Alex Murphy is a hard-working police officer who lives an ordinary life with his beautiful wife Clara and young son David. However, his life is swiftly turned upside down when a bomb in his car explodes leaving him with 70% burns all over his body. Meanwhile, the multinational corporation OmniCorp who have been sending out robot technology abroad for warfare purposes are now coming up with other ideas; namely to deal with the increased crime rate of Detroit. They create a robot with the intention of programming it to target major wanted criminals, but on discovering Murphy's predicament and seeing how he has lost two limbs from his accident, they decide to kill two birds with one stone by fixing him into the suit so that he's able to continue working as a cop, but with more power than he could ever have imagined. The suit has been created to give him the illusion of free will while being externally controlled, however that changes when Murphy begins to use the suit for his own means.
'Robocop' is the upcoming remake of the 1987 sci-fi action flick of the same name directed by Paul Verhoeven. This adaptation has been helmed by Jose Padilha ('Elite Squad', 'Bus 174') and written by Nick Schenk ('Gran Torino'), James Vanderbilt ('The Amazing Spider-Man') and Joshua Zetumer. It will be reaching UK cinemas on February 7th 2014.
Director Dominic Sena seems to fancy himself some kind of John Woo Jr. But John Woo ("The Killer," "Hard Boiled" and more recently "Face/Off" and "M:I-2") is an action genius who has a gift for turning gun battles into ballet and explosions into art.
Sena ("Gone in 60 Seconds") couldn't care less about art as long as his computer-enhanced mega-blasts are as big, as orange, as slow-motion and as debris-filled as possible. And if he can throw in an innocent hostage being blown apart, so much the better.
After beginning with an ironic but incredibly smug speech by film buff bad guy John Travolta about how Hollywood makes such crappy movies, the opening sequence of "Swordfish" fulfills all Sena's high-gloss, low-brow requirements -- pretty much proving Travolta's point.
Continue reading: Swordfish Review
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