Michael is a promisingstudent living in Armenia during the Ottoman Turkish Empire, who agrees to marry a rich woman in return for a dowry than can put him through medical school. He travels to Istanbul where he meets a reporter for the Associated Press named Christopher and his Armenian love interest Ana who grew up in France. It isn't long before a love triangle develops between the three of them which causes tension in their relationships, but all of that ceases to matter when the Empire begins the Armenian Genocide. He manages to get out of serving in the army, but after trying to save a member of his family he gets locked up in a prison camp himself. With his village in danger, all he wants is to rescue his family and his people, and Christopher - freeing himself of his jealousy of Ana and Michael's attraction - insists on helping in their escape.
Continue: The Promise Trailer
And it was probably the most British thing he ever heard.
Does peeing on someone really help with a jellyfish sting? Tom Hiddleston better hope so because he tested the theory on his co-star Tom Hollander when the latter got attacked by a gelatinous pest while they were at the beach. Needless to say, it didn't seem to work.
Tom Hiddleston peed on Tom Hollander's jellyfish sting
During his appearance on 'The Graham Norton Show' last night (February 16th 2017), 'The Night Manager' actor revealed how Hollander was stung (hopefully in just the leg or the foot or something) while taking a dip in the ocean, and the pair subsequently decided to test an age-old remedy - in the most British way possible.
Continue reading: Tom Hiddleston Talks About That Time Tom Hollander Made Him Pee On Him
The clergy has given its blessing to 'Rev'.
The Archbishop of Canterbury Justin Welby has given his blessing to BBC sitcom Rev, calling it "great entertainment" though warning that it "doesn't truly tell the whole story" of the clergy.
The cast of BBC2's 'Rev'
The third season of the BBC2 series starring Tom Hollander as Anglican priest Adam Smallbone came to an end on Monday night (April 14, 2014) and Welby told the Radio Times that it amusingly showed the issues faced by men and women of the cloth around the UK.
Continue reading: Archbishop Of Canterbury Loves 'Rev'. Sort Of.
Charles Dickens may be famous for having written some of history's greatest stories, but his own life story is probably one of the most touching of all. During a major peak in his career, he finds himself madly in love with actress Nelly Ternan who deeply admires all his literary works. He takes regular trips to London to visit her despite already being married to Catherine Thomson for more than 20 years, and Nelly's mother Frances regularly voices her concerns about what the relationship could mean for her 18-year-old daughter's future. Despite all odds, Dickens is determined to spend the rest of his life with his new lover even if that means a scandalous separation from his wife. In a bid to lower the impact it might have on his career, he vows to keep his new relationship a secret from the public.
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Curtis has said he may stop making movies, and on the basis of this film you can kind of see why: he's clearly in a rut. While this romance attempts a bit of magical whimsy, it's the same collection of sassy comedy, romantic drama and sudsy sentimentality that characterised Love Actually and Notting Hill. More troubling is how it presents that same almost offensively slanted view of British society.
The magical element is time travel, as young Tim (Gleeson) learns from his father (Nighy) that the men in his family can flit back along their timelines at will, reliving past events and fixing things where needed. Tim decides this will come in handy as he looks for a wife, and indeed he uses his skill to circle round and round charming American Mary (McAdams) until they fall in love. And over the next several years, as he figures out how to make their life together as amazing as possible, he learns that there are some limitations to this gift.
As always, Curtis gives his characters a fantasy level of wealth that doesn't really make sense. We never see Tim travel back to win the lottery, but there's no other explanation for how he and Mary are able to buy a house in a posh Maida Vale street. And these characters also live in an imagined pocket of London that has no diversity at all, as we never see anyone who isn't white and straight. But then, Tim's idyllic childhood on the Cornish coast isn't exactly believable either, complete with a quirky earth-adoring sister (Wilson) and always-confused uncle (Cordery).
Continue reading: About Time Review
We're sure the irony of calling your last ever film 'About Time' isn't lost on our perceptive readers
Undoubtedly the king of British rom-com, Richard Curtis has enjoyed a long and successful career, writing or helming some of the country’s most-loved films.
In addition to his Oscars and Bafta nominations/wins, he can probably add a ‘films played most at Christmas’ award to his illustrious list.
But the time has come, according to Curtis at least, to down tools and enjoy retirement. There will be no more writing/directing for this guy. "I waited a while in order to write About Time.
