A third film is on the cards, but can Bay, Smith and Hart all be free at the same time?
It’s official: Bad Boys 3 is happening. Martin Lawrence all but confirmed the movie when he sat down with Conan O’ Brien to promote his new television show, Partners.
When asked by O’Brien about the film’s existence and whether it would actually happen, Lawrence replied: “I believe so. Yes. I just talked to Jerry Bruckheimer yesterday and he said its real, they’re working on the script, they’re getting close and it all looks good,” according to Slash Film.
Continue reading: Martin Lawrence Confirms 'Bad Boys 3'
Oliver Platt made his appearance at the Media Presents: 'Fargo' event at The Paley Center in New York alongside 'Braddock & Jackson' stars Martin Lawrence and Kelsey Grammer. Platt features in the 'Fargo' film-to-TV crime drama series alongside Martin Freeman and Billy Bob Thornton.
The actors will team up for the still-untitled comedy series, which is expected to air some time in 2014
FX have green-lit a new comedy series starring Kelsey Grammer and Martin Lawrence, with the network announcing the news of the new series this Wednesday (June 19). The pair will star as two Chicago lawyers who, despite being poles-apart in their personal and professional life, develop the unlikeliest of friendships.
Like the Charlie Sheen series Anger Management and the planned George Lopez sitcom coming to the network soon, the series will follow the 10/90 rule that guarantees a series a 100-episode run, providing the first 10 episodes of the show are a hit. Again, like Anger Management, the series will also be produced at a speedy rate, ensuring the full set of 100 episodes are completed within a relatively short period of time between each other. The network will still air individual seasons at a conventional time, rather than airing all 100 episodes in one push.
The show will mark Lawrence's return to television on a regular basis for for the first time since his sitcom, Martin, ended in 1997. As for Grammer, whose most recent starring role in Staz's Boss has won him much acclaim, it will mark a welcomed return to comedy in general; his last comedic roles coming only briefly during 2012 when he played 'himself' on 30 Rock for two episode and reprised his role as Sideshow Bob on two episodes of The Simpson. Both actors are clearly excited to work with each other as well, with the Grammer and Lawrence each releasing gushing statements about their co-star following the announcement of the new series.
Continue reading: Kelsey Grammer And Martin Lawrence To Star In New Show Green-Lit By FX
After witnessing a murder, FBI agent Malcolm (Lawrence) takes his 17-year-old rapper-wannabe son Trent (Jackson) undercover with him: Malcolm again becomes Big Momma, while Trent enrols in a girls' performing arts school as Charmaine.
While Malcolm plays housemother while seeking evidence needed to lock up the Russian killer (Curran), Trent hangs with the girls, falling for a musician Haley (Lucas). And the school maintenance man (Love) falls for Momma.
Continue reading: Big Mommas: Like Father, Like Son Review
Aspiring author Aaron (Rock) is preparing his father's funeral amid all kinds of distractions. His novelist brother Ryan (Lawrence) jets in from New York, but won't help at all. His wife Michelle (Hall) is pushing him to move out from their mother's (Devine) house. The boyfriend (Marsden) of his cousin (Saldana) has just accidentally been given a hallucinogen. Uncle Russell (Glover) is on the rampage. And a small man (Dinklage) has something shocking to announce.
Through all of this, Aaron's hypochondriac best friend Norman (Morgan) tries to maintain some semblance of order. But he's useless.
Continue reading: Death At A Funeral Review
Death often brings a family together and this story is no exception. Aaron and his partner Michelle are finding it hard enough having to live with Aarons folks whilst they get their lives in order. When the death of Aaron's father happens, the whole family is sent into turmoil. A funeral is arranged and Aaron's brother Ryan returns home from LA where he lives and works as a successful writer.
Continue: Death At A Funeral Trailer
Martin Lawrence returns as Agent Malcolm Turner, the FBI agent who donned a fat suit, a wig and a southern accent in the first Big Momma's House. He's taken a desk job to spend more time with and protect his pregnant wife (Nia Long) and his stepson. But when his mentor gets shot doing undercover work, he's back on the job as Big Momma. He takes a job as a nanny to an uptight, white family whose father might be involved with what got his mentor shot. Between dealing with a young son who jumps off high places, a middle daughter who can't dance, and a 15 year old horn-dog daughter (Kat Dennings), Malcolm also finds time to unearth a hacker plot to open the codes to the CIA and the FBI (gasp!) while loosening up the OCD mother (Emily Procter). Well, if you don't know where this is going, you've been watching better films than I have.
Continue reading: Big Momma's House 2 Review
A fundamentally unappealing jerk whose redemption comeswith an even shorter and less convincing story arc, coach Roy McCormickignores the kids one day -- pouting about his downfall on the sidelinesas they lose a game 84-0 -- then the next he's become a life-affirmingaltruist full of feel-good advice and game-winning strategy, just becausethe script says so.
Even more problematic is that while "Rebound"is aimed at children, the one-trait tweenagers he's teaching to play thegame are barely characters at all, save Tara Correa ("Judging Amy")as a stout, scowling girl bully McCormick recruits to intimidate otherteams. "You got five fouls," he advises her with a wiseacre wink."Don't be afraid to use 'em."
Somehow this sloppy, mechanical movie (even the minimalgame scenes lack vibrancy) manages to dig up some energy and spirit inthe last act, which keeps it from collapsing under the weight of its ownineptitude. Kids may like it, not knowing enough to recognize its failureto relate to them, and accompanying parents won't want to claw their eyesout.
Continue reading: Rebound Review
There seems to be an unwritten rule that movies starring ex-stand-up comedians must come to a grinding halt at some point for the star to have a vanity improv scene.
Every Robin Williams has such moments -- even his syrupy, sentimental pictures. Every Martin Lawrence movie does too. In "Blue Streak," the improv moment comes when Lawrence dons a nappy pigtails wig, gnarly false teeth, body padding and a velour jogging suit to pose as a hyperactive pizza delivery boy.
For that one scene, any common sense regarding the story is put on pause and Lawrence cuts loose with an epileptic booty bump dance and a lot of babbling smack, all of which is designed to produce seat-bouncing laughs (it doesn't), but has little to do with the movie.
Continue reading: Blue Streak Review
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