With a gentle current of comedy, this relaxed British drama finds some cleverly involving ways of approaching the concept of grief, specifically how various people need to deal with their inner pain in their own ways. It's a strikingly observant film that's also thoroughly engaging thanks to a terrific cast of actors who are given the space to develop their characters in organic ways we can easily identify with.
As a young boy, Nathan (Edward Baker-Close) folds into himself when his father (Martin McCann) is killed in a car crash. His optimistic mother Julie (Sally Hawkins) doesn't quite know how to deal with either his natural mathematical ability or his autistic inability to relate to people, but she does the best she can. And it's when he hits his teen years (now Asa Butterfield) that he begins to open up to his bristly tutor Humphreys (Rafe Spall), who encourages Nathan to travel to Taiwan to train with the British team for the International Mathematical Olympiad. In Taipei, Nathan has even more challenges as he learns to work with both the team coach Richard (Eddie Marsan) and his local study partner Mei (Jo Yang). And as Nathan begins to understand who he is, Julie also discovers that maybe she can cope after all.
Director Morgan Matthews and screenwriter James Graham have a remarkably light touch with the plot, allowing events to unfold naturally while never pushing the sentiment. They also thankfully figure out an inventive way to make a movie packed with mathematical formulae that actually feel meaningful to even the most maths-phobic member of the audience. Impressively, this lets the film get into Nathan's perspective to reveal how he sees the world and interacts with the people around him. And Butterfield plays the role with raw honesty that completely wins us over.
Continue reading: X + Y Review
Stephen Hawkins, Sally Hawkins and guests - Various stars of film and television were photographed on the red carpet as they arrived for the the EE British Academy of Film and Television Awards which were held at The Opera House in London, United Kingdom - Sunday 8th February 2015
Sally Hawkins - Various stars of film and television were photographed after the EE British Academy of Film and Television Awards which were held at the Royal Opera House in London, United Kingdom - Sunday 8th February 2015
Sally Hawkins - Shots of a variety of stars including Paddington bear himself at the Los Angeles Premiere of 'Paddington' which was held at the TCL Chinese Theatre IMAX in Hollywood, California, United States - Saturday 10th January 2015
It's difficult not to go into a movie like this with a sense of dread, as the beloved children's book becomes a live-action movie with a digitally animated, eerily realistic-looking bear. Thankfully, the task of filmmaking was given to the inventive Paul King (of Mighty Boosh fame), who made the charmingly surreal 2009 comedy Bunny and the Bull and brings a refreshingly unexpected comical sensibility to liven up this film's family-friendly formula.
It starts in darkest Peru, where a young bear (voiced by Ben Whishaw) has been raised by his aunt and uncle (Imelda Staunton and Michael Gambon), who learned about London from a British explorer. Now in need of a new home, the youngster heads across the sea and takes the name of Paddington Station when he meets the Brown family: over-cautious dad (Hugh Bonneville), over-curious mum (Sally Hawkins), sulking teen Judy (Madeleine Harris), inventive pre-teen Jonathan (Samuel Joslin) and feisty relative Mrs Bird (Julie Walters). As they help him find the explorer, he has a series of adventures, unaware that the taxidermist Millicent (Nicole Kidman) is on his trail, determined to add him to the species on exhibition at the Natural History Museum.
This Cruella De Vil-style subplot would be seriously annoying if King ever let it take over the movie, but it always remains secondary to Paddington's mayhem-causing behaviour and his bonding with the Browns. It also provides some genuine tension in a climactic action sequence in the museum. But most of the film is dedicated to Paddington's comically ridiculous antics, and Whishaw voices him with just the right mixture of curiosity and hapless mischief to make him irresistible.
Continue reading: Paddington Review
Nathan (Asa Butterfield) is different. He has an amazing way with numbers - something which will one day lead him to huge success. But for now, Nathan is unable to talk to anyone other than his father, but after he is tragically killed in a car accident, Nathan feels alone. Fast forward a few years, Nathan can relate to no one and spends all his time working on maths equations. With help from his tutor, the lovable Humphreys (Rafe Spall) and his mother Julie (Sally Hawkins), Nathan gets into the prestigious International Mathematics Olympiad and takes a trip to Taiwan to train and hone his abilities. With a steadily growing relationship with Zhang Mei (Jo Yang), a fellow contestant, Nathan could be ready to learn to love.
