Based on a true story, this is one of those relentlessly uplifting Disney movies that mixes comedy and emotion to inspire and move the audience. Thankfully, it also has a very smart screenplay by Tom McCarthy (Win Win) that draws out some resonant themes while tackling cross-culture issues with wit and honesty. This makes it easy to identify with the sparky characters who are trying to reinvent themselves.
Sports manager JB (Jon Hamm) certainly needs a reinvention. He has lost all of his high-profile clients and now needs to find the next big thing. Perceived as washed-up, he has some difficulty convincing someone to fund his crazy plan to stage a talent competition in India to find baseball talent among the local cricket players. With the help of his easily distracted assistant Aash (Aasif Mandvi) and cantankerous ex-coach Ray (Alan Arkin), he narrows the candidates down to two potential stars: Rinku and Danesh (Life of Pi's Suraj Sharma and Slumdog Millionaire's Madhur Mittal). After JB brings them back to Los Angeles, along with over-eager interpreter Amit (Pitobash), renegade coach Tom (Bill Paxton) has to whip them into shape to see if they can attract interest from the big-league teams.
While the film continually threatens to indulge in smiley culture-clash slapstick, McCarthy's script continually grounds the action in the characters, who emerge as fully rounded people who are engagingly unpredictable. The cast is earthy and natural, anchored ably by Hamm as a likeable guy who remains self-absorbed even though he's desperate, and who takes a long time to learn his rather simple lesson. His chemistry with Lake Bell (as the plain-talking tenant in his pool house) is superbly messy. And ace scene-stealers Mandvi and Arkin bring plenty of comic relief to their hilarious roles.
Continue reading: Million Dollar Arm Review
Three actors have been added to next season's 'Homeland,' but who are they and what will they bring to the series?
The fourth season of 'Homeland' is ready to begin operations. The Showtime CIA thriller ended its third season back in December, and while details for the next one were kept under wraps, some plot info has been revealed. According to Entertainment Weekly, season number four will center on Carrie Mathison’s (Claire Danes) job located in the Middle East as chief of station. The summary is interesting enough considering nobody quite knew where Mathison & Co. could be headed following last season’s finale, but things are looking optimistic as a number of actors have been confirmed to return such as Mandy Patinkin, Rupert Friend, and Nazanin Boniadi.
Homeland will be back for series fourth
Sadly, the series will be missing one actor: James Rebhorn, who played the role of Carrie’s father, passed away from melanoma this past March. How the series will handle his character remains to be seen, but what is known this week is the addition of three new actors and roles that will appear in the upcoming season. Suraj Sharma will join as the “heavily recurring” Aayan Ibrahim, who is a Pakistani medical student that crosses paths with Carrie. Corey Stoll will guest star as Sandy Bachman for an undisclosed amount of episodes, who is “the CIA chief of station in Pakistan who is a rising star within the agency.” Finally, Laila Robins comes on board as series regular Martha Boyd, a U.S. ambassador to Pakistan who is described as “professional and put together, with a ship-to-ship voice and the personality to match.”
Continue reading: All You Need To Know About The Newest Additions To 'Homeland'
Sports agent JB Bernstein was once incredibly successful in his field, but now there's a bunch of serious new sporting entrepreneurs in town that look to be about to make his job very difficult. With his agency under the threat of closure, he and his partner Ash need to start thinking long and hard about fresh new ideas that could rake in the dollars. While watching a cricket match on the box, JB devises a crazy idea to find America's next huge baseball star in India by setting up a talent show for the nation's finest young cricketers. The finalists of the show entitled 'Million Dollar Arm' are Rinku and Dinesh, who subsequently fly over to the US to begin training in the art of baseball. However, things are less easy than they first appeared and JB finds himself in deep water when it becomes clear just how different baseball and cricket are.
