Mike Epps - Tommy Davidson, Director Deon Taylor, Bryshere Y. Gray, Ebie The Daughter of Eazy-E, Steven Kramer Glickman, Snoop Dogg, Warren G, Red Grant, Big Percy, Omar Bolden of the Broncos, Duke Ihenacho of the Redskins, Ms. Blair and Drake's Father Dennis G at arclight cinemas, le jardin - Los Angeles, California, United States - Wednesday 30th March 2016
ABC is adding a new show to its roster this year.
It’s TV pickups season is upon us again and ABC is taking a walk down memory lane with a reboot of Uncle Buck. The series will be based on the John Candy 1989 eponymous film. According to TIME, the series was pitched as:
Mike Epps will star in the new comedy.
Continue reading: ABC Renews "Uncle Buck" For Full Sitcom Season
The comedian is said to be considering the role of Pryor’s father LeRoy.
Eddie Murphy is said to be in talks to join the cast of the as-yet-untitled Richard Pryor biopic, according to the Hollywood Reporter. The film is being produced by the Weinstein Co, with award winning director Lee Daniels behind the camera.
Is Eddie Murphy set for the Richard Pryor biopic?
Murphy is being line up to play the late comedian’s father, LeRoy, a boxer and WWII veteran, whose abusive relationship with his son was the subject of many of Pryor’s routines. Pryor himself will be played by Mike Epps, best known for his role in Next Friday.
Oprah Winfrey is seemingly involved in an upcoming Richard Pryor biopic and is rumoured to be playing his abusive grandmother.
Oprah Winfrey has confirmed her involvement in an upcoming biopic of the late American actor and comedian Richard Pryor. The 60-year-old added a photograph to her Instagram account in which she posed alongside Lee Daniels and Mike Epps. She added the caption "just finished a great 1st read session" and used the hashtag "RichardPryor".
Thomas Carter is a life coach who receives widespread literary fame after releasing his book 'Don't Look Back' following a nearly fatal car accident. At a book signing, he meets a troubled man named Angel Sanchez who has taken on Carter's advice so heavily that he is determined to have private therapy sessions with him. Carter discovers that Sanchez is finding it impossible to find peace in his mind as he frequently has frightening hallucinations of his dead mother who was killed and found in the river near his home. Meanwhile, Carter has his own problems which come to rise at the arrival of his brother who knows that he's not the perfect life-coach he comes across as to his readers. Sanchez is also seeing cracks in his life and, in a bid to 'heal' him, brutally holds him hostage - along with his wife and brother - and places them under threat of torture after becoming obsessed with Carter's karma-centric teachings.
Continue: Repentance Trailer
Alan Garner is going through real emotional trauma when his beloved father passes away. Following the funeral, his friends Stu, Phil and Doug decide to take him back to Las Vegas to recuperate with the hope that previous experience and lack of upcoming weddings will prevent them from getting into any major trouble again with gangs or escaped wild animals. However, that hope is soon shattered when they are jumped by a brutal gang who demand to know where they can find their flamboyant gangster friend Leslie Chow who has allegedly stole $21 million dollars. As expected, the Wolfpack end up in enormous, but hilarious, trouble yet again which leads them to question their friendship ties and vacation choices. Will the foursome survive Sin City this time round? And will Alan find the peace he's looking for?
The Wolfpack returns in the last instalment of this side-splitting trilogy. Academy Award nominated director Todd Phillips ('Road Trip', 'Due Date') returns once more with the co-writer from 'Part II', Craig Mazin ('Identity Thief', 'Superhero Movie', 'Scary Movie 4'). It looks to be a spectacular end to the film series as the foursome's previous alcohol-fuelled vacations come back to haunt them. It is scheduled for release in UK cinemas on May 24th 2013.
