Quite possibly the most ambitious films of the year, Everest tells the true to life tale of the eight people who suddenly found themselves stuck in a blizzard on the mountain whilst attempting to reach the summit.
Jason Clarke & Jake Gyllenhaal talk about a few of the experiences they faced whilst on this unbelievable shoot. The film team travelled to many different locations, including the foothills of Everest and the Italian Alps to try and recreate the surroundings as accurately as possible. Whilst onset the film makers were constantly put in peril, they were told about avalanche warnings and their sets would occasionally be wiped out by unexpected snow movement.
As Jake Gyllenhaal says in the featurette: 'This production and the intensity of making this movie is absolutely extraordinary - it's a site to behold'.
When two different climbing parties set out on the expedition of their lives, they knew there would be dangers; however, no-one could prepare them for the tragedy that was in store. Reaching the summit of Mount Everest in Nepal is every passionate climbers dream, but this isn't a trip to take lightly. Such altitudes and temperatures are not meant to be experienced by human beings as frostbite and altitude sickness are almost inevitable perils, not to mention falling, strong winds and, of course, avalanches. As fate would have it, these climbers are about to run into one of the worst snowstorms ever documented as an earthquake hits the nation and mother nature has no mercy. Victory turns to catastrophe in an event that will change the lives of the survivors.
Continue: Everest Trailer
Blake Lively shared a beautiful picture of her breastfeeding her daughter, James, on Instagram on Thursday (16th July).
Blake Lively is proving, as if there should be any doubt, you can be a hands-on mum and continue having a successful career. She also had a positive message to add about breastfeeding. The 27-year-old beauty shared a picture on Instagram in which she is seen, wearing a bikini, breastfeeding her daughter James. Lively is currently filming on location in Thailand and has taken her eight-month-old daughter, James, along with her.
Blake Lively at the New York premiere of The Age of Adaline in April 2015.
This declining franchise really needed a jolt to the head, but the producers disappointingly opt to play it safe with an unambitious script and child-friendly action. After the OK part 3 (2003's Rise of the Machines) and a weak part 4 (2009's Salvation), this film is unlikely to win new fans or keep the old ones hoping for more. Even though it's made to a high technical standard, the movie feels derivative and safe, avoiding any properly dangerous tension for a series of badly contrived action set-pieces.
It opens in 2029, as plucky rebel John Connor (Jason Clarke) is fighting the world-dominating Skynet machines with the help of his right-hand man Kyle Reese (Jai Courtney). When Skynet sends a Terminator (the young Arnold Schwarzenegger) back to 1984 Los Angeles to kill John's mother Sarah (Emilia Clarke), Kyle follows to rescue her. But he arrives to find the timeline already altered. Sarah had been attacked years earlier, rescued at age 9 and raised by an ageing Terminator she calls Pop (the present-day Arnie). Since everything has changed, Sarah and Kyle decide to jump forward to 2017 San Francisco so they can stop Skynet from taking over the planet with its Genisys operating system. But when they arrive, they realise that there's been even more jiggery-pokery in the timeline.
The way the film wraps in and around the 1984 original is clever, with added intrigue in the fact that Kyle and Sarah haven't yet fallen for each other and conceived John. So when he turns up in San Francisco, there are all sorts of mind-bending possibilities. Alas, the screenwriters can't be bothered to play with them. Instead they structure the film as a series of rambling expository conversations leading to yet another pointless flurry of explosive carnage. Honestly, if Terminators are literally indestructible, why bother trying to defeat them with guns? And yet everyone keeps shooting at them, just making them mad.
Continue reading: Terminator Genisys Review
Some people get a once in a lifetime chance to make history. Some people, unfortunately end fining themselves part of events that live in infamy. Such is the story of the people who attempted to climb the highest mountain in the world, Mount Everest, in 1996. Their story would later be referred to as the 1996 Mount Everest disaster, as two competing expeditions were caught on the mountain by a horrific storm, leading to the most terrifying events on the mountain until that point. This is the story of those climbers.
