The long-delayed sequel to the 1994 Jim Carrey hit is a terrible movie. Let's not mince words. It's an awful, unoriginal, infuriating, and endless mess. The always likeable Jamie Kennedy stars as Tom Avery, a struggling animator whose life is in flux. His wife, Tonya (Traylor Howard from TV's Monk), wants a baby badly, but the immature Tom doesn't want that responsibility. He's content to play with his precocious dog, Otis, draw on his sketch pad, and kid around with his tolerant wife.
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If only Jim Carrey's uninhibited and completely unhinged, sweet-and-sour insanity was by itself enough to carry a movie, it might not matter so much that the plot of the Farrelly Brothers' "Me, Myself and Irene" is nothing but an undercooked on-the-run road movie.
Full of crooked cops and rich, double-crossing ex-boyfriends, it's a dim bulb script the boys had shelved ages ago and dusted off last year only after a couple post-"There's Something About Mary" projects fell through.
Sustained only by its outrageousness (breast milk gags, anyone?) and Carrey's hammy physical humor, the movie does have its fair share of laughs. But between guffaws there's nothing to keep the uneven "Irene" from collapsing under its own dead weight.
Continue reading: Me, Myself & Irene Review
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