Quentin Tarantino, speaking at Comic-Con 2015, announced Ennio Morricone is composing the score for ‘The Hateful Eight’.
Ennio Morricone is set to write the score for Quentin Tarantino’s The Hateful Eight. He is best known for composing music for a number of Italian (Spaghetti) Westerns including the Dollars Trilogy, The Good, the Bad and the Ugly, and Once Upon a Time in the West. The 86-year-old Italian composer is returning to writing film scores after eight years away but it has been more than forty years since he worked on a Western.
Quentin Tarantino at San Diego Comic-Con 2015.
Following a screenplay leak, cancellation and final confirmation that it would be going into production, 'The Hateful Eight' is filming, and Tarantino has released some set pictures.
In case it wasn't clear already, Quentin Tarantino loves movies. He's talked on many occasions about his love for the Spaghetti-Western genre, which has led many people to wonder what a Tarantino-directed Spaghetti-Western would look like. Sure, we had 2012's 'Django Unchained' to give us a brief glimpse at the idea, but that was racial revenge story first, and a Western second. When Tarantino announced his 8th film, 'The Hateful Eight', back in November 2013, fans worldwide jumped for joy.
Quentin Tarantino on set with the cast of 'The Hateful Eight'
A jump that may have been a little premature, as the project was cancelled in January 2014, after the script for the highly anticipated picture was leaked online. Tarantino talked about rereleasing the screenplay as a novel, before going back and deciding to give the film one last shot. Production began in January 2015, and now we have some of the first pictures from the set of the new film.
Oprah obsessed Alice Klieg suffers from Borderline Personality Disorder which causes her to be socially awkward, impulsive and stubborn, and she's about to find out that money truly can buy you anything. After winning an impressive $86 million in the lottery, her first port of call is a major TV station, where she pitches an idea for hosting her own talk show. They offer her a slot at a cool $15 million, and she subsequently decides to stop taking her medication and pursue fame and recognition. The only problem is, she sucks at hosting her own show. The producers know they have to do something to save their embarrassment over this fiasco of a deal, but with Alice stuck in her own world and resolutely ignoring advice from friends and family, there's not a lot they can do to help her.
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Even though it's slightly too mannered, this true drama takes a clever approach to the beat poets long before they were famous. It's also packed with shocking twists and unnerving details that help us get emotionally involved in the story. And while the complexity of the approach kind of leaves us on the outside, sensitive performances help us see beneath the surface.
Set in 1943, the film centres on Allen Ginsburg (Radcliffe), who has been encouraged by his poet father (Cross) and needy mother (Leigh) to attend Columbia in New York. There he befriends the transgressive writer Lucien Carr (DeHaan), whose secret mentor-boyfriend David (Hall) is actually writing his coursework. Through Lucien, Allen is introduced to the druggy lifestyle of intense artist William Burroughs (Foster) and rugged womaniser Jack Kerouac (Huston). And together they decide to change the world. Then a shocking murder alters the dynamic between these young men.
The film's title is age-old advice to artists: you have to get rid of the people closest to you if you want to truly express yourself. And of course the fatal plot twist is an ironic exploration of this idea, as the film delves into shadowy corners of artistic anarchy, drug use and sexuality. (Radcliffe's notorious gay sex scene is strikingly well-played and pivotal in Allen's journey.) Filmmaker Kokidas infuses each scene with dark artistry: the actors look achingly cool even when they're wallowing in a trashy, immaculately production-designed drug den.
Continue reading: Kill Your Darlings Review
Kill Your Darlings is the previously untold story of friendship, jealousy, genius and murder that sparked the literary revolution of the 1940's. Kill Your Darlings follows the story of: Allen Ginsberg, Lucien Carr, Jack Kerouac and William Burroughs, the four great poets of the Beat Generation and how they were all implicated by the brutal murder of David Kamerer.
Allen Ginsberg must decide whether to use his literary skills to clear his friends name or to reveal what he believes to be the truth in this biographical thriller.
Based on true events, Kill Your Darlings has been nominated for the Grandy Jury Prize at the 2013 Sundance Film Festival and is the directorial debut from John Krokidas winner of the 'Director to Watch' at the 2013 Palm Springs International Film Festival.
A mature Radcliffe gives a startlingly good performance as the beat poet.
In Kill Your Darlings, Daniel Radcliffe takes a radical step from his days playing the world’s favourite wizard by portraying Allen Ginsberg in his early years at Columbia University. It is there he becomes infatuated with Lucien Carr (Dane DeHaan) and strikes up friendships with beat legends, William Burroughs (Ben Foster) and Jack Kerouac (Jack Huston).
Dane DeHaan [L] and Daniel Radcliffe [R] in Kill Your Darlings
The film follows Ginsberg’s dramatic time at the university, from his early relationship with Carr to the murder investigation that would then shape the lives of all the promising artists. It’s a stylish entry from director John Krokidas; full of cigarette smoking, whisky swilling and late night plotting.
Allen Ginsberg is a Beat Generation writer, with no idea that his venture to New York to attend Columbia University will hold more than just a promising future career-wise. It's there that he meets Lucien Carr; a slightly unhinged but ambitious, intelligent and extremely good looking fellow student who enjoys wild partying with his wealthy friend William Burroughs and, later, Jack Kerouac. As Allen and Lucien become closer, the latter's much older friend - a professor named David Kammerer - becomes increasingly jealous, threatening Allen who discovers that he has been following Lucien from city to city over a few years. Although Allen insists that they must find a way to prevent this incessant stalking, he is deeply shocked when David's body is discovered in the Hudson River, with Lucien held as prime suspect for stabbing him to death. Allen now faces a dilemma; to either use his skills in writing to make sure his friend is liberated, or reveal what he now believes is the truth to all.
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Sutter Keely thinks he has the perfect life; he's a high-school student with a car, a job he loves, a gorgeous girlfriend and the ability to make friends wherever he goes. Rather than thinking about his future and what graduation will bring, he's perfectly contented to take each day as it comes. It only becomes a curse when his girlfriend dumps him, but things take a different turn in his life when he wakes up after a particularly alcohol-fuelled night only to find himself in someone else's yard with a concerned looking Aimee Finicky next to him. Aimee's the good girl, who's never had a boyfriend and puts her focus on her future. Sutter finds himself falling in love and coming round to the idea of a quiet life, but thinking about the future has made him wonder if he should factor in Aimee's at all.
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While her boss Phil Greenberg (Messina) and family are on holiday, Florence (Gerwig) is taking care of their home and dog. And she also ends up taking care of his brother Roger (Stiller) when he comes to stay in the house. Roger is obsessive-compulsive and not very good at relationships. He gets in touch with his old pal (Ifans) and his newly single ex (Leigh), but is unable to avoid falling for Florence along the way. This doesn't go too well at all, mainly because Roger can't think through anything clearly.
Continue reading: Greenberg Review
Date of birth
5th February, 1962