Clair Defina is in her early thirties with an affluent job as a writer in New York. However, her life is plagued by anxiety, suffering severe panic attacks wherever she goes. Clair grew up with her parents in a commune, before leaving with her father after her mother died in a fire. Her friend Isolda encourages Clair to return to the town of Edgeport, and she is immediately recognised by many who knew her parents. She decides to stick around for a while, intrigued by the mystery of the townsfolk, and takes up residence with her long lost Aunt Dora. It isn't long before she realises that there's something very wrong in this town, and everyone seems to be hiding a dark secret. With the help of Isolda, they set out to uncover the mystery, but meanwhile she is being closely watched by Frank - the bastard son of the face of Edgeport, Cyrus Gest - who appears to be the only one in the town she can trust, even if nobody else does.
Continue: Frank The Bastard Trailer
Machete Cortez is a formidable former member of the Mexican Federal Police and happens to be one of the most badass, ruthless killers ever known. He is enlisted by the US President on a new mission to save the world, being asked to find a crazed anarchist named Mendez and prevent him from launching a nuclear weapon at Washington DC. However, it soon begins clear that he can't trust everyone around him and discovers that an arms dealer named Luther Voz may actually be the real villain in the situation as he is hatching a dastardly plan to cause chaos in every country in the world. There's something no-one's telling Machete about this business but he'll damn well try to find out what it is.
Continue: Machete Kills - Alternative Trailer
Machete Cortez, a former Mexican Federale agent, returns on another mission to kill as the President of the United States calls him up to recruit him to take down a dangerous and wealthy arms dealer named Luther Voz who is planning to launch a destructive new weapon into space and wage war on his own planet. With his expert training and a history of taking down the biggest crooks of the world, he is the US government's only hope at saving the planet. However, with understandable issues from being double-crossed several times before, can he really know who to trust on his latest endeavour?
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Tony Stark may have the woman of his dreams, the technological skills of a genius and the ability to save the world from the occasional threatening force, but he's starting to realise that he's not entirely invincible. Unable to sleep and distracted by feelings of guilt, he is forced to reassess his ability to defend himself and his people as his formidable adversary Mandarin threatens to dismantle his life piece by piece. As he watches his life's work burn before his eyes, he is left only with his inner strength and resourcefulness to have a chance at destroying Mandarin once and for all. For the first time, Stark is feeling very vulnerable as he struggles to come to terms with himself as just Tony Stark rather than the supposedly indestructible Iron Man.
Continue: Iron Man 3 - Alternate Trailer
Tony Stark may be Iron Man, but he's feeling less than unbreakable these days. Plagued by nightmares and guilty feelings, he is forced to doubt himself and his ability to protect himself and the ones he loves against a new enemy; the formidably ruthless Mandarin. His doubts are only amplified when his world and his power source are brutally snatched from him and left to burn at the hands of his enemy and he is left with his own internal strengths and resourcefulness alone to find the perpetrator and end his reign of terror. Stark is finally made to confront himself and his superhero identity as Mandarin sets out to prove there are no real heroes in the world.
The third instalment of this Marvel adventure, 'Iron Man 3' is set to be the most hard-hitting of the movies so far with questions being raised less about Iron Man and more about the true Tony Stark and his deeper abilities. It has been directed by Shane Black (the writer of the 'Lethal Weapon' film series) who also co-wrote the comic action flick with Drew Pearce ('Lip Service', 'No Heroics'). It is set for a spectacular release in cinemas on April 26th 2013 in the UK.
Starring: Robert Downey Jr, Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale, Jon Favreau, Ben Kingsley, Paul Bettany, William Sadler, Stan Lee, Yvonne Zima, Dale Dickey, Ashley Hamilton, Ty Simpkins, Spencer Garrett,
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For most of his life, Nick Flynn has never known his father. He has remained absent for most of his life, serving time in prison for forging cheques. Nick's father, called Jonathan, is a self-proclaimed poet and spent most of his time in prison writing letters and poems.
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Ex-cop Nick (Worthington) is only a couple of years into an excessively long prison sentence for stealing a giant diamond from a ruthless jewel magnate (Harris). But he manages to escape, positioning himself on a 21st-floor ledge above a busy Manhattan street. As the crowd gathers and cops (Banks and Burns) come to talk him down, Nick's brother Joey (Bell) and his bendy girlfriend Angie (Rodriguez) are breaking into a nearby building. Basically, it's Nick's last-ditch effort to clear his name.
Continue reading: Man On A Ledge Review
Thing is, Winter had a great intuition unfortunately neither Hollywood nor the public was in a like mind. Freaked floundered and sank and now, after years of rumors, the gimp is back out of the trunk. And it's a groovy thing.
Continue reading: Freaked Review
Writer-director Bill Condon has a talent for hitting just the right tone in his work. Whether he's paying stylistic homage to "Bride of Frankenstein" creator James Whale in "Gods and Monsters" or writing a screenplay for "Chicago" that re-envisioned the Broadway musical as a wannabe showgirl's uniquely cinematic daydream, Condon always finds a way to seamlessly marry the crux of his story to the strengths of his medium.
In "Kinsey," he legitimizes and revitalizes a rather tiresome narrative gimmick -- on-camera interviews with the characters. For a biopic about legendary sex researcher Alfred Kinsey, there could be no more apropos structure for the story. Kinsey himself interviewed thousands of Americans about their bedroom predilections in the 1940s and '50s to compile his groundbreaking, rather comprehensive and certainly controversial studies on the subject. So Condon opens the film in kind -- with a simple, head-on, black-and-white image of the bluntly matter-of-fact and obliviously awkward Professor Kinsey (Liam Neeson) being quizzed about his own background and sexual experience.
Composing the film around Kinsey's answers, Condon cues flashbacks of an upbringing under the fire-and-brimstone hand of a preacher father (John Lithgow), introduces the equally clinical-yet-passionate student who becomes his wife (Laura Linney), touches on the man's own pseudo-scientific dalliances and their promiscuous effect on his marriage, and sets the stage for the studies that helped launch the sexual revolution.
Continue reading: Kinsey Review
"The Green Mile" begins with a little deja vu. Like Tom Hanks' last mid-Century, Oscar-baiting drama, "Saving Private Ryan," it's bookended by a modern framework that finds an old man reluctantly reminiscing about a difficult year of his life, more than half a century ago.
Because of the familiar faces and the similar prestige posturing, this platitudinous structure invites a little eye-rolling as Dabbs Greer (Reverend Alden on "Little House On the Prairie"), playing the aged Hanks, begins to spin what becomes an engrossing three-hour yarn about a year of extraordinary horrors and miracles on death row in a Louisiana state penitentiary.
Hanks plays prison guard Paul Edgecomb, an unjaded joe in charge of death row who treats people on both sides of the bars with humanity and civility. Set in 1935, the central story opens with the arrival of a kindly colossus of a condemned killer named John Coffey (Michael Clarke Duncan).
Continue reading: The Green Mile Review
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"The Green Mile" begins with a little deja vu. Like Tom Hanks' last mid-Century, Oscar-baiting...