Continue reading: British Stalwart Richard Curtis To Put Down Camera And Quit Directing
Nearly 20 years after Interview With the Vampire, Neil Jordan returns to the genre to breath some new life into a mythology that has grown stale, predictable and rather mopey (see Twilight). With a lively script by Buffini, Jordan creates a lushly stylish dramatic thriller that continually takes us aback with off-beat storytelling and complex characters who don't always do what we expect them to.
The story centres on mother-daughter immortals Clara and Eleanor (Arterton and Ronan), who are on the run when they arrive in a fading British seaside town. The resourceful Clara seduces the nervous Noel (Mays) so they can stay in his dilapidated Byzantium guesthouse. To earn some cash, the always resourceful Clara turns the empty rooms into a brothel. Meanwhile, Eleanor befriends the fragile young Frank (Jones) and reveals the fact that she and her mother are actually more than 200 years old and need human blood to survive. Through all of this, they're being chased by two elder vampires, the ruthless Ruthven (Miller) and the more sympathetic Darvell (Riley), both of whom share a tangled romantic past with Clara.
Unusually intelligent, the film holds our interest with an astonishing series of twists and turns plus an array of colourful characters that play on stereotypes. Holding it all together is a fairly simple plot that reveals itself in bits and pieces until the full picture comes into focus. From this point, we pretty much know what has to happen in the big finale, but watching events unfold is satisfying and sometimes both thrilling and moving.
Continue reading: Byzantium Review
Tim Lake is 21-years-old and not exactly what you call an expert in the art of getting girlfriends. However, all that's about to change when his father lets him in on an incredible secret the day after a shambolic New Year party; all the men in their family can travel back in time and change things that have happened in their lives. Given that he is so clumsy around beautiful women, Tim uses this to his advantage, giving himself a second chance on first impressions. He manages to woo a beautiful girl named Mary with his advances, having honed them to perfection, but little does he realise just how dangerous his actions are. When he accidentally slips up during one time warp incident, he discovers that Mary has never met him before and that several months of romance have completely vanished. He must try and win her back once again, but accept that he cannot avoid the problems life and love inevitably bring - no matter how many times he tries.
Continue: About Time Trailer
Subtitled "The Untrue Story of Monty Python's Graham Chapman", this outrageously colourful animated movie certainly can't be pigeonholed as a documentary or a biopic, even though there are elements of each. The filmmakers use recordings of Chapman reading the book about his life, then hire teams of animators to create a stream-of-consciousness 3D tribute. It's not particularly easy to follow, and the absurdly Pythonesque approach isn't always successful. But the film is such an oddity that fans won't want to miss it.
Whatever it is, this isn't a straightforward retelling of Chapman's life story, although it does loosely fill in the details, with each chapter animated in a distinctly different style. It begins with his rather odd childhood, followed by his years at Cambridge, where he met Cleese, Palin, Gilliam and Jones and formed Monty Python. Their TV sketch show was launched in 1969, an unexpected hit that propelled them to stardom. Along the way, Chapman determines that he's 70 percent gay, and indulges in all the alcohol and sex he could find. He died at age 48 of throat cancer in 1989.
The film is a riotous collection of animation styles, from stop-motion to paper cut-outs. Woven into these segments are TV clips, movie scenes and interviews from the archives, and the surviving Pythons supply the voices along with special guests like Stephen Fry and, yes, Cameron Diaz. It feels oddly rambling, going down random sideroads and indulging in moments that cross lines of taste and propriety. Some segments are sharp and pointed, while others take too long to get to their punchlines. But maybe these are inside jokes we simply don't understand.
Continue reading: A Liar's Autobiography Review
Starting with its unlikely origin as an amusement park ride, the Pirates series quickly mushroomed into a sort of meta-pirate film, a vast and whirligig universe unto itself that drew in every possible nautical cliché and legend possible. Thus the first film concentrated on yo-ho-ho-ing, rum-drinking, and general pirate-y scalawaggery. The second roped in Davy Jones and The Flying Dutchman -- not to mention an excess of secondary characters and familial drama. For the third (but not necessarily last, given the teaser it ends with) entry, the bursting-at-the-seams script tosses in a raging maelstrom, an actual trip to Davy Jones' Locker, and even the sea goddess Calypso. Dead Man's Chest showed that more is not always better, with excess just leading to more excess and a general sense of lethargy -- they were just setting us up for the conclusion and marking time until then. At World's End, however, shows that Hollywood excess, when combined with the right combination of actors and an occasionally smart script, can work out quite nicely, thank you very much.
Continue reading: Pirates Of The Caribbean: At World's End Review
Date of birth
25th August, 1967
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