Continue: X + Y Trailer
Sally Hawkins - Photographs of a variety of stars as they took to the red carpet for the world premiere of 'Paddington' which was held at the Odeon cinema in London, United Kingdom - Sunday 23rd November 2014
As Colin Firth is replaced as the voice of Paddington Bear, we have a cute and funny new trailer to watch.
Missing the lead actor in your movie four months before its release? No problem! As was evidently thought by director Paul King and the makers of the upcoming children's adaptation, Paddington. A new trailer has been released for the live action movie, which is based on Michael Bond's Paddington Bear creation, whilst neatly side-stepping the absence of a voice for the titular brown bear.
A New 'Paddington' Trailer Shows The Little Bear Up To No Good In A Bathroom.
Colin Firth had been cast as the voice of Paddington - the only animated character in the movie - but stepped away from the role after it was decided that his tones didn't fit theanimation. "It's been bittersweet to see this delightful creature take shape and come to the sad realisation that he simply doesn't have my voice," the actor explained last month.
Continue reading: Paddington Bear Makes Debut In Funny New Trailer…Minus His Voice
Paddington is a young Peruvian bear who has always held a curiosity for the city of London. After his equally adventurous Aunt Lucy's home is destroyed, she decides to send him off to England after teaching him all about a famous explorer she once knew who lives there. Unfortunately, when Paddington gets to Paddington Station, he has no idea where he is or how to even exit the place. After struggling with the various signs for a long while, he is eventually spotted by the kindly Brown family, who agree to take him in until he can find out the whereabouts Aunt Lucy's explorer friend. However, Paddington's life skills aren't up to scratch and he's about to learn that there's a lot more to life in London than he initially thought. Meanwhile, he is forced to defend his life when his presence is acknowledged by an evil bear taxidermist.
Continue: Paddington Trailer
For a blockbuster about gigantic radioactive monsters, this is a remarkably humane movie. But then that's no surprise for a film from Gareth Edwards, whose micro-budget Monsters (2010) showed that effects-based movies don't need to sacrifice characterisation and real emotion. So while this film is still a big action romp, it's also cleverly grounded by believable people.
It centres on Ford (Aaron Taylor-Johnson), whose life was upended in 1999 by a nuclear accident in Japan that killed his scientist mother (Juliette Binoche) and turned his father into a conspiracy-theory nutcase. Now just as Ford returns from military service to his wife (Elizabeth Olsen) and young son, he's called back to Japan as his dad spots tremors similar to those 15 years earlier. And as three terrifying creatures rise out of the earth, Ford is drafted in to help protect humanity. Following the beasts via Hawaii and Las Vegas to an epic confrontation in his hometown San Francisco, Ford works with scientists (Ken Watanabe and Sally Hawkins) and military commanders (David Strathairn and Richard T. Jones), eventually realising that the big-daddy monster Godzilla might actually be trying to help.
One of the more interesting aspects of Max Borenstein's script is that it reveals fairly early on that humanity is responsible for all of this and also helpless to avert the coming cataclysm. And yet the military machine does what it can, firing pathetic bullets and mobilising nuclear warheads because that's all it knows how to do. This approach adds a moral complexity that plays out in the decisions the characters have to make along the way. Taylor-Johnson is fine as the bland but muscled everyman at the centre, but Cranston steals the film with a far more textured role. Watanabe proves to be a master at the distant stare, while everyone else just runs and/or yells like real people would.
Continue reading: Godzilla Review
Godzilla on his poorest behaviour in the extended trailer for the upcoming film, rampaging through cities and successfully destroying any military forces who attempt to prevent him from wiping out the human race.
The extended trailer for Godzilla has been released and shows the large lizard at his very worst: causing Tsunamis, destroying cities and taking on the US armed forces.
