Frank 'Ponch' Poncherello is the alter-ego of a barely capable undercover FBI agent who has been put on a new case to uncover the identity of the crooked cop within the California Highway Patrol. He teams alongside the CHiP's newest recruit Jon Baker but, unfortunately, as motorcycle cops it's not quite 'ride or die' for these guys, more like 'ride and die' the rate that they're going. Jon has had numerous accidents on the bike, while Ponch is frequently distracted by both women and other men's masculinity, so neither of them are best equipped for the job at hand. This becomes even more apparent when they are faced with a villainous former police officer named Vic Brown and his band of miscreant hitmen, and they start to wonder if perhaps they've bitten off more than they can chew.
Continue: Chips Trailer
An astute satire of the pop music business, this raucous mock-documentary is consistently hilarious from start to finish. Some of the jokes are corny, but everything about this movie has a point to make about fame and the music industry. The songs are jaw-droppingly wacky, as is the constant string of big-name cameos. And it's anchored on a riotously funny performance by Andy Samberg.
He plays Connor, formerly one-third of the boy band Style Boyz, alongside his childhood friends Owen (Jorma Taccone) and Lawrence (Akica Schaffer). When Conner decided to go solo, Owen tagged along with him as his deejay, while Lawrence angrily left to become a farmer. But sales of Connor's new album are wobbling, and with 32 people on his personal payroll, he needs to bring in the cash. After a marketing scheme to upload his music to kitchen appliances backfires, he heads out on his Connquest world tour, supported by unhinged singer Hunter (Chris Redd). But Owen thinks that what Connor really needs is to make up with Lawrence, and bring the Boyz back together again.
Samberg is perfect as the too-cute musician who believes all the hype and doesn't have a clue what's really happening around him. Even in his ignorance, Connor is hugely likeable, because he never means to be cruel. This makes his interaction with the people around him thoroughly engaging, and often laugh-out-loud funny, from Sarah Silverman's PR guru to Tim Meadows' enthusiastic manager to Maya Rudolph's kitchen appliance queen. Joan Cusack has some marvellous moments as his dotty mum, while Imogen Poots gets the film's best sequence as the "official" girlfriend he proposes to complete with an ill-advised pack of wolves and live music by Seal. And then there's Justin Timberlake as Connor's singing chef.
Continue reading: Popstar: Never Stop Never Stopping Review
There's nothing particularly memorable about this frantic animated romp, which adapts the iconic phone-app game into a movie using a rather corny plot. But the film is so random that it can't help but get the audience laughing. Youngsters will be delighted by the brightly coloured wackiness, while adults will chuckle at the steady stream of grown-up visual and verbal gags, many of which are frankly surprising to find in a children's movie.
It's set on the isolated Bird Island, where the residents have never learned how to fly and believe they are the only life in the sea. In their tight-knit community, Red (voiced by Jason Sudeikis) is an outcast because of his too-independent thinking. He's ordered to take anger management classes with groovy guru Matilda (Maya Rudolph), where his fellow students are the hyperactive Chuck (Josh Gad), the hulking Terence (Sean Penn) and the explosive Bomb (Danny McBride). Then a pig named Leonard (Bill Hader) arrives on the island, introducing new technology like sling shots and trampolines and planning a big party. But of course he has a much more nefarious intention that only Red can see. In need of help, Red takes Chuck and Bomb in search of the mythical Mighty Eagle (Peter Dinklage), the only bird on the island who can fly.
There's a slightly nagging sense that Donald Trump wrote this script (it's about a guy who's ignored as he obnoxiously shouts about the dangers of letting strangers into the community, then is proved right). But the film is so utterly ridiculous that it's impossible to take this rather dodgy theme seriously. What's even more odd is how much of the humour is aimed at grown-ups, including innuendo, puns, gross-out gags and unexpected violence, most of which will go over young viewers' heads. But it's so unfocussed that the only response is to laugh in disbelief that someone thought a joke so near-the-knuckle was appropriate for a kids' movie.
Continue reading: The Angry Birds Movie Review
Angry Birds Movie is a screen adaptation from the popular game in which we follow the journey of its main protagonist Red's (voiced by Jason Sudeikis) life from him being bullied at school to his feelings of exclusion in later life. The film is set on an island that is populated with flightless birds whom are mostly happy with their life on the island except Red who suffers with keeping his temper under control.
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The project is tentatively titled ‘Maya and Marty in Manhattan’.
NBC has given the green light to a new variety show to be hosted by Maya Rudolph and Martin Short and produced by Lorne Michaels. According to Variety the project has been in the works for more than a year, with NBC aiming for a late May premiere date.
Maya Rudolph is to host a new variety show with Martin Short.
Michaels will also be executive producer with ‘Late Show with David Letterman’ alum Matt Roberts producing alongside Erin David, Rudolph and Short. NBC have confirmed that the series has been ordered, but details about the number of episodes and format are still being ironed out.
Continue reading: NBC Greenlights New Maya Rudolph And Martin Short Variety Show
Red lives on a sun-kissed tropical island full of plenty of other vibrant flightless birds. And while all of his friends and neighbours seem to be enjoying life, he is having a far less enjoyable time. He's just extremely quick to anger, very slow to forgive and struggles to be friendly to just about anyone. Thus, he is forced to undergo anger management therapy to control his emotions before his hostility really gets out of hand. On attending his first group session, he meets the fast-talking faster-moving Chuck and the shy but quick to explode Bomb and together they attempt to conquer their stress. But upon the arrival of some suspicious looking pigs led by Leonard, Red and his new friends are the only ones who seem to be suspicious of their unlikely visitors.
