Lisa (Paquin) is a Manhattan teen living with her single mother Joan (Smith-Cameron), an actress starring in her breakout stage role while seeing a new man (Reno). One day Lisa distracts a bus driver (Ruffalo), who hits a woman (Janney) in the street, an accident that sends Lisa into a spiral of sublimated guilt, as she lashes out in different ways at a nice classmate (Gallagher), her teachers (Damon and Broderick) and mostly her mother. And she doesn't stop there, meddling in people's lives in her effort to achieve a sense of justice.
Continue reading: Margaret Review
Sydney Pollack Sydney Pollack died aged 73 on Monday (26May08), after a nine-month battle with cancer at his home in Pacific Palisades, Los Angeles.
Today, Tom's a self-made (and self-absorbed) millionaire who spends his evenings with random bimbos and his days with best friend Hannah (Michelle Monaghan).Though they form the perfect pair, Tom doesn't view Hannah as girlfriend material until she leaves Manhattan on a six-week business trip to Scotland. Like a lovesick pup, Tom fidgets and whines until his loved one returns. Too bad for him Hannah's baggage includes a strapping Scottish fiancée (Kevin McKidd).
Continue reading: Made Of Honor Review
A football comedy disguised as a love-triangle-laugher, Leatherheads is a snappy throwback fueled by the filmmaker's affection for a bygone era. Clooney's third directorial effort is his lightest film so far, which only means he isn't flogging the fear-mongering tactics of Sen. Joseph McCarthy (Good Night and Good Luck) or dissecting the deranged brain of a game show host who believes he's a CIA operative (Confessions of a Dangerous Mind).
Continue reading: Leatherheads Review
And then there is Michael Clayton, a gripping and complicated thriller with hush-hush undertones that would fit comfortably alongside similar films from the 1970s -- think of Francis Ford Coppola's The Conversation or Alan J. Pakula The Parallax View, because Clayton writer-director Tony Gilroy certainly had pictures of this fabric in mind.
Continue reading: Michael Clayton Review
Set in Paris's small theater district, the movie tracks the intersecting lives of a virtuoso pianist, a successful actress, and a rich old art collector, each of whom is facing a huge life change. The connections between them are facilitated by Jessica (Cécile De France), a young and innocent country girl who has arrived in the big city and taken a job at an atmospheric cafe patronized mainly by the artistic types who live and work nearby.
Continue reading: Avenue Montaigne Review
A string of robberies has plagued the ghetto of King's Cross in London. The thievery seems to be centered on an architecture firm that (no surprise) is trying to clean up and reconstruct the famed slum into something more suitable for London's middle-class. Headed by pretty boy Will (Jude Law) and scruffy Sandy (Martin Freeman), the company has an internal conflict on whether it was a member of the cleaning staff (that Sandy is sweet on) or outside burglars that committed the crimes. While attempting his own makeshift stakeout, Will spots the young robber and jumps out of his posh SUV to chase him. It leads him to the home of Amira (the luminous Juliette Binoche), a survivor of the horrors of Bosnia who yearns to return to Sarajevo with her son Miro (Rafi Gavron), the thief in question.
Continue reading: Breaking And Entering Review
Frank Gehry toils in anonymity from most of the world: He's an architect. In the world of architecture, he's considered somewhat of a revolutionary, the equivalent of Dylan going electric. His shapes look somewhat sloppy and uncomfortable at first glance, using strange slopes and metal to create bewildering use of light. Eventually, however, his work becomes inviting and warm in a very peculiar sort of way.
Continue reading: Sketches Of Frank Gehry Review
Starting with footage of Castro's childhood and early manhood, some of which is new and fascinating, Bravo puts together a highlight reel that includes his earliest political alliances and adventures, his escape to the Maestra Sierra mountains where he gathered a guerilla force with Che Guevara at his side and, in 1959, his emergence in victory against the U.S. backed, armed, and trained Batista army. This is the stuff of legend but, unfortunately, as history (but not this film) informs us, this undisputed leader's promise of deliverance from tyrannical dictatorship merely morphed into his own brand of despotic, repressive rule.
Continue reading: Fidel (2001) Review
Minghella tells Mountain in two parts that fail to complement each other. In one, wounded Civil War soldier Inman (Jude Law) reaches his breaking point on Virginia's blood-soaked battlefields and decides he can't spend another day without his true love, Ada (Nicole Kidman). So he puts down his rifle and begins the long walk back to Cold Mountain, N.C. Meanwhile, back home, Ada struggles to maintain her father's house after the man passes away in a disgustingly symbolic rainstorm. She accepts help from the town tomboy (Renée Zellweger) and learns a thing or two about patience, hope, and independence in the face of danger.
Continue reading: Cold Mountain Review
Ben Affleck is Gavin Banek, a young Wall Street attorney on the fast track to becoming partner at his father-in-law's well-respected law firm. His on-the-go lifestyle takes him from the office to the courthouse, then on to charity events and back to the office for interviews and meetings. Samuel L. Jackson is Doyle Gibson, an insurance agent and recovering alcoholic engaged in a custody battle with his wife for their two young boys. He has just qualified for a new house and is trying to get back on his feet again.
Continue reading: Changing Lanes Review