Lisa (Paquin) is a Manhattan teen living with her single mother Joan (Smith-Cameron), an actress starring in her breakout stage role while seeing a new man (Reno). One day Lisa distracts a bus driver (Ruffalo), who hits a woman (Janney) in the street, an accident that sends Lisa into a spiral of sublimated guilt, as she lashes out in different ways at a nice classmate (Gallagher), her teachers (Damon and Broderick) and mostly her mother. And she doesn't stop there, meddling in people's lives in her effort to achieve a sense of justice.
Continue reading: Margaret Review
Sydney Pollack Sydney Pollack died aged 73 on Monday (26May08), after a nine-month battle with cancer at his home in Pacific Palisades, Los Angeles.
Today, Tom's a self-made (and self-absorbed) millionaire who spends his evenings with random bimbos and his days with best friend Hannah (Michelle Monaghan).Though they form the perfect pair, Tom doesn't view Hannah as girlfriend material until she leaves Manhattan on a six-week business trip to Scotland. Like a lovesick pup, Tom fidgets and whines until his loved one returns. Too bad for him Hannah's baggage includes a strapping Scottish fiancée (Kevin McKidd).
Continue reading: Made Of Honor Review
A football comedy disguised as a love-triangle-laugher, Leatherheads is a snappy throwback fueled by the filmmaker's affection for a bygone era. Clooney's third directorial effort is his lightest film so far, which only means he isn't flogging the fear-mongering tactics of Sen. Joseph McCarthy (Good Night and Good Luck) or dissecting the deranged brain of a game show host who believes he's a CIA operative (Confessions of a Dangerous Mind).
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And then there is Michael Clayton, a gripping and complicated thriller with hush-hush undertones that would fit comfortably alongside similar films from the 1970s -- think of Francis Ford Coppola's The Conversation or Alan J. Pakula The Parallax View, because Clayton writer-director Tony Gilroy certainly had pictures of this fabric in mind.
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Set in Paris's small theater district, the movie tracks the intersecting lives of a virtuoso pianist, a successful actress, and a rich old art collector, each of whom is facing a huge life change. The connections between them are facilitated by Jessica (Cécile De France), a young and innocent country girl who has arrived in the big city and taken a job at an atmospheric cafe patronized mainly by the artistic types who live and work nearby.
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A string of robberies has plagued the ghetto of King's Cross in London. The thievery seems to be centered on an architecture firm that (no surprise) is trying to clean up and reconstruct the famed slum into something more suitable for London's middle-class. Headed by pretty boy Will (Jude Law) and scruffy Sandy (Martin Freeman), the company has an internal conflict on whether it was a member of the cleaning staff (that Sandy is sweet on) or outside burglars that committed the crimes. While attempting his own makeshift stakeout, Will spots the young robber and jumps out of his posh SUV to chase him. It leads him to the home of Amira (the luminous Juliette Binoche), a survivor of the horrors of Bosnia who yearns to return to Sarajevo with her son Miro (Rafi Gavron), the thief in question.
Continue reading: Breaking And Entering Review
Before Tootsie, Hoffman had been known more for his dramatic appearances in such films as All the President's Men and The Graduate. He hadn't been involved with all-out comedy yet, whether for lack of industry faith or blind luck. So Tootsie was his first venture into this more mainstream audience area, and he more than filled the part. Which brings us to one of the greatest role-reversal movies of the 1980's, for which Hoffman was nominated by the Academy again (though he didn't win).
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That aside, this is one hell of a movie. A somewhat bizarre cross between A Clockwork Orange and The Shining, Eyes Wide Shut is the work of a meticulous craftsman -- a luscious and rich odyssey through the streets of New York, and into the minds of a couple of its residents.
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Despite all the tongue-wagging about philandering shrinksand other rumor mill jazz, "Eyes Wide Shut" turns out to notbe entirely about sex after all.
Instead its something even more shocking by Hollywood standards-- a complex and intimate study of a couple surviving a very big bump intheir marriage.
There is sex. Plenty of it. But more frequently there'salmost sex and fantasy sex when a small marital spat between a rich,handsome couple of nine years escalates into a confession that begets adownward spiral jealousy, obsession and, most of all, temptation.
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Shot in 2005, Lonergan's film spent six years in legal and editorial limbo. It may...
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