US Actress Polly Bergen has died at the age of 84.
Polly Bergen, the US actress best known for her roles in such classic films as Cape Fear and for her television appearances on The Sopranos and Desperate Housewives, has died at the age of 84.
Polly Bergen has died at the age of 84.
Bergen was born in 1930 in Knoxville, Tennessee. Her career began in the late 1940s and she became a household name when she starred in The Helen Morgan Story, for which she won an Emmy award in 1958.
Continue reading: Polly Bergen, US Actress Known For 'Cape Fear', Has Died Aged 84
The story of the devil's son born to the American politician begins with a moment that only reveals its ridiculousness in retrospect: when Ambassador to Italy Robert Thorn's (Gregory Peck) first-born dies moments after birth, he is offered, and accepts, an abandoned child as replacement. He does this so that his wife Katherine (Lee Remick) is spared the torment of the death. I know politics is pragmatic, but really. With any moral quibbles twitched away by a few hard long stares, the Thorns take up shop in England when Robert receives a promotion. The years pass in dreary montage and Damian (a creepily cute Harvey Stephens) grows to age five in blissful British tranquility. Naturally, when his nanny (Holly Palance) hangs herself on his sixth birthday, announcing "It's all for you Damian," things change.
Continue reading: The Omen (1976) Review
These films effectively argue for multi-ethnicity from different vantage points. The former is a daughter asking her parents to accept her black fiancé. The latter defends an obviously innocent African-American charged with raping a young white girl. Both feel more like plays than big screen cinema, with their tiny handful of locations, lack of visual effects, and explicitly heavy-handed dialogue. Though society has changed since their release, and "statement films" now rally for more current political causes, the strength of the issues relayed in these classics doesn't lose its appeal.
Continue reading: To Kill a Mockingbird Review
A Madison Avenue advertising executive, Rath lives in a comfortable Connecticut bedroom community and commutes in and out of the city, leaving him little time for his wife Betsy (Jennifer Jones) and his funny, television-addicted kids. Betsy, who in typical '50s suburban style is deeply concerned about keeping up with the Joneses, pushes Rath to find a better job, and he agrees even as he realizes that more work and stress is not what he wants. In fact, he's heading toward what we now call a mid-life crisis, although they didn't have a word for it back then.
Continue reading: The Man in the Gray Flannel Suit Review
The entire plot is one of Hitch's more absurd (adapted from the novel The House of Dr. Edwardes). Back in 1945, the idea of psychoanalysis was just coming ito its own. Freud's ideas had really taken off, and wouldn't you know it, the time was right to make a movie based on the notion.
Continue reading: Spellbound (1945) Review