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Chelsea Walls Review


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New York living is all about location. And where you live is often a sign of your lifestyle. If you live in Brooklyn, it is assumed you are more artistically inclined then, say, someone living in Queens (though this borough is making a comeback with its cheap rent). But the most notorious creative residence in all of New York has been the Chelsea Hotel, as far back as anyone can remember. Boasting such notable alumni as Tennessee Williams, Arthur Miller, and Bob Dylan, there is still a laidback, comfortably scrappy atmosphere about the place when you walk by.

Ethan Hawke (Training Day) courageously attempts to capture the essence of what makes this landmark so addictive in his directorial debut, Chelsea Walls. A collage of character plotlines that only barely intersect, Chelsea is a unique and respectable experiment in its focus on an inanimate object as its central character. Backed by a score that appropriately feels as if it were written while observing the production, Hawke creates an environment easily accessible to both New Yorkers and the non-initiated.

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