After being confined to a mental asylum for 17 years, Grace B Jones gets released following years of abuse and torment at the hands of mental health nurses. She goes to live with her brother Landy Bretthorse, his wife Bea and two young girls in Boonville, Missouri despite Bea's concerns about her instability particularly around the children. Although Grace seems a nice, friendly person and treats the girls kindly, she has regularly bouts of hysteria which first come about after a boat accident during the calamitous 1951 flood. Is there enough of Grace left to save? Or will the household conclude that sometimes a broken woman is beyond repair?
'Saving Grace B Jones' is based on a true story surrounding first time feature film director Connie Stevens' childhood in the fifties when she was sent away from her home in Brooklyn to Missouri to live with family friends after witnessing a brutal murder. She was to find, that summer, that that terrible crime was not the thing that would have the biggest effect on her the rest of her life. This shocking drama has been co-written by Jeffry Elison in his screenwriting debut and first premiered in 2009 at the Philadelphia Film Festival/Cinefest. It is now available to see in theaters everywhere now.
Director: Connie Stevens
Continue: Saving Grace B Jones Trailer
As missiles rain down on New York City, nine people take refuge in their building's basement. After the dust settles, contamination-suited goons burst in and grab a young girl (Thickson) from her hysterical mother (Arquette), then clearly intend to kill the adults. After a rebellion, they are instead sealed in the basement. Soon a hierarchy develops around building repairman Mickey (Biehn) and his stash of supplies. Then the increasingly menacing Josh (Ventimiglia) and his mercurial friend Bobby (Eklund) take control. Meanwhile, Eva (German) is carefully treading the middle ground.
Continue reading: The Divide Review
Set in New York in the not too distant future, a sudden nuclear explosion happens in the city. In an apartment block near the explosion, the residents are hurrying down to the basement, which was converted from a fallout shelter. Only eight manage to make it inside - the rest are left to die in the blast.
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Clearly, the intention was to recreate the vibe of 1983's freewheeling romp Risky Business. And while it's good fun, it's also forgettable.
Matt (Grace) was a high-achiever in the class of 1984. He's just earned a top four-year engineering degree from MIT, but has no idea what to do with the rest of his life. Then one day he bumps into his high school crush Tori (Palmer) and pretends to be a successful banker. Soon he's invited to a cool party at the home of Kyle (Pratt), the hard-partying boyfriend of Matt's twin sister Wendy (Faris). And when Matt's goofy pal Barry (Fogler) tags along, it becomes clear that trouble won't be too far behind.
Continue reading: Take Me Home Tonight Review
Michael Biehn and Jennifer Blanc - Michael Biehn and Jennifer Blanc Los Angeles, California - Relativity Media Presents The Premiere Of Take Me Home Tonight held At Regal Cinemas Wednesday 2nd March 2011
In a recent TV interview, Tarantino said he and Rodriguez had always wished those low-budget flicks were as good as their posters -- and they set out to achieve that, decades after the movies' heyday. With an obvious passion for the genre, the pair has recreated the experience of being at some cheap Texas drive-in with two features, fake coming attractions, missing reels, local ads, and announcements from theater management. Even if you don't catch on to everything, just watching the package is a complete thrill.
Continue reading: Grindhouse Review
Sometimes it is as curious as all get-out (see Anne Hathaway in Havoc). I don't know if I've ever seen a more radical departure of film roles than Hathaway's decision to go from the Princess Diaries films to this one. Hathaway's former work is almost unilaterally square in the rated-G realm. Her PG-rated movies earned those ratings primarily due to events like Hathaway falling on her butt.
Continue reading: Havoc Review
The Terminator stands as a personal favorite. Schwarzenegger was in his prime in the 1980s -- in guilty pleasures like Commando, Raw Deal, Predator, Conan The Barbarian, and The Running Man. But he gave many kids my age something to hang on to during the Reagan years. Schwarzenegger was our generation's John Wayne, a muscle-bound bodyguard extracting his own kind of vengeance from a cold and dangerous world. He was always the good guy, but it's almost ironic that his first indelible impression on our minds was that of a killer robot from the future sent back in time to murder a hot coffee shop waitress.
Continue reading: The Terminator Review
What it does have is some of the best actors working in film today (Nicolas Cage, Sean Connery, and Ed Harris), seasoned producers Jerry Bruckheimer and the late Don Simpson (Top Gun, for starters), Bad Boys director Michael Bay, and some relatively unknown screenwriters (David Weisberg, Douglas S. Cook, and Mark Rosner), who all pull together to tell one hell of a story -- and hands-down the best action flick of the year-to-date.
Continue reading: The Rock Review
Cool as dry ice, Wesley Snipes comes off a two-year action movie hiatus like a bad-ass, black-belt James Bond with some ghetto in his blood in the opening scene of "The Art of War."
Dressed to the nines for a well-heeled Y2K New Year's Eve party in Hong Kong, he's doing a little workaday blackmailing of Chinese government officials when he is spotted by security and has to kung-fu his way out of there before parachuting off a skyscraper to escape.
Somebody shoots holes in his chute, but while Wes lands safely, the movie crashes face first into the pavement.
Continue reading: The Art Of War Review
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