Advertised by Legendary pictures as "An epic rebirth to Toho's iconic Godzilla, this spectacular adventure pits the world's most famous monster against malevolent creatures who, bolstered by humanity's scientific arrogance, threaten our very existence." This upcoming movie appears to be less tongue-in-cheek than the 1998 version starring Matthew Broderick but certainly boasts a larger budget and more terrifying creature as the central focus of this action movie.
Joe Brody and his wife Sandra are working at a nuclear power plant when disaster strikes. The building collapses, forcing an immediate evacuation of employees due to a radiation leak - but when Sandra doesn't make it out, Joe decides to find out what caused the tragedy. When the government inform the media of a severe natural disaster, he is angered because he knows they are harbouring a dangerous secret. When a series of other calamities, such as a devastating tidal wave, hits New York City, it becomes almost impossible to hide the fact that there's a giant reptilian creature hellbent on destruction heading towards the city; a monster later dubbed Godzilla. The US military set out on a mission to save the world along with a surge of new recruits, but their chances of surviving at the hands of this merciless beast are looking horrifically minimal.
Continue: Godzilla - Extended Trailer
After his acclaimed drama Submarine, actor-turned-filmmaker Richard Ayoade applies his considerable visual skills to this striking blackly comical adaptation of Dostoevsky's novella. Bristling with wit and snappy details, the film's style overwhelms its emotional core, leaving us unable to feel the punch of this odyssey about a young man wrestling with his own identity.
Jesse Eisenberg stars as Simon, a loner who's still anonymous at work after seven years in his desk job. Secretly in love with the copy girl Hannah (Mia Wasikowska), he watches her through a telescope from his flat and digs through her rubbish. Then just as he's assigned to mentor the surly teen daughter (Yasmin Paige) of his manager (Wallace Shawn), James meets new employee Simon (also Eisenberg), a mirror image of himself who is far more confident, fun-loving and, yes, popular with everyone in the office.
Ayoade designs the film like a drab variation on Terry Gilliam's Brazil (and more recently The Zero Theorem), with that same claustrophobic sense of overcrowded anonymity and Kaflaesque bureaucracy. It's not particularly original, but it is fun to watch, especially on a big screen where we can take in the detailed sets and costumes, as well as a steady procession of amusing cameos from the likes of Chris O'Dowd and Submarine stars Sally Hawkins, Paddy Considine, Noah Taylor and Craig Roberts. All of this adds to the general chaos of Simon's life, as well as his deep urban angst. But we're too distracted to properly sympathise with him.
Continue reading: The Double Review
Simon is a timid, uncharismatic and largely forgettable man who doesn't seem to be getting anywhere in life. He is rarely acknowledge at work and is a stranger to all his colleagues, his mother is disappointed in his lacklustre life and to top it all off, the woman he loves, Hannah, remains firmly indifferent to his existence. With his future hanging in the balance as he fails to make an impression on anybody, his life is further thrust into oblivion with the arrival of his doppelganger and complete opposite, James - who is newly employed at Simon's work. Unlike Simon, James captivates everyone he meets and is destined for success - even Hannah has his attention as he rapidly takes over Simon's life. With everybody else totally ignorant of the creepy resemblance, Simon is forced to snatch his life back by any means possible.
Continue: The Double - Clip
Date of birth
27th April, 1976
With a gentle current of comedy, this relaxed British drama finds some cleverly involving ways...
Nathan (Asa Butterfield) is different. He has an amazing way with numbers - something which...
In the jungles of Peru, a young bear learns about and becomes obsessed with Great...
Paddington is a young Peruvian bear who has always held a curiosity for the city...
For a blockbuster about gigantic radioactive monsters, this is a remarkably humane movie. But then...
Joe Brody and his wife Sandra are working at a nuclear power plant when disaster...
After his acclaimed drama Submarine, actor-turned-filmmaker Richard Ayoade applies his considerable visual skills to this...
Simon is a timid, uncharismatic and largely forgettable man who doesn't seem to be getting...
Following a series of disastrous calamities in New York, the government are desperately trying to...
While the government go about trying to pass off a series of catastrophic events as...