Professor Deborah Lipstadt spent her life documenting and writing about the atrocities that happened in concentration camps during the second World War. She wrote numerous books on the subject and in 1993 she eventually published a book on holocaust deniers, a conspiracy theory that was growing in strength mainly down to a few pseudo-historians and Nazi supporters who deny the holocaust ever happened - or at best claim the deaths and gassings have been vastly over exaggerated.
Rightfully documenting the danger of denial, Lipstadt's book brought to light just how such stories take shape to become plausible to readers and creators of such literature. One of the people she named in her book was the British historian David Irving who had written multiple books on Hitler and various parts of the war who supported the notion - amongst many other things - that Hitler didn't kill Jewish people for actively being Jewish and there were no gas chambers at Auschwitz.
Irving sues the professor and her publishers for Liable in the British court system and a long trial is set in motion. Lipstadt and her team of lawyers must find a way to prove in a courtroom setting that the holocaust did happen and Irving's claims (stated in her book) are false and that he is therefore a holocaust denier.
Continue: Denial Trailer
This much more light-hearted sequel reinvigorates the franchise after Disney's quirky but murky 2010 reboot of Lewis Carroll's classic, which sent the heroine into Underland (not Wonderland) for a dark adventure that spiralled into a Lord of the Rings-scale battle. Thankfully this time the odyssey remains personal, centred on lively characters rather than overwrought plotting. And Alice's time-travelling quest is both pointed and engaging.
After captaining her late father's ship on a global journey, Alice (Mia Wasikowska) returns to 1875 London to bad news: her mother (Lindsay Duncan) has made decisions that take her future out of her hands. As she struggles to respond, she is summoned back to Underland to help her friend Hatter (Johnny Depp), who is emotionally devastated by the fact that his entire family has been killed. So Alice decides to help by confronting Time (Sacha Baron Cohen) and stealing a device that will allow her to travel back to help the younger Hatter. But she also becomes entangled in the early life of the White and Red Queens (Helena Bonham Carter and Anne Hathaway), and the feud that grew between them as young sisters. Meanwhile, Time is terrified that Alice is unravelling the fabric of reality.
The emotional nature of Alice's mission adds a surprising layer of suspense to the entire film, while director James Bobin (The Muppets) adds a breezy comical tone to Tim Burton's stunningly visual designs. Some of the more wacky flourishes don't quite work (such as the "sea of time" imagery or Time's hand-powered vehicle), but the film more than makes up for these with wonderful character details. This lets the actors relax into their roles while cranking up the surreal touches. Wasikowska is great as the plucky heroine fighting for her right to control her own life, a strong point that's made without preaching.
Continue reading: Alice Through The Looking Glass Review
As Alice is once again taken into the magical and mysterious world that she's somehow connected to, Alice finds herself with her friends on the other side of the looking glass. Through Alice doesn't really know why, she's attached to the peculiar world and its inhabitants but her latest visit will put the young girl in grave danger.
The Red Queen has gained a dangerous new ally who is out to find the young blonde haired girl. As the clock ticks and tocks, the game of kings becomes a whole new reality and Alice must find a way to beat her opponents.
Alice in Wonderland: Through the Looking Glass is based on the characters from Lewis Carroll's novel and is produced by Tim Burton. The Muppets director James Bobin directs the feature film.
Fresh off his success from Mr Turner, Timothy Spall is playing Fungus the Bogeyman.
Timothy Spall is to play Fungus the Bogeyman in Sky1's adaptation of Raymond Briggs' classic tale. The four-part series will co-star Keeley Hawes, Victoria Wood, Andy Serkis and Marc Warren.
Timothy Spall will play Fungus the Bogeyman in Sky1's Christmas adaptation
The show tells the story of a green slime-covered creature who lives underground, coming to the surface only to scare humans.
Continue reading: Timothy Spall To Play Bogeyman In Raymond Briggs Adaptation
Critics' awards in Los Angeles and London bring out local stars, while Johnny Depp's Mortdecai premieres in Berlin, London and L.A. Ryan Gosling, Russell Crowe and Jesse Eisenberg are snapped on their film sets, and new trailers debut for Kidnapping Mr Heineken and Good Kill...
A-list celebrities turned out in Hollywood for the starry Critics' Choice Movie Awards last weekend, including Julianne Moore, Angelina Jolie, Jessica Chastain, Eddie Redmayne, Keira Knightley, Ethan Hawke, Rosamund Pike, Michael Keaton, Reese Witherspoon, Marion Cotillard, David Oyelowo, Felicity Jones, Jennifer Aniston, Amy Adams and Chris Hemsworth. Jared Leto even matched his outfit to the blue carpet.
The Bafta nominations have been revealed, leading to some shock by what has been missed out from the ceremony.
Friday morning's British Academy Film Awards nominations show the predicted BAFTA love for home-grown movies like 'The Imitation Game' and 'The Theory of Everything', but were even more notable for who was missing from the shortlists.
Timothy Spall - snubbed by the academy?
The most obvious snub was for Mike Leigh's acclaimed biographical drama 'Mr Turner', for which Timothy Spall won Best Actor at the Cannes Film Festival. But the film only has a handful of technical nods (for cinematography, production design, costumes and make-up/hair), with nothing for Spall or Leigh, and most surprisingly no British Film nomination.
Continue reading: Bafta 2015 Nominations Reveal Secrets Of Awards Season
The actress drew parallels with the plot of her new comedy.
Emma Thompson has stepped forward to say that she's all for taking a year out of a marriage in what's known as a "sabbatical" if it is "done properly." The 54 year-old film star and mother-of-two, who is currently promoting her new comedy, The Love Punch, revealed to The Telegraph that she is a form advocate of "taking a break from each other" though not complicating things by not being with other people.