Stu, Phil, Alan and Doug return to Las Vegas in the hilarious third instalment of 'The Hangover' movie series. Nobody's getting married this time, but if you think the absence of a bachelor party will calm this lot down, you are so wrong. Following the events of 'The Hangover' which saw them get attacked by gangsters, mauled by a tiger, tasered by cops and inadvertently married, and of course the events of 'The Hangover Part II' which took them to Thailand where they got tattooed, shot by Russian mobsters and had sex with transgender hookers, the conclusion to this trilogy doesn't look to fare much better as these wild boys set out for one last mayhem-fuelled weekend in Sin City.
Continue: The Hangover Part III - Teaser Trailer
An energetic cast and some terrific music make up for the rather hackneyed plot of this Dreamgirls-style drama. Remade from a 1976 film, the story is that familiar trajectory of musicians who achieve fame only to fall into a string of ugly problems. It's just about watchable, but what makes it notable is that it features Whitney Houston in her last film role.
It's set in 1968 Detroit, where Sister (Ejogo) is determined to become a star. Her singer-songwriter sister Sparkle (Sparks) is the one with real talent, but she's happy to stay in the background with their other sister Dee (Sumpter). As Sister and Her Sisters, they are managed by Stix (Luke), a fast-talking charmer who falls for Sparkle. But the girls' intensely religious mother (Houston) is under no illusions: she has been there, done that and continually warns her daughters that they shouldn't go the same way she did. But of course, they have to live their messy lives themselves.
Since it's such a familiar story, the film has a cheesy, soapy feel to it, playing on the sisters' rebellion against their religious upbringing. Of course, danger is represented in the men they fall for. While good-girl Sparkle tries to keep Stix at arms' length for awhile at least, Sister must choose between two men: the poor but nice Levi (Hardwick) and the flashy but drug-addled Satin (Epps). Since we know that she will choose the wrong guy, we know it's not going to be a happy journey for her. But this trawl through the dark side gives Ejogo a chance to steal the film with a much more emotionally charged performance.
Continue reading: Sparkle Review
Jackie Gleason and Audrey Meadows pulled it off because1) they gave a certain tenacious chemistry to their characters' head-buttingmarriage, 2) Gleason had a gift for finding humor and humanity in unsympatheticroles, and 3) it was a simpler time, when idiotic get-rich-quick schemesweren't quite such a tiresome excuse for cheap laughs.
But none of this is true of the big-screen remake starringCedric the Entertainer as conniving New York City bus driver Ralph Kramden,who spends the whole movie lying to his waitress wife Alice (GabrielleUnion) while emptying their bank account to buy an antique train car (hethinks fitting it with tires is enough to create a money-making tour bus)or to race a stray greyhound at the local track.
Cedric may split sides with his stand-up routines and politicallyincorrect topical rants in the "Barbershop"movies,but here he's sleepwalking through a routine script full of uninspiredexposition ("All we need is $20,000 for the down payment..."),stereotypical characters (loud-mouthed mother-in-law), shopworn physicalgags (cayenne pepper ends up in someone's food), contrived conflicts (Ralphhas a falling out with Ed, his dim-witted plumber best pal played by half-stonedMike Epps), pop culture references ("You're just a regular UPN sitcom,ain't 'cha, Alice?"), lucky coincidences, and insultingly easy resolutionsto all life's problems.
Continue reading: The Honeymooners Review
Director Anthony Fuqua doesn't seem terribly interested in the plot of "Bait," a impotent "Enemy of the State" knock-off that reeks of a sloppy re-write designed to accommodate the comedy stylings of Jamie Foxx in the Will Smith-type role.
Fuqua's main focus is turning the picture into a resume-builder and he spends the whole two hours showing off his technique. Dripping with visual flair overkill, the chase scenes, stunts and explosions get the deluxe treatment. A 30-second sex scene is shot from about 20 angles. Even a throwaway speech Foxx gives about missing his father (it's just a line to get his ex-girlfriend in the sack) is filmed with four or five cameras -- one of them restlessly circling him as he mock-emotes -- and edited with slow-motion effects and multiple fade-ins and fade-outs.
"Lookie what I can do!" Fuqua seems to be saying, much as he did in "The Replacement Killers," Chow Yun-Fat's Hong-Kong-style American debut. "Please don't send me back to making music videos!"
Continue reading: Bait Review
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