Continue: Million Dollar Arm - Clips
JB Bernstein is a sports agent who may outwardly look successful, but is struggling to make much business these days due to serious competition from much more enterprising sports entrepreneurs. JB and his business partner Ash are under significant threat of closure if they don't come up with some new ideas soon. He devises a plan to introduce America's next biggest baseball star by travelling to India to check out some of the nation's finest young cricketers. After filming a talent show called 'Million Dollar Arm', he brings winners Rinku and Dinesh over to the States to learn the art of baseball. Unfortunately, there appears to be more differences between baseball and cricket than Bernstein initially thought, and the boys are struggling under the pressure. However, with a little teamwork and determination, things start to look like they're going to work out just fine.
Continue: Million Dollar Arm Trailer
The bright lights of Hollywood and the awards that come with it can warp good people into wild-child tearaways with no grip on reality or morality. Just look at Lindsay Lohan. Just kidding, she's never won any awards, has she?
For Juno Temple - recent nominee for BAFTA's rising star award - this is a plight she's not willing to surrender to. "I'm not a Barbie doll and I never will be. I'm not really into that scene, I've partied in LA but it's not really my thing at all,' she told Metro. "I'd much rather go to dinner and a dive bar to be honest, that's more my vibe. And honestly I don't really want to be someone like that." Juno is one of a quintet of nominees, comprising four females and one male; a stark comparison to last years award which was dominated by males. "I look up to people like Cate Blanchett, 43, and Michelle Williams, 32, and you don't know anything about them apart from what movies they've got coming out and I love that," she explained. "That's what it used to be like with all the amazing greats like Marilyn Monroe, Audrey Hepburn and all these people. You knew them as the person on screen and you didn't know their private life."
Also nominated for the gong to be announced at the Baftas on February 10, were US star Elizabeth Olsen, Indian star Suraj Sharma, 19, Swedish star Alicia Vikander, 24, and 31-year-old Brit star Andrea Riseborough.
A range of intelligent blockbusters, inventive foreign films and beautifully crafted storytelling made 2012 a good year at the cinema...
1. Life Of Pi
Ang Lee's clever, thoughtful adaptation of Yann Martel's acclaimed novel is an unexpected work of art. It's also one of the richest, most challenging, most visually spectacular movies we've ever seen.
Starring: Suraj Sharma & Irrfan Khan
Read the review of Life Of Pi Here!
2. Rust & Bone
French filmmaker Jacques Audiard follows up his amazing prison drama A Prophet with this startlingly edgy, tough-minded romance about two deeply wounded people who find each other.
Starring: Marion Cotillard & Matthias Schoenaerts.
Read the review of Rust And Bone Here!
Continue reading: The Ten Best Films of 2012
Working with perceptive writer David Magee (Finding Neverand), Ang Lee creates one of the most thoughtful, artistic blockbusters ever made by a Hollywood studio. Although Yann Martel's award-winning novel was considered unfilmable, Magee and Lee have managed to maintain the delicate balance of an awesome adventure story with provocative themes that echo long after the story reaches its tricky, mind-expanding conclusion.
Imaginative teen Pi Patel (Sharma) grew up in a zoo owned by his parents (Hussain and Tabu) in formerly French India. And when hard times come, they decide to pack up and move with the animals to Canada. But the ship they are travelling on runs into a fierce storm in the Pacific, sinking suddenly and leaving Pi as the lone survivor on a lifeboat with a wounded zebra, a frantic hyena, a seasick orang-utan and a hungry Bengal tiger named Richard Parker. Over the coming months, Pi and Richard Parker survive due to the challenges of coexisting in such a confined space. And with his Buddhist, Christian and Islamic beliefs, Pi now believes the experience also helps explain the existence of God.
The film adds a framing device as a writer (Spall) interviews the older Pi (Khan), essentially putting both us and Martel into the story. This helps open the themes up in intensely personal ways, while grounding the extravagantly visual ordeal at sea with a quietly involving house-bound conversation. And far from removing suspense, knowing that Pi survives brings out the layers of meaning in ways that are suspenseful and challenging. Everything about the story is infused with the idea of faith in God, with intriguing parallels in the relationships between humans, animals and nature. But none of this is overstated: it's subtle and questioning rather than preachy. And much more effective as a result.