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Maura and Jane have a lot of differences; Maura has a high-flying job at a hospital, though is recovering from a divorce and a little nervous when it comes to meeting other men, while Jane is, well, not. They're nonetheless the best sisters you could imagine and always bring out the best in each other. However, when they're parents call them back to their childhood home, they discover that it's been sold and they have to clean out the room they had as girls. Going through their old stuff brings back a lot of memories though, and Jane decides to encourage Maura to throw a huge neighborhood party before they have to leave. It's a time where they can re-connect to their teenage selves, hook up with some cute guys and get totally drunk. This is going to be messy.
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‘The Spoils Before Dying’ has added three more big names to its already star packed cast.
Kristen Wiig And Haley Joel Osment will be returning for ‘The Spoils of Babylon’ sequel, ‘The Spoils Before Dying’ network IFC has announced, while Bridesmaids star Maya Rudolph has also been added to the miniseries’ ever growing cast.
Kristen Wiig will appear in 'The Spoils Before Dying'.
Michael Sheen, Val Kilmer, Steve Tom and Marc Evan Jackson who starred in the original miniseries which aired last year, have also singed on return. While joining Maya Rudolph in bringing some new blood to the series will be Kate McKinnon, Tim Meadows, Chris Parnell, Emily Ratajkowski, Andrew Daly, Chris Mulkey, Chin Han, Jack Kilmer, Patty Guggenheim and Berenice Marlohe.
Fans of bright, flashy things will love this colourful, kinetic animated adventure, although anyone seeking originality or involving characters should probably look elsewhere. This is the first Disney animation based on a Marvel comic book, although they have essentially only retained the title and a vague semi-Asian setting. The result is a film that feels like something you've already seen before, with the usual Disney plot formula, characters and action beats, plus lots of sentimentality. At least it's witty and fast-paced enough to keep us entertained.
The futuristic setting is San Fransokyo, a slightly more Japanese version of San Francisco in which 15-year-old computer-geek orphan Hiro (voiced by Ryan Potter) lives with his Aunt Cass (Maya Rudolph). Both are shaken when Hiro's brother Tadashi dies in an explosion Hiro thinks he might have caused. Then he meets Tadashi's health-care robot invention Baymax (Scott Adsit), a cuddly inflatable creature who just wants to take care of Hiro. He goes along with Hiro's plan to turn him into a fighting machine that helps find the masked man who stole Hiro's microbot invention and actually caused the explosion. Baymax also helps Hiro assemble the Big Hero 6 team, adding Tadashi's nerd-inventor pals: goofy Fred (T.J. Miller), rebellious Go Go (Jamie Chung), nice-guy Wasabi (Damon Wayans Jr.) and girly Honey Lemon (Genesis Rodriguez). Together they set out to stop the villain before he enacts his nefarious plan.
All of this is animated with bright colours and a snappy sense of the technology. There are several exhilarating set-pieces along the way as the young heroes work out their special powers by inventing all sorts of gadgets. But nothing about the script meaningfully deepens these characters. Each person on-screen is essentially one personality trait, while potentially colourful side roles (including Aunt Cass) are left badly undefined. What holds the interest is the superb interaction between Hiro and Baymax, mainly because of the obvious affection between them. And also because Baymax has all of the film's funniest lines.
Continue reading: Big Hero 6 Review
Larry "Doc" Sportello (Joaquin Phoenix) is a simple man. When he's not abusing illicit substances, he's solving crimes as a private investigator - although those two do sometimes overlap. But as the 1960s breath their dying breath, Doc's life is going to get perhaps a little too interesting for his liking. When his ex-girlfriend shows up one day, Doc finds himself unable to stay unintegrated with the 70s, as his new employer and former lover has him tracking down her new boyfriend and trying to thwart the plans of his wife and HER boyfriend. And if that wasn't complicated enough for him, there's something to do with a mysterious 'Golden Fang'. It's gonna be one hell of a decade.
Continue: Inherent Vice - Extended Trailer
Frank 'Ponch' Poncherello is the alter-ego of a barely capable undercover FBI agent who has...
An astute satire of the pop music business, this raucous mock-documentary is consistently hilarious from...
A New York comedy with vivid characters and a contrived plot, this feels rather a...
There's nothing particularly memorable about this frantic animated romp, which adapts the iconic phone-app game...
Angry Birds Movie is a screen adaptation from the popular game in which we follow...
With the passing of each decade, the music industry is constantly set alight by the...
Maggie's has always been practically minded and now that she's in her thirties and has...
From their inspired pairing on Saturday Night Live and their hysterical 2008 comedy Baby Mama...
Red lives on a sun-kissed tropical island full of plenty of other vibrant flightless birds....
Fans of bright, flashy things will love this colourful, kinetic animated adventure, although anyone seeking...
Larry "Doc" Sportello (Joaquin Phoenix) is a simple man. When he's not abusing illicit substances,...
In a magical world of fairies and goblins, two worlds live secluded from each other,...