of celebrity chefs and also become close personal friends with the 14th Dalai Lama during his venture into Buddhism. Now, though, after a life of luxury and living other people's lives, this 'mensch' as his star friends call him (a Yiddish word essentially meaning 'a good person') is looking for a life of his own.

Continue: Supermensch: The Legend Of Shep Gordon Trailer

Tom Arnold Is A (54-Year-Old) Dad!


Tom Arnold

54-year-old comedian/actor Tom Arnold has become a father. He and his wife, Ashley Groussman, welcomed a little sprog called Jax Copeland Arnold, on Saturday (April, 6). He weighs 8lbs 12oz and measures 21 inches long.

“We are still in a bit of shock,” the couple in a statement to People magazine. “It has been a long journey and the healthy birth of our son is a miracle.” Arnold hasn’t simply ignored the fact he’s older than your average first-time dad, in fact, he tweeted a little joke about it. “Game Changer: Jax Copeland Arnold. 8lbs 12oz. Looking forward to being a 70 year old Little League Coach,” he posted. Having recently appeared in the film Hit & Run, Arnold is best known for his role in True Lies alongside Arnold Schwarzenegger. In the press, he has been very open about his fertility problems which he discovered while in college. “I’ve tried with other people, but since there is a God we were unable to conceive. Now God said, ‘This is it!’” Arnold told People in January. "We're really happy. I didn't think it was in the cards for me, to be honest, and so I was completely shocked," he said during an appearance on The View. "It's a miracle."

Groussman – a relative unknown in Hollywood before marring Arnold – was a producer on ‘Tom Arnold: That's My Story and I'm Sticking to it’, a comedy special from the new dad.

Continue reading: Tom Arnold Is A (54-Year-Old) Dad!

Grassroots Review


Good

There's a terrific sense of righteous anger in this scruffy comedy about disenfranchised people shaking American politics to its core. But the film plays it far too safely, dealing lightly with important themes while refusing to take a real stand on anything. It also never makes the most of its likeable, fully invested cast.

Based on a true story, the film is set in 2001 Seattle, where long-time buddies Phil and Grant (Biggs and Moore) are both unemployed journalists. When Grant decides to run for city council, Phil helps with the campaign. Grant's main passion is public transportation, which he sees as a social justice issue since it's what allows lower-income people to work and improve their lives. And his counter-culture approach makes him stand out opposite the unruffled incumbent (Cedric). On the other hand, Phil's girlfriend Emily (Ambrose) starts to worry when Grant's campaign becomes a centre for frat-boy antics, including rather a lot of pot-smoking. But this populist approach is like a breath of fresh air to voters.

Watching these no-hopers take on a well-oiled political machine is pretty inspirational, especially when the characters have so much raw charm. Biggs is superb in the central role, grounding even the most chaotic scenes in earthy honesty. By contrast, Moore feels a little overwrought as the hyperactive Grant, which makes us wonder why anyone would take him seriously. Although he nicely brings out Grant's inner resolve. And both Ambrose and Cedric add complex layers to their rather thinly written characters.

Continue reading: Grassroots Review

Hit & Run Review


Good

Audiences out for a bit of mindless fun will probably enjoy this raucous road movie, but only if they can look past comedy that relies on jokes about racism, sexism and homophobia. And if the characters are all paper-thin, at least the film is loose and enjoyably silly.

It centres on Charlie (Shepard), who lives in rural California with his girlfriend Annie (Bell). But when she's offered a job in Los Angeles, Charlie has to face up to his criminal past. He's currently in witness protection, and returning to L.A. is very dangerous. Still, he decides to take Annie to her job interview, while his protective agent (Arnold) follows close behind. But trouble is brewing because Annie's still-smitten ex (Rosenbaum) is also in hot pursuit, and when he figures out Charlie's secret, he gets in touch with the gang boss, Alex (Cooper), who wants him dead.

While the film looks whizzy and is packed with banter that sounds offensive, everything is pretty half-hearted. The dialog continually touches on sexuality and ethnicity in ways that are more lazy than inappropriate, and the discussions of serious issues like gender roles have no depth at all. This is a movie essentially made up of nothing but stereotypes. Bell and Cooper just about manage to give their characters personalities, but everyone else has essentially one note. Most of the men are mere chucklehead idiots, while the women are male fantasies.

Continue reading: Hit & Run Review

Nine Months Review


Good
Nine Months has all the makings of an incredible disaster. First, its star (Hugh Grant) is arrested for lewd conduct. Second, it's a remake of a French film (Neuf Mois), always a huge negative. Finally, it's a comedy decidedly for adults which is directed by the infantile Chris Columbus, the man who brought us the Home Alone franchise and Mrs. Doubtfire.

Imagine my shock; Nine Months is pretty good.

Continue reading: Nine Months Review

Exit Wounds Review


Bad
To watch a Steven Seagal film, one must fully suspend all disbelief. And to fully enjoy the audacity of Seagal, one must ignore all of the consequences associated with the following: Starting fistfights with large men in flashy nightclubs, destroying everything in sight along the way. Surviving every semi-automatic gun battle and car crash without a scratch. Purchasing Italian racing cars with bundles of $100 bills stuffed in a gym bag. Actually being able to cash out stock options from a dot-com and then creating a private surveillance unit devoted to uncovering a ring of corrupt Detroit cops involved in smuggling heroin inside of sweatshop-produced t-shirts. OK... maybe that corrupt cops thing is a bit hard to swallow.