Continue: Everest - Teaser Trailer
A meaty, fascinating story is splintered into three plot strands that battle for the viewer's attention, so while the film is never boring, it's also oddly uninvolving. Fortunately, it has an excellent cast and is shot with skill and a relentless intensity to feel like a big, epic-style dramatic thriller with heavy political overtones.
After a scene-setting prologue, the story starts in 1953 Moscow, where Leo (Tom Hardy) is a war hero now working in the military police, purging the city of its spies. Or at least its suspected spies. In the Soviet socialist utopia, crime officially doesn't exist, but Leo finds it difficult to tell his best pal Alexei (Fares Fares) that his 8-year-old son was killed in a train accident when he was so clearly tortured and murdered. Ordered by his boss (Vincent Cassel) to let it go, and menaced by his rival colleague Vasili (Joel Kinnaman), Leo continues investigating, resulting in a reprimand that sees Leo and his wife Raisa (Noomi Rapace) relocated to the the grim industrial city of Volsk. But when another young boy's body appears here, Leo gets his new boss (Gary Oldman) to see the connection.
There are at least three main plots in this film, and the filmmakers oddly never allow one to become the central strand. There's the mystery involving this brutal, unhinged serial killer (Paddy Considine) stalking boys along the railway. There's the thriller about Leo being brutally taunted by Vasili, who has a thing for Raisa and is trying to crush them for good. But the only emotionally engaging strand is Leo and Raisa's complex marriage relationship, which takes a couple of unexpected turns. Along the way, there are several action sequences shot with shaky cameras and edited so they're impossible to follow. And there's a sense that the film also wants to be a grandiose Russian epic with its expansive cinematography and big orchestral score.
Continue reading: Child 44 Review
With the war between mankind and Skynet drawing to a close, resistance leader John Connor (Jason Clarke) discovers a terrible invention - a time machine. Knowing that the almost defeated Skynet have sent a terminator back in time to kill his own mother and stop the human resistance from forming, Connor has to send his best friend and most trusted lieutenant, Kyle Reese (Jai Courtney) back in time to protect her. When Reese arrives, Sarah Connor (Emilia Clarke) is already prepared for the coming storm, as she has been raised since childhood by the machines themselves. A reprogramed Terminator (Arnold Schwarzenegger) has protected her for years, and is not preparing for the ultimate fight against the greatest enemy.
Continue: Terminator Genisys Trailer
During the Second World War, many Russian men were able to make a name for themselves as heroes. Returning home to their victorious country, many discovered that the Communist utopia they had fought to defend may have been more fictitious than they originally thought. For Leo Demidov (Tom Hardy), this truth comes harshly. Having become a hero for his efforts in the war against Germany, Demidov is given the job as a secret policeman. But when he comes across the case of a potential serial killer that hunts children, his superiors refuse to acknowledge the crime, maintaining that they live in a perfect world. After being exiled from Moscow for refusing to drop the case, Demidov must search for the real truth behind the killings, despite knowing that the truth could be dangerous.
Continue: Child 44 Trailer
'Terminator: Genisys' completely re-writes the events of 'The Terminator'.
Arnold Schwarzenegger returns for 'Terminator: Genisys'
The whole story that Kyle relayed to Sarah about his journey back in time from 2029 after being assigned the mission of protecting her by her future son John Connor is brought to life in 'Terminator: Genisys', and while you're sitting there thinking you know what happens next (we've all seen 1984's original flick 'The Terminator'), 'Genisys' turns everything you know onto its head.
Mankind has been all but wiped out. When Skynet became self-aware, it launched tactical nuclear strikes against the human race, with an army of robots finishing off the last few survivors. John Connor (Jason Clarke) leads the resistance, and the robots know this. In order to stop the war against mankind, the machines send one of themselves back in time to kill his mother, Sarah (Emilia Clarke). With Sarah Connor being a well-documented pacifist, she stands no chance of survival, leading to Kyle Reese (Jai Courtney) travelling back in time to save her. But he arrives in a very different world to what he expected. Sarah Connor is a well-trained killing machine, capable of defending herself. Reese was not the first person, or thing, to travel back in time to rescue her.