Continue reading: Life of Pi Review
Ang Lee's Life of Pi is expected to make a strong debut at the box office this weekend, with cinemagoers anxious to see what the Taiwanese filmmaker has done with a story once deemed "unfilmable". The film is based on Yann Martel's 2001 novel that has sold more than seven million copies worldwide and spent years on the bestseller list. It follows the story of a young Indian boy who is trusted with moving his family's zoo to Canada, though when the ship sinks, he finds himself on a lifeboat with a fully grown Bengal tiger. Yikes.
Though it seems like a pretty straight narrative, Martel's novel is awash with religious connotations, existentialism and a twist ending. Getting the story to the big screen has been a long and arduous process, with M Night Shyamalan, Alfonso Curaron and Jean-Pierre Jeunet all signing on as directors before bailing on the project. Each prospective director ran into their own difficulties and found problems getting Life of Pi into a coherent Hollywood movie. One challenge was casting: which actor could take up the role of young Pi without taking away from the unique story? Ang Lee decided to eschew the regular Hollywood casting process and went with the completely unknown Suraj Sharma. According to E! Online, Tobey Maguire shot several scenes as the writer who interviews the adult Pi Patel, though Lee decided against having the former Spiderman star in the movie.
Another challenge that faced Lee was the Bengal tiger, which features prominently in the movie. Other passengers on the ship include a zebra, hyena and an orang-utan and the filmmaker decided to make CGI creations. Sharma told the New York Daily News, "The first thing I learned was how to act opposite no one. I didn't think I could do it, but Ang gets what he wants. So it was new for me - but it was doable".
Continue reading: So Which Idiot Deemed 'Life Of Pi' Unfilmable?
Life of Pi is one of the hottest films out at the moment, and such are the glowing reviews from the critics, it's even being talked up as a possible Oscar contender, taking on the strong favourite, Lincoln, directed by Steven Spielberg. Ang Lee caught up with USA Today to talk about the huge task of filming the 'unfilmable' book.
They say 'unfilmable,' but with today's technology, nothing can really labelled as such, although that's not to say bringing such a popular book to life wasn't a monolithic task. "Sometimes we go through things in life that are equivalent to that journey," Lee says, envying Suraj Sharma's character. "You wish the test could be as simple as drifting across the ocean with a Bengal tiger. Sometimes things feel harder. Such as making this movie." One of the most prominent aspects of the film noted by the critics in their near unanimous praise, is the excellent work in making the Bengal tiger so life like. "It's still handcraft. There's no button to push. There's not a program to make an animal look real," Lee explained. "Every frame is a labor of love. Some shots took three months, some six months."
It seems as though Life of Pi was destined to be a success, given the amount of strife that went into making it. The film's fledgling star only came to the audition because his brother promised a free lunch, and he nearly faced expulsion from his university while on promoting duties; a fate he avoided by handing in eight essays at once. Life of Pi hit cinemas on Nov. 21st, and comes to the U.K in just under a months time, on Dec. 20th.
Ang Lee's Life of Pi is enjoying a tremendous time with the critics, as they build a strong case for the film as an Oscar contender, but the film's star, Suraj Sharma has things other than Hollywood fame to worry about; he's only just managing to stay in school!
At 19, Sharma is still deciding on his life's focus; whether he continues to act or carry on down the academic route, but that decision was nearly made for him, with his failure to attend lectures at his Delhi university nearly landing him in hot water with the school's principle. Mr Sharma met with the top man six times in three days to bolster his case, and handed in eight essays in bulk to save his skin. "I expect him to take his life as a student seriously," the principle explained, according to The Telegraph. "It's in no one's interest to hold people back and [also] in no one's interest to make a mockery of the system. All of us have to be responsible for whatever commitments we have undertaken. Work is the medium of growth and empowerment. Anyone interested in the well-being and long-term happiness of a young person will not dilute the requirements of work at St Stephen's there is a great emphasis on character formation," he said.
One of these essays, he said, was an account of how hard he had worked to shape the character of Pi. "He had not cleared the requirement until 10 minutes ago. He submitted eight essays and I'm delighted. I've accepted them altogether, which is not usual," added the principle.