Damian Chazelle at the 69th Annual Director Guild Awards held at the Beverly Hilton - Beverly Hills, Los Angeles, California, United States - Saturday 4th February 2017
The Tupac Shakur movie will be in good hands with John Singleton.
John Singleton will direct the highly anticipated Tupac Shakur biopic after finally closing a deal to take full creative responsibility for the movie. As well as getting behind the camera, Singleton will re-write and produce the project, which has been the property of Morgan Creek for several years.
John Singleton Will Direct the Tupac Shakur Movie
The movie would follow Tupac's rise to become one of the world's most popular hip-hop artist, including his murder following a boxing match in Las Vegas in 1996.
Nathan Harper is a popular kid, he's on the school wrestling team and like most teenagers, knows how to party but he's also always had a feeling of doubt in his life, just something in the background telling him something wasn't right. Delving a little deeper into his past, Nathan discovers a childhood photo of him posted on a missing persons website.
Continue: Abduction Trailer
For the first 15 minutes we're treated to the back story of '80s gangster Wilson Deleon Sr. (Manny Perez), a hard-working, merciful Bronx drug dealer just trying to make his way in this crazy world. He has a child on the way; her shrewd mother, Millie (Wanda De Jesus) has just laundered all his street earnings into a sizeable nest egg. Of course, on the night she tells him to stay in, he goes out and, of course, that's the night she delivers and, of course, that's the night his crew betrays him and two ridiculously buxom assassins gun him down.
Continue reading: Illegal Tender Review
Brewer's debut feature Hustle and Flow took open-minded viewers on a realistic foray into the world of do-it-yourself hip-hop, proving how hard life can be out there for a pimp (unless, of course, you are a member of Three Six Mafia on Oscar night). Moan continues to bathe in Tennessee hardship and failure as it alternately convinces us that life isn't much easier for backwoods Southern skanks and the men they love but who done them wrong.
Continue reading: Black Snake Moan Review
Writer-director John Singleton was only 23 when Boyz hit the big screen in 1991, and if the intervening years have brought anything into sharper focus, it's his immaturity as a writer. Boyz is a sledgehammer of a film -- powerful, but hardly subtle. Singleton centers his story on the character of Tré Styles, who's about 11 in the opening sequence. After Tré gets into a fight at school, he's taken to live with his father, Furious (Laurence Fishburne), who has a better shot at teaching him how to be a man than his mother (Angela Bassett) does. Tré's best friends are Doughboy -- a tough, pudgy, troublemaking little kid -- and Ricky -- Doughboy's good-looking, athletic younger brother. As the sequence winds to a close, Furious' paternal influence keeps Tré out of trouble while the fatherless Doughboy ends up being arrested for shoplifting.
Continue reading: Boyz N The Hood Review
That's right. Just talkin' 'bout Shaft. The remake. Er, the sequel that is -- in what might very well be the first and only time a sequel has been given the same title as the original. And believe me, that's just where the stupidity of Shaft begins.
Continue reading: Shaft (2000) Review
It just goes to show you how clueless teenagers are. At 23, I rented the movie again and realized that I had no idea what the hell Singleton was talking about. Certainly, a lot of big issues are broached in the movie: racism, sexuality, democracy, college education and its value. Higher Learning poses a lot of issues, but rarely does it offer any meaningful answers.
Continue reading: Higher Learning Review
Until recently, Howard has been one of American film's mostly unnoticed gems. A journeyman actor since the early '90s, he came into his own in Malcolm Lee's romantic comedy The Best Man, in which he served as the sleepy-eyed provocateur, wisely watching all the fools who surrounded him, goading them into fury by slyly undercutting their fantasies with his keenly observed truths. It was one of that year's great performances, but being mired in such a conventional work (not to mention being in a black film aimed at black audiences, and thus mostly invisible to the critical establishment), he never received his due. He's worked steadily since then, coming into his own with this year's Crash - turning in an open wound of a performance that stood out even in that film's excellent ensemble. In Hustle & Flow, he's found a role that puts him in the spotlight, and he grabs the role tight with both hands, though never so showily as to make you notice how hard he's really working.
Continue reading: Hustle And Flow Review
In the same South Central Los Angeles neighborhood, real life is about to crash down on 20-year-old Jody (model/singer/VJ Tyrese Gibson). He has two children by two different "baby mamas" -- level-headed Yvette (Taraji Henson) and too-young Peanut (Tamara LaSeon Bass) -- he's unemployed, and he's still living with his own mama Juanita (A.J. Johnson). He's also clashing with his mom's new man, an aging "O.G." named Melvin (Ving Rhames) who's looking to move in; and, he's got to keep his volatile roughneck friend Sweetpea (Cuba Jr.'s brother Omar Gooding) out of trouble, without getting dragged down into more trouble himself. And to top things off, he's seeing competition from Yvette's ex-con ex-boyfriend (the inimitable Snoop Dogg).
Continue reading: Baby Boy Review
"Baadassss!" is Mario Van Peebles' fond commemoration of his cantankerous father's bull-headed cinematic audacity. An unblinking, if slightly golden-toned, account of the making of Melvin Van Peebles' violent, dark, gritty and groundbreaking "Sweet Sweetback's Baadassss Song," it's a clear labor of love, and so much the better for it.
"Sweetback" -- a "ghetto Western" about a slick, taciturn pimp who becomes a hunted man for killing a couple thug cops who beat a black militant -- scared the hell out of Hollywood, yet its success ($15 million in limited release in 1971) gave rise to scores of shallower imitators that became the blaxploitation genre of "Coffy" and "Shaft."
Getting the divisive, patently anti-establishment film made was a nightmare of financing and bounced checks ("Baadasssss!" implies that drug money was to be used before Bill Cosby stepped in), of casting (writer-director Melvin played the lead when he couldn't find the right actor), of union problems (the industry guilds were practically all-white at the time -- and expensive), of controversy (an X rating), and of distribution (only two privately-owned theaters would touch it at first).
Continue reading: Baadasssss! Review
Nathan Harper is a popular kid, he's on the school wrestling team and like most...
Such an unfortunate title for this interesting movie about kindred spirits on a slow, low...
Who's the bad mutha -- shut yo mouth!That's right. Just talkin' 'bout Shaft....
As is duly noted in the chorus of the catchiest of the songs used in...
Ten years after releasing the groundbreaking Boyz N the Hood, writer-director John Singleton revisits his...