Continue: Terminator Genisys Trailer
Jeez, Paramount Pictures aren't doing themselves any favors with 'Terminator: Genisys'.
Ok, so Terminator: Genisys may turn out to be one of the finest action sci-fi movies of recent times when it's released next year but my god Paramount are doing things the hard way. Firstly, the whole Genisys thing turned out not be a joke at all and is actually the title of the film, and then Emilia Clarke, Jai Courtney, Matt Smith and Jason Clarke got cast.
Jason Clarke stars in 'Terminator: Genisys', set for release next year
And now these. Entertainment Weekly released the first official images from the movie on Wednesday (October 29, 2014) and the Twittersphere gobbled them up, chewed them up and spat them out.
Director Matt Reeves (Cloverfield) ramps up this reboot franchise with a strikingly well-written action-drama, which takes an unusually complex route through the story. By refusing to have any simplistic villains, the film encourages viewers to see all sides of the conflict, which draws out vivid emotions and some unusually relevant political themes. It's also a technical triumph, obliterating the line between animation and actors.
It's been 10 years since the events of 2011's Rise of the Planet of the Apes, and Caesar (Andy Serkis) has built a thriving ape community in the woods north of San Francisco. They haven't seen any humans in years, since the simian flu has killed all but one in every 500 people. But there's a tenacious group of human survivors in the city, and when Malcolm (Jason Clarke) and his team venture out to search for a source of hydroelectric power, they run into the ape community. Both Caesar and Malcolm are willing to talk about cooperating, but Caesar's second in command Koba (Toby Kebbell) finds it impossible to trust men after they so viciously tortured him as a young chimp. And Malcolm's sidekick Carver (Acevedo) is more than a little trigger happy, as is the community's leader Dreyfus (Oldman) back in the city.
Instead of concentrating on the conflict between apes and men, the film's perspective is through their family units. Caesar's mate Cornelia (Judy Greer) has just given birth to a son, while their older son Blue Eyes (Nick Thurston) struggles to make sense of the clash between humans and apes. Meanwhile, Malcolm's scientist partner Ellie (Keri Russell) and his observant teen son Alexander (Kodi Smit-McPhee) offer similar emotions from the human side. The script's clear suggestion is that the next generation may offer more hope for understanding, which makes the stakes startlingly high as violence threatens to break out. Indeed, the film is a bracing exploration of how our decisions today will affect our future.
Continue reading: Dawn of the Planet of the Apes Review
The sci-fi sequel certainly doesn't monkey around!
Dawn of the Planet of the Apes has proved its mettle by dominating the box office on its first weekend of opening. The sci-fi sequel swung to the top of the movie charts with a $73 million domestic debut, according to Box Office Mojo.
Jason Clarke Stars In 'Dawn Of The Planet Of The Apes,' Which Has Enjoyed An Impressive Opening Weekend.
Director Matt Reeves has taken his time crafting the follow-up to 2011's Rise of the Planet of the Apes which has paid off as critics race to praise the action movie and fans race to the movie theaters.
In a post-apocalyptical Earth inhabited by only the few humans who survived the viral pandemic that wiped out most of human civilisation less than ten years ago, man and ape are at war. A troop of genetically modified apes have taken over the planet led by the enraged and long-suffering Caesar; the first ape to have been modified enough to develop human speech and intelligence. Determined not to let humankind rule over them as they once did, the apes will stop at nothing to make sure they are never subjected to brutal scrutiny ever again. However, Caesar knows deep down that there are still good men in the world, and he also knows that if those men and his primate family don't work together to create peace in the world, it will be the end of all of them.
Continue: Dawn Of The Planet Of The Apes - Clip
Date of birth
17th July, 1969