Emma Thompson Has No Qualms About Taking Time Off From A Relationship.
"I wonder whether this isn't the way forward for a lot of married couples? You look at it and think that maybe every marriage should have a kind of a sabbatical, that couples should be forced to take a break from each other every so often, if just for a year or so," Thompson revealed, adding "It's actually not a bad idea."
Continue reading: Emma Thompson Says 'Love Punch' Marriage Sabbatical Is "Not A Bad Idea"
'The Love Punch' is not very good. But it's harmless. You might even like it.
Pierce Brosnan, Emma Thompson, Timothy Spall and Celia Imrie is a pretty good cast. It just is. And there The Love Punch - a Great Marigold Hotel style movie set in the Cote d'Azur probably should work - but it hasn't really.
Pierce Brosnan [L] and Emma Thompson [R] in 'The Love Punch'
It stars ex-husband and wife Richard and Kate (Brosnan and Thompson) whose biting banter suggests the flames of their former relationship have not been fully extinguished. When their retirement nest egg is wiped out when Richard's investment firm is defrauded, the divorced duo travel to France to steal a $10 million diamond ring from the financier behind the scheme. Of course, Spall and Imrie play the couple's former neighbours who are roped in to assist the heist.
Continue reading: Brosnan, Thompson Are Far, Far Better Than 'The Love Punch'
PG Wodehouse's Blandings comic series is to be brought to the small screen in the very near future, with the BBC announcing that the popular series will be brought back to television for the first time since 1967.
Lord Emsworth's fictitious residence of Blandings Castle will return to TV screens in the not too distant future (tomorrow actually - Jan 13), as the channel looks to compete with ITV's iron grip on Sunday night programming with the ever-popular Downton Abbey. Although Steven Fry and Hugh Laurie's Jeeves and Wooster and Heavy Weather with Peter O'Toole and Richard Briers brought Wodehouse to the small screen more recently, it has still been some time since we last saw a full Blandings-set series. With such a lengthy time away from the screen, there could be a chance that the new show will not take off as the corporation hopes, but a look at the cast and crew makes things look quite promising indeed.
Timothy Spall, Jack Farthing, Mark Williams and Jennifer Saunders will take on the staring roles in the film as the inhabitants of the famous fictitious manor home and with Paul Seed (Just William) on board to direct and Guy Andrews (Lost in Austen, Absolute Power) penning the series, things are looking positive for the new show.
Continue reading: BBC Set To Bring PG Wodehouse's 'Blandings' To TV
Watch the trailer for Harry Potter and the Half-Blood Prince
Giselle lives in the conflation of every single Disney trope ever, in an animated, magical fairy-tale kingdom full of songs of her one true love. The evil queen (who is also a wicked stepmother) can't have some upstart marry the prince and move in on her territory, so she banishes Giselle from animation to reality: New York, to be precise.
Continue reading: Enchanted Review
The story is loosely based on metal icons Judas Priest, who, in 1997, replaced singer Rob Halford with an actual fan (so tell me, how would one actually know if Judas Priest replaced a band member?) Wahlberg, as Steel Dragon fan Chris Cole, is just brimming with dedication -- he works hard as a copy machine repairman, busts his ass in his Steel Dragon cover band, tells his parents he loves them, and has a long relationship with his girlfriend/best friend/manager (Jennifer Aniston, still underrated by Hollywood). After being booted from his band for taking things too seriously, Chris gets a call from the real Steel Dragon, who are interested in his pipes. Just like that, he's the new guy out front.
Continue reading: Rock Star Review
Amongst both edible entrees and feathered friends, the chicken is the idiot God...
Continue reading: Chicken Run Review
Harry Potter is growing up, and so is his movie franchise.Under the tutelage of a new director -- Alfonso Cuarón, known for both children's fare (the 1995 remake of "A Little Princess") and an edgy, insightfully soulful, sex-charged teen road-trip flick ("Y Tu Mama, Tambien") -- the boy wizard has graduated from the world of kiddie movie spectacles with tie-in toys.
"Harry Potter and the Prisoner of Azkaban" is a film in which depth of character, cunning humor and hair-raising chills come shining through the visual blitzkrieg of special effects -- which are also magnificently improved over the series first two installments. Case in point: a half-horse, half-eagle creature called a Hippogriff that gives "Lord of the Rings'" Gollum a run for his money as the most life-like CGI creation in cinema history.
Beyond just its detailed feathers (which fluff when it shakes) or its golden eyes (which bore holes in the screen with obstinate personality), this winged equine's every movement, from its canter to its peck, is a studied yet natural, amazingly fluid amalgam of the two beasts that were combined to create it.
Continue reading: Harry Potter And The Prisoner Of Azkaban Review
For a long time I've had a theory that the musical genre couldn't survive the cynicism of modern audiences except as a ironic in-joke, like the "South Park" movie or as a post-modern homage, like Woody Allen's "Everyone Says I Love You."
I couldn't have been more wrong -- and leave it to Kenneth Branagh, a writer-director-actor who has made his name revitalizing old (old, old!) school entertainment -- to prove it by bringing back the kind of weightless musical delight that carried Fred Astaire and Ginger Rogers to stardom.
For his new adaptation of Shakespeare's "Love's Labour's Lost," Branagh has re-imagined the buoyant romantic comedy as a classy, corny, 1930s movie musical, complete with uplifting dance numbers and a catalog of favorite big band ditties sung with great enthusiasm (if not great skill) by a quality cast of cheerful actors clearly having the time of their lives.
Continue reading: Love's Labour's Lost Review
Date of birth
27th February, 1957
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