This year's winning shows were 'The Cursed Child' and 'The Band's Visit'.
The 2018 Tony Awards took place at Radio City Music Hall in New York City last night, and no-one was surprised about the big winners. 'Harry Potter and the Cursed Child' took home six awards, while the Tel Aviv based musical 'The Band's Visit' scooped a massive ten accolades altogether.
Tony Shalhoub at the 'Teenage Mutant Ninja Turtles' premiere
It certainly doesn't come as a surprise to Broadway theatre lovers that 'The Band's Visit' won Best Musical among others at this year's Tonys. Golden Globe winner Tony Shalhoub, of 'Monk' and 'Men In Black' fame, won Best Performance by an Actor in a Leading Role in a Musical, with Katrina Lenk as Best Leading Actress and Ari'el Stachel as Best Actor in a Featured Role.
Continue reading: Tony Shalhoub Leads Winners At The 2018 Tony Awards
A relaxed, amusing true story about noted Swiss painter and sculptor Alberto Giacometti, this sharply well-made film feels somewhat slight, with only a wisp of a plot. But the characters are so vivid that it's thoroughly engaging, and it's written and directed by Stanley Tucci with a terrific attention to detail. So even if the plot itself barely seems to have enough fuel to keep moving, there are constant bits of comedy, drama and emotion to hold the interest.
It's set in 1964 Paris, where journalist James Lord (Armie Hammer) agrees to sit for a portrait with Alberto (Geoffrey Rush), who says it will only take a day or two. But Alberto doesn't work very quickly, painting then repainting while constantly being distracted by his favourite muse, the prostitute Caroline (Clemence Poesy). His wife Annette (Sylvie Testud) barely tolerates this, while his brother Diego (Tony Shalhoub) just shrugs it off as he assists Alberto around the studio. James watches all of this with a smirk, then becomes a little worried as days stretch into weeks and he begins to understand that for Alberto this painting will never be completed. Indeed, he never sees any of his work as ready to show to the world.
Anchored by one of Rush's best performances yet, the film is a wonderful depiction of Giacometti's artistic process, watching him produce his work with only his own inner voice to guide him. Rush plays him as a man who never lets a moment of pleasure pass him by, and everything he does is based on spontaneous impulse. So the people around him need the patience of a saint. The wry Hammer is a terrific foil for the blustering Rush, sitting with a bemused smile watching the chaos unfold around him while wondering how he can extricate himself from this situation without ruffling the artist's feathers.
Continue reading: Final Portrait Review
It's been six years since the last Cars movie (there were two Planes movies in that time), and the filmmakers have wisely decided to go back to basics for this one. After the sequel's foray into global spy mayhem, this movie keeps its focus on the race track. There's still that nagging lack of logic in the premise: a world of cars living like people, except that there are no people. But the oddest thing about this movie is that its themes are aimed at grown-ups, not children.
It opens as Lightning McQueen (voiced by Owen Wilson) is at the top of his career, winning every race and celebrated as a rock star. Then young upstart Jackson Storm (Armie Hammer) beats him, using high-tech training methods. To boost his speed, McQueen's sponsor (Nathan Fillion) sets him up with hot new trainer Cruz (Cristela Alonzo). But the old-school McQueen doesn't like simulators; he wants to feel sand in is tyres. So he takes Cruz on a cross-country trip to tap into his roots and show her the purity of racing on a dirt track. This involves seeking out salty old trainer Smokey (Chris Cooper) as McQueen prepares for a make-or-break race. Meanwhile, a TV pundit (Kerry Washington) drastically cuts McQueen's odds of winning any more races at all.
It's unlikely that kids in the audience will be able to identify with the central idea that you need to recognise when it's time to step aside for the younger generation. But then, they're mainly watching these movies for the vroom-vroom action, then buying the merchandise and recreating the races at home. The plot is for the adults, really, and this film provides a very nice story arc for McQueen (and Cruz as well). There is also, of course, a non-stop barrage of automotive puns and sight gags, silly side characters and wacky action. The stand-out scene is a riotous demolition derby in the mud.
Continue reading: Cars 3 Review
Shaloub has bagged himself a new cushy spot as a series regular on "Nurse Jackie"
Tony Shaloub, the infinitely likeable lead of USA Network’s Monk has been tapped for another series regular role – his first recurring role since CBS’s failed 2013 comedy We Are Men. This time Shalhoub joins the cast of Showtime’s Nurse Jackie as Dr. Bernard Prince, a new ER doctor. It sounds like the actor will be playing his trademark good guy, as Variety reports that his character is great with patients, knows how to deal with his boss, Gloria Akalitus (Anna Deavere Smith), and will become a much needed shoulder to lean on for Jackie.
Shalhoub's last major TV role was in Monk, ending in 2009.
The series stars Edie Falco, Merritt Wever, Dominic Fumusa, Paul Schulze, Betty Gilpin, Ruby Jerins, Stephen Wallem, Mackenzie Aladjem and Peter Facinelli. Clyde Phillips is showrunner and executive producer. Nurse Jackie is a collaborative project between Showtime and Lionsgate. Shalhoub will start work on the show's seventh season, after the show received a two-season pickup and Peter Facinelli made his exit back in March.
Spirited and very funny, this movie should actually be rather disturbing since it's a true story about torture and murder. But director Michael Bay is so slick with the action and comedy elements that he lulls audiences to sleep, entertaining us with events that really should send chills down our spines. So the movie feels rather tasteless when you begin to think about it.
Wahlberg stars as Daniel, an obsessive bodybuilder in 1990s Miami who works as a personal trainer at a local gym. But he's becoming increasingly annoyed by the fact that his clients are much wealthier than he is. So he convinces his steroid-addicted colleague Adrian (Mackie) to help him kidnap a customer (Shalhoub) and steal his fortune. Realising that they need some help, they enlist born-again ex-con Paul (Johnson) in their plan. But none of them is very smart, and the kidnapping goes badly wrong from the start. Still, they manage to steal quite a lot before a tenacious private detective (Harris) notices something isn't right.
For a story that deals with such intensely serious themes, this is an oddly broad comedy. Bay never even tries to find dark irony here; he just focusses on how stupid these criminals are, convinced that they are as cool as the characters from their favourite movies and eerily unbothered by the fact that they are inflicting pain and even death on people for their own greedy ends. The actors inhabit the roles with a disarming naivete, so we can't help but laugh at their idiotic actions. Wahlberg plays Daniel as a muscle-head so focussed on getting what he wants that he doesn't notice the carnage in his wake; Mackie at least gives Adrian a sense of self-doubt, plus some comical romance (with scene-stealer Wilson); and Johnson has a tricky role as a religious guy with a weakness for drugs and women.
Continue reading: Pain & Gain Review
Daniel Lugo is a former criminal whose passion lies in his love for fitness and bodybuilding. When he is hired at the particularly notorious Sun Gym in Florida - a place where the pressure is on to get as big as possible, and where steroids are for sale in the locker rooms - he finds enjoyment there initially before deciding that his low wage wasn't worth it and sets out to organise a criminal method of gaining fortune and fame. He teams up with part-time gym worker Adrian Doorbal and another bodybuilder and former criminal Paul Doyle to set up a plan of extortion and kidnapping against another man, Victor Kershaw, who also has a criminal past. Despite Daniel promising Paul that there would be no-one harmed in their plot to take ownership of all Kershaw's assets, things get out of hand, people end up murdered and they find themselves on the run from the police led by detective Ed Du Bois.
'Pain & Gain' is an action comedy directed by Michael Bay ('Bad Boys', 'Pearl Harbor', 'Transformers') and written by Christopher Markus and Stephen McFeely ('The Chronicles of Narnia: The Lion, the Witch and the Wardrobe'). It is based on a set of Miami New Times articles written by investigative journalist Pete Collins in 1999 about the real Daniel Lugo and Adrian Doorbal from the Sun Gym Gang who both received death sentences for their crimes. It is due to be released in the UK on May 3rd 2013.
Director: Michael Bay,
Continue: Pain & Gain Trailer
If you were hoping for a romantic comedy with a harmless storyline, romance and inoffensive jokes, the here's a warning: read no further. 'Movie 43' is one of the most cringe-worthy and uncensored taboo-filled flicks to be released in the history of comedy. Here you will see several interlinked stories with characters' lives surrounding unusual proposals, interrupting blind kids' parties, bad parenting, teenage menstruation, a confused and slightly racist basketball coach, innovative business ideas and the kidnapping of a violent leprechaun. Once you see this movie it is unlikely you will find a subject that offends you ever again.
With twelve different comedy genius directors including Peter Farrelly ('Dumb & Dumber', 'There's Something About Mary', 'Shallow Hal'), Steve Carr ('Daddy Day Care', 'Dr Dolittle 2'), Steven Brill ('Little Nicky') and Brett Ratner ('Rush Hour') to name but a few and eight different writers, this jaw-droppingly crude and often obscene movie features a diverse star-studded cast, both British and American, who have banded together to shock you in the most hilarious ways you can think of. Whatever kind of comedy you're into, 'Movie 43' probably has something in it for everyone and it is set to hit the big screen on February 1st 2012.
Continue: Movie 43 Trailer
My favorite films are from my childhood -- Flash Gordon, Willy Wonka & the Chocolate Factory, Mary Poppins, the Muppets movies, Pee-Wee's Big Adventure, and The Never-Ending Story -- and they all presented an impossible world made real only by the power of imagination. Spy Kids ranks up there with the best children's films by creating implausible scenarios made from martial arts stunts, gee-whiz spy gadgets, robots built entirely of huge thumbs, a holodeck-like room filled with rolling clouds and stretches of golden sands, and providing total escapism for both kids and adults.
Continue reading: Spy Kids Review
Impostor is Hollywood's latest cloning experiment. Based on a short story by futurist Philip K. Dick, Impostor takes place in a future far away, when man is at war with an alien race. Spencer Olham (Gary Sinise) is on the front lines of weapons development to combat man's alien threat. But one day, things go horribly wrong and Spencer finds himself accused by the military of being an alien replicant, with an assassin's bomb implanted in his chest. Unable to believe he is anyone other than himself, Spencer escapes to search for the truth.
Continue reading: Impostor Review
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