I remember a time when I used to enjoy Seagal. Such films as Above the Law, Hard to Kill, Marked for Death, Under Siege, and Out for Justice are all solid action films from the '90s. Under Siege is even kind of good. But lately, films like Under Siege 2, Fire Down Below, and The Patriot have shown the age of the Italian stallion of Aikido.

Continue reading: Exit Wounds Review

Cradle 2 The Grave Review


Terrible
DMX is a hip-hop legend. With his growling, almost metallic, voice, hyped beats, and rugged hardcore lyrics, he transcends the energy and edginess of urban street culture with a unique hybrid style of rapping, singing, and even barking into the mike. Until now, he's successfully crossed over into film, portraying ruthlessly savage characters in Belly and Exit Wounds that seem to suit his thuggish gangster persona. But, unfortunately for director Andrzej Bartkoiak, he's not nearly as comical as Chris Tucker. And Jet Li lacks the personality of Jackie Chan. And thus Cradle 2 the Grave bombs in its attempt to recapture the charisma between foreign martial-artist cop paired with smooth-talking, tough-guy counterpart of Rush Hour and its kin.

Poor acting combined with the plausibility level of a G.I. Joe cartoon haunts Cradle 2 the Grave from the start. Bartkowiak (Romeo Must Die) presents the audience with two highly specialized entertainers unable to break out of their typecast niches. For Jet Li, whose English is barely comprehendible, he cannot bond with X unless its through the universal language of fighting, and for X, while he can flex his tattooed body and be intimidating as anyone, his "tough guy" persona is limiting. So we have two Alphas with no sense of humor, facing a noticeable language barrier and an inhibiting script. No doubt the film would have been better if the villain Ling, played by Mark Dacascos (The Brotherhood of the Wolf), were to have switched roles with Li. Then at least he and X could have had at least one much-needed bonding moment. Instead, our heroes are left simply staring at one another in awkward downtime as they wait for the action to arrive.

Continue reading: Cradle 2 The Grave Review

Freddy's Dead: The Final Nightmare Review


Terrible
The only Nightmare on Elm Street movie to begin with a Friedrich Nietzsche quote and give us Freddy riding a broomstick, aping The Wizard of Oz -- all in the first 10 minutes -- not to mention appearances from a young Breckin Meyer to Yaphet Kotto. Cameos are legion: From a returning Johnny Depp (credited as Oprah Noodlemantra) to then-hot Tom Arnold and Roseanne. Too bad it's all for naught. Longtime Nightmare collaborator Rachel Talalay (a production manager on the first installment and later a screenwriter) got behind the camera on this outing, turning in the absolute worst entry of the series. (Freddy as video game character murderer? Pass.)

Soul Plane Review


OK
Airplane! is the quintessential masterpiece of all airborne spoof films, and while numerous films have tried to replicate the original formula, very few have succeeded. Soul Plane is an inspired effort that updates many of the same gags, but it unfortunately does not have enough frequent-flyer miles to make the full round-trip.

Nashawn Wade (Kevin Hart), along with his buddy Muggsy (Method Man), uses the $100 million Wade wins in a court settlement against the airline that kills his dog, to buy an airline of their very own. Wade calls it NWA - no, not Northwest Airlines - Nashawn Wade Airlines (clever, huh?). It features one departure daily from the 3-1-0 (Los Angeles) to the 2-1-2 (New York) from the brand new Malcolm X terminal at LAX, where a brother can find bargains at a 99 cents store, play some half-court hoops, and eat some fried chicken before a flight.

Continue reading: Soul Plane Review

Tom Arnold

Tom Arnold Quick Links

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Tom Arnold

Date of birth

6th March, 1959

Occupation

Actor

Sex

Male

Height

1.88




Tom Arnold Movies

SuperMensch: The Legend of Shep Gordon Movie Review

SuperMensch: The Legend of Shep Gordon Movie Review

For his lively film directing debut, Mike Myers (aka Austin Powers) traces the remarkable life...

Supermensch: The Legend Of Shep Gordon Trailer

Supermensch: The Legend Of Shep Gordon Trailer

Shep Gordon may not be as famous as some of the biggest celebrities in the...

Grassroots Movie Review

Grassroots Movie Review

There's a terrific sense of righteous anger in this scruffy comedy about disenfranchised people shaking...

Hit & Run Movie Review

Hit & Run Movie Review

Audiences out for a bit of mindless fun will probably enjoy this raucous road movie,...

Hit and Run Trailer

Hit and Run Trailer

When Charlie Bronson, a bank robbery getaway driver on a witness protection programme, jeopardizes his...

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Animal Factory Movie Review

Animal Factory Movie Review

Dear Ma,After seeing Steve Buscemi's sophomore directorial effort, Animal Factory (following 1996's Trees Lounge), I...

Exit Wounds Movie Review

Exit Wounds Movie Review

To watch a Steven Seagal film, one must fully suspend all disbelief. And to...

Cradle 2 The Grave Movie Review

Cradle 2 The Grave Movie Review

DMX is a hip-hop legend. With his growling, almost metallic, voice, hyped beats, and rugged...

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