The veteran actor is recovering in a London hospital after being taken ill on a bus journey.
British actor Leslie Phillips is recovering in hospital after suffering a minor stroke during a bus journey in central London. The 90 year Carry On star was travelling home with his wife Zara after a shopping trip when he began experiencing pains in his left arm. Thanks to his wife's quick action the actor is now said to be in a 'stable condition' at a London hospital where he is expected to spent at least a month.
90 year old Phillips is said to be in a 'stable' condition
Speaking to The Mirror, Phillips vowed to make a full recovery saying, “I’m too young to pop off just yet. I’ve got everything to live for.” Doctors praised the quick action of the actor's wife who immediately called an ambulance when her husband began experiencing pains.
But there is another lost soul at the old folks home, ten-year-old Edward (Bill Milner), angry at having to give up his room to the dying tenants. His Mum (Anne-Marie Duff) and Dad (David Morrissey) run the facility out of their home in an English seaside town. The recent resident of Edward's room has just died and Clarence has now arrived to take the dead man's place. Edward is obsessed with death and ghosts. When asked why he is so morbid, Edward shouts back, "Because I live here!"
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Christian Bale stars as Jim, a British kid born in Shanghai, the son of upper crust expatriates who feel the rising tide of Japanese-Chinese aggression will never reach there strata. Of course it does, and as the Japanese overtake Shanghai, Jim's family is torn asunder, scattering in the chaos. But eventually, like Ben-Hur, Jim returns home to discover his house in ruins and his loved ones gone, so he does the only thing he can think of -- surrender to the Japanese. Only the Japanese don't even want the worthless kid, until finally, after hooking up with a seedy scam artist named Basie (John Malkovich) and his flunkie (Joe Pantoliano), does he manage to get himself arrested and thrown into an internment camp where at least there is the promise of a daily potato and some gruel.
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Even the teen hormones that live in all us guys are squashed by this one. Jolie, trying to play our heroine Lady Lara Croft as sexy and supercool, just looks mildly amused by the goings-on. I half expected her to check her watch while on camera, searching for lunch or a better project. [Never underestimate crafty film editing. -Ed.]
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Director Danny Boyle is known for wildly imaginative visualsin innovative, gritty-cool movies about murderers ("Shallow Grave"),junkies ("Trainspotting")and zombies ("28 Days Later"), so what's he doing makinga sweet, sentimental kids' movie? Virtually reinventing another genre,of course.
In "Millions," an angel-faced 7-year-old Irishboy named Damian (Alexander Nathan Etel) finds a duffle bag full of bankrobbery loot, but thanks to his youthful naivete, his faith in saints thatwatch over him, his run-away imagination and the fact that the bag literallyfell from the sky, he assumes the booty is a gift from God.
"Who else has that kind of money?" he asks innocentlyof his more practical 9-year-old brother, who wants to keep the discoveryhush-hush and invest in real estate. But altruistic Damian sets about ona mission: He resolves to help the poor, excitedly buying pizza for homelessteenagers, secretly stuffing cash in the mailbox of austere-living Mormonneighbors, and anonymously donating £1,000 to an African charity fund atschool.
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About 50 minutes into "Tomb Raider" the plot abruptly ends -- there's literally no reason for the movie to continue -- but not a single character notices.
Video game vixen Lara Croft -- that curvaceous, gun-slinging archeologist honey perfectly embodied here by Angelina Jolie -- is trying to recover two halves of an ancient artifact that can control time itself. She's has to find them before a secret clan of gristly bad guys does, because if the whole thing falls into the wrong hands it could be used for evil, blah, blah, blah.
Around this 50-minute mark Lara gets her hands on one half of the artifact, but for all her supposed smarts, she's too thick to figure out that all she has to do is destroy that one half to render the artifact powerless and save the world.
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Grace (Brenda Blethyn) is a middle-aged English housewife whose husband has jumped out of a plane without a parachute, leaving her with a messy legacy of massive debt. Her beloved but modest estate in the friendly little hamlet she calls home is about to be foreclosed, and she just doesn't know how she's going to sustain herself.
She hocks her wedding ring and lets repo men take her riding lawn mower, but she's fast running out of options. That is, until her pot-head gardener Michael (Craig Ferguson) suggests they teach themselves a little DIY hydroponics and transplant his marijuana plants -- currently hidden under a tree at a local vicarage -- into her big, empty greenhouse where they can grow faster and become a source of income.
A choice little comedy with an enthusiastic spirit, "Saving Grace" gets a lot of mileage out of the paradoxical image of an adorable granny type lending her green thumb to the cannabis trade. And Blethyn ("Little Voice," "Secrets & Lies") couldn't be more ideal in the role, playing it at once na?ve and determined. "I'm becoming a drugs dealer!" she giggles